Sentences with phrase «part of the exhibition entitled»

The second part of the exhibition entitled Yes I Can!

In the end, and for the first time in her career, Ambe produced a video installation as part of her exhibition entitled «Inner Water».

Called the Tree of Guardians, the gilded, shimmering layers are part of an exhibition entitled 21,39 - Jeddah's geographic co-ordinates.

I saw Richter's Decke at the Palazzo Strozzi in Florence in the spring of 2010 as part of an exhibition entitled «Gerhard Richter and the Disappearance of the Image,» which situated Richter's paintings beside those of seven other contemporary artists, but I was only riveted by this one work.

In February 2012, Vettriano's most famous painting, The Singing Butler, [23] went on display at the Aberdeen Art Gallery as part of an exhibition entitled, «From Van Gogh to Vettriano».

Saskia Leek has shown widely in New Zealand and in 2004 was part of the exhibition entitled Some Forgotten Place at the Berkeley Art Museum.

Not exact matches

COOP Gallery invites Atlanta Contemporary and Daniel Fuller to present an exhibition as a part of their second annual summer series of exhibitions entitled House Guests.

Entitled The Production Line of Happiness, the first volume is equal parts artist's book and exhibition publication.

The result was an exhibition entitled Encounters — New Art from Old (14 June — 17 September 2000), which formed part of the gallery's millennium celebrations.

The first, entitled The Production Line of Happiness, is equal parts artist's book and exhibition publication, and includes texts by the curators Mark Godfrey, Roxana Marcoci, and Matthew S. Witkovsky.

Over two dozen never - before - seen portraits painted by former President George W. Bush will be part of a special exhibition entitled Art of Leadership: A President's Personal Diplomacy.

The lecture, entitled Staged Realities, was part of a series of talks related to the exhibition Lavoro in movimento at the MAST Foundation.

They are both invested in art's revolutionary possibilities for social change as evinced in Rainer's anti-war protest dances in the 1970s and the feminist dimensions of her radical choreographic style and films, as well as in Pendleton's Black Lives Matter flag for the Belgian Pavilion in the 2015 Venice Biennial and his latest series of paintings entitled Untitled (A Victim of American Democracy), which debuted this past summer as part of Edwards» Blackness in Abstraction exhibition at Pace Gallery and are now on display in Pendleton's first show with Galerie Eva Presenhuber, Zurich named Midnight in America.

«A Colossal World» is the first of a four - part exhibition series as part of WhiteBox's 20th Anniversary, entitled EXODUS: Émigré Artists and the New York Vanguard, highlighting the artistic contributions of artists who have emigrated to New York to pursue their careers from four countries and regions — Japan, China, former Yugoslavia, and Mexico and Latin America.

The second part of the exhibition, on display in the last gallery, is entitled Us, the Residents.

One of his Rope Drawings is currently on display, for example, as part of a group exhibition at The Lewis Glucksman Gallery in Cork, entitled «Double Take,» that also features emerging artists such as Fiona Kelly, Suzanne Mooney and Sonia Shiel.

In 2012, she debuted a major work at dOCUMENTA 13 entitled Study for Strings, which was later featured at the Museum of Modern Art as part of the group exhibition, Soundings: A Contemporary Score (2013).

In his first solo exhibition in Hong Kong at Axel Vervoordt Gallery, entitled «分合 PART: MEET,» Bae presents five new black - and - white photographic prints from his «Sonamu — Pine Trees» series (2015), returning to his favorite subject of the pine trees found in the forested mountains of Gyeongju.

A selection of recent exhibitions and projects include the four part series of exhibitions The Registry of Promise at La Fondazione Giuliani, Rome, 2014; Le Parc St. Léger, Pougues - les - Eaux, France, 2014; Le Crédac, Ivry, France, 2014; and De Kabinetten van de Vleeshal, Middelburg, Holland; the 12th Swiss Sculpture Exhibition in Biel / Bienne, Switzerland, entitled Le Mouvement, co-curated with Gianni Jetzer, 2014; and Manners of Matter, Salzburger Kunstverein, Salzburg, 2014.

The work, by American artist Richard Prince and entitled Spiritual America, was due to be part of the London gallery's new Pop Life exhibition.

The new work will be on view from October 14, 2014 through April 6, 2015 as part of a multi-venue exhibition entitled I Don't Know, Or The Weave of Textile Language.

In 2012, Auad was part of a group presentation entitled «House of Cards: An Exhibition of Contemporary Sculpture,» held at Waddesdon Manor, Waddesdon, Buckinghamshire, UK, in collaboration with Christie's.

This periodical is part of the collection entitled: Dallas Museum of Art Exhibition Records and was provided by Dallas Museum of Art to The Portal to Texas History, a digital repository hosted by the UNT Libraries.

This pamphlet is part of the collection entitled: Dallas Museum of Art Exhibition Records and was provided to The Portal to Texas History by the Dallas Museum of Art.

This book is part of the collection entitled: Dallas Museum of Art Exhibition Records and was provided by Dallas Museum of Art to The Portal to Texas History, a digital repository hosted by the UNT Libraries.

In 1998, Bing's work was part of a traveling exhibition of abstract painters who are primarily influenced by Asian cultures, entitled «Women On the Silk Road.»

This photograph is part of the collection entitled: Dallas Museum of Art Exhibition Records and was provided to The Portal to Texas History by the Dallas Museum of Art.

Also while here, she debut her exhibition, Mould, which was a selection from a larger body of work entitled, Select Your Pattern Pieces According to the View You Have Chosen, to be a part of the 1999 LA International Biennial Art Invitational.

The New York visit had taken place sometime in the latter part of 1964, after Hoyland had appeared in an important group exhibition entitled «The New Generation 1964.»

The exhibition is a part of a year - long project celebrating the 10th anniversary of the Elizabeth A. Sackler Center for Feminist Art and a decade of feminist thinking at the Brooklyn Museum, entitled Year of Yes: Reimagining Feminism at the Brooklyn Museum.

This text is part of the collection entitled: Dallas Museum of Art Exhibition Records and was provided by Dallas Museum of Art to The Portal to Texas History, a digital repository hosted by the UNT Libraries.

This exhibition includes a new large - scale work entitled «Jokes on You,» featuring images of ephemera from the collections of the National Museum of American History, which was part of Rafferty's study during her Smithsonian Artist Research Fellowship.

This work, Untitled (Poetry # 98 - 1), was part of her critically acclaimed in - depth survey of paintings entitled Pouran Jinchi: A Survey (2008) at Art Projects International, as well as in an exhibition at The Vilcek Foundation in 2008.

CGI artist Kate Cooper presents a new body of work as part of her first solo exhibition in the UK at VITRINE in London entitled Ways to scale.

In 1999, Emin had her first solo exhibition in the United States at Lehmann Maupin Gallery, entitled Every Part of Me's Bleeding.

This text is part of the collection entitled: Dallas Museum of Art Exhibition Records and was provided to The Portal to Texas History by the Dallas Museum of Art.

In 1995 Zhang Xiaogang presented his Bloodline: Big Family series in an exhibition entitled The Other Face: Three Chinese Artists as part of the larger international exhibition Identità e Alterità, installed in the Italian Pavilion during the centenary 46th Venice Biennale.

That same year he produced a major installation entitled Painted / Stacked Oaxaca at the Museo de los Pintores Oaxaqueños, part of our survey exhibition MINUS SPACE en Oaxaca in Mexico.

As part of Remap 3, The Breeder presents a solo exhibition by HOPE entitled «Time will not give me time».

Highlights of the first rotation of the exhibition include Canadian photographer Christopher Wahl's arresting 2002 portrait of Queen Elizabeth, entitled The Queen in Winnipeg; Richard Avedon's 1975 portrait of the American sculptor Louise Nevelson; and Arnaud Maggs» nine - part portrait series After Nadar, from 2012.

MOCA Yinchuan, China's first museum focusing on contemporary Chinese and Islamic art, opens in Ningxia Province with a six - part exhibition entitled «Dimension of Civilization».

As part of an online exhibition entitled Succession of the -LSB-...]

Valérie Oka who was born in Abidjan, Ivory Coast, showed two projects during the Dakar Biennale, both part of the performance exhibition entitled «The Progress of Love» which had traveled in 2012 from the Centre for Contemporary Art, Lagos, Nigeria, to The Menil collection, Houston and the Pulitzer Foundation for the Arts, St. Louis, USA.

His work is currently being exhibited in London's prestigious Victoria and Albert Museum as part of the science fiction - themed exhibition Memory Palace based upon author Hari Kunzru's futuristic vision of a dystopian London, and next on his agenda is a solo exhibition entitled Controlled Spaces in Portland's Breeze Block Gallery in their main space, alongside UK - based Carl Cashman in Gallery 2.

Heng has been part of the 3rd Asia - Pacific Triennial of Contemporary Art (1999), the 7th Havana Biennial (200), the 1st Fukuoka Asian Art Triennial (1999); the inaugural Singapore Biennale (2006), She was featured in the Singapore Contemporary Artists Series presented by the Singapore Art Museum in a solo exhibition entitled Speak To Me, Walk With Me in 2011.

These artists» work form part of the latest exhibition at the Iziko South African National Gallery entitled Brave New World... 20 Years of Democracy, which will be...

Burçak Bingöl's works will be taking part in the group exhibition entitled «Learned Helplessness: on Authority, Obedience and Control», aiming to build a platform of thought and discussion on the methods of change with the metaphor of overcoming learned helplessness and mastering its contrary.

This exhibition features works that are part of a series entitled First Apple.

These artists» work form part of the latest exhibition at the Iziko South African National Gallery entitled Brave New World... 20 Years of Democracy, which will be on show from 3 July to 1 November 2014.

This is the second in a six - part series of exhibitions entitled NOW, which bring together the best of contemporary art being made in Scotland with work by leading international artists.