Sentences with phrase «part of the exhibition focuses»

The central part of the exhibition focuses on Rockall, a small islet in the North Atlantic that some consider the most remote rock in any of the oceans of the world.

While the first part of the exhibition focuses on local involvement and the story of modern art in Europe up to the Second World War, the later part deals with the huge shifts in society after 1950 and wider global influences that came into play.

A large part of this exhibition focuses on large tarp - like works composed of un-stretched canvas which simulate aerial views of rural landscapes, abstracted and made of repetitive and diligent mark making.

Robert Irwin: Dotting the i's & Crossing the t's: Part II is the second part of an exhibition focusing on...

The first part of the exhibition focuses on the Museum's historical collection of satirical and political medals from the 16th to the 20th centuries.

Not exact matches

The exhibition also focuses on the history of Dunscore Church, which dates back to 1823 and was part - funded by a # 106,400 grant from the Heritage Lottery Fund (HLF) and Historic Environment Scotland (HES).

Parts of the statement read, «This exhibition will focus on the Visual arts specifically; the traditional fine arts such as drawing, painting, photography, sculpture; architectural, environmental, and industrial arts such as urban, interior, product, and landscape designs.

A large part of the exhibition is focused on the Proboscidea, the mammalian order containing both woolly mammoths and modern elephants.

Reed Travel Exhibitions has confirmed it will host the first ATM Global Halal Tourism Summit as part of its line - up of special focus events.

Reed Travel Exhibitions director World Travel Market Simon Press said: «The cruise sector is such a vital part of our industry that it was bound to be given a strong focus at WTM 2012.

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

The exhibition is focused on the act of bringing something into being; here «realization» is taken as equal parts practical (doing, constructing) and alchemical (magical, transformative).

Stephen Friedman Gallery has announced a new solo exhibition of new works by Yinka Shonibare, MBE.This exhibition of all recent works focuses on the corruption, excess and debauchery that have in part led to the current economic crisis.

The show is a part of the 2017 Wallis Triennale, a national exhibition which focuses on Swiss art, as well as other European artists.

As part of the citywide In Focus / Enfoque: Contemporary Photography in Mexico exhibition, we wanted to make sure our members were aware that The New Gallery of Modern Art will be presenting Phyllis Galembo: Mexico this fall.

Focusing on two key works — the Pietà and the Raising of Lazarus — this exhibition examines the artistic fruits of their camaraderie, which was borne in part out of a rivalry with the High Renaissance painter Raphael.

«The exhibitions that focus on women in abstraction are important to reveal that women have been doing this and it is an important part of the story.»

Focusing on photographs, collage works, performances, films and videos produced throughout the 1970s, the exhibition reflects a moment during which practices of emancipation, gender equality and civil rights protest movements became part of public discourse.

-- The sound artist and painter developed a new body of work as part of his Artist Lab residency and exhibition in fall 2012, focused around the alternate guitar tuning scale E-D-G-B-D-G unique to the Central Andes.

«This exhibition, many years in the making, is part of the museum's series focusing on Africa's contributions to the history of knowledge — in this case, knowledge about the heavens and how this knowledge informs the creation of spectacular works of art,» said Christine Mullen Kreamer, deputy director and chief curator of the National Museum of African Art.

In collaboration with the Gordon Parks Foundation, this first half of a two - part exhibition focuses on Parks» lesser - known bodies of work, such as his elegant compositions of artists in their studios, as well as his timeless fashion photography.

This exhibition, as part of a greater continuum and reinforcing the power of abstraction, focuses on two new bodies of work ---- Planar Configurations and Linear Sequences ---- simultaneously installed within the gallery and three sites in the Mojave Desert.

The great Baroque holdings of the museum have long overshadowed other parts of the collection, and A Divine Light marks the first time that its beautiful Northern Renaissance paintings have been the sole focus of an exhibition.

a focus of the two - part exhibition is suh's «rubbing / loving project», a series which sees the painstaking resurrection of physical space onto a paper surface.

On November 11, which marks the museum's six - year anniversary, additional State of the Art works will go on view as part of the collection - focused exhibition, All or Nothing.

His works have been shown in exhibitions at the Museum of Contemporary Art Los Angeles, The Getty Museum Los Angeles, at the International Centre for Photography, recently at the Whitney Museum of American Art as part of the exhibition «Inside Out», as well as in «Mapping The City» in 2007, at Stedelijk Museum in Amsterdam, an exhibition which focuses on the artists» view on the city between 1960 and 2007.

In collaboration with the Gordon Parks Foundation, this second half of a two - part exhibition will focus on some of Parks» most celebrated and iconic imagery; demonstrating his abilities as a photographer and journalist who moved just as seamlessly documenting everyday life and injustice facing African American families across the country, framing his subjects with compassion amidst unvarnished reality.

The exhibition focuses on Krasner's recurring themes and obsessions; her belief that she was «never free of the past...» and that ``... the past is part of the present, which becomes part of the future.»

The exhibition forms part of the National Portrait Gallery's I am Me season, focussed on the intersections of art, gender and identity.

This exhibition is part of a series of focus shows concentrating on a single project or body of work within an artist's larger practice which began last May with presentations by Apichatpong Weerasethakul and Gustav Metzger.

This impulse to decentre the hegemony of the male gaze is accompanied by a desire to focus on the archive's many narrative arcs, resulting in an exhibition in three parts.

The exhibition is part of the focus on the digital revolution in this year's programming at the ZKM Karlsruhe and is being presented in cooperation with the Chronus Art Center in Shanghai, the Nam June Paik Art Center in Seoul and CAFA Art Museum in Beijing.

This sculpture was a part of his 2014 exhibition at the Hasted - Kraeutler Gallery, focused on the homages to the famous artistic names as Marcel Duchamp and David Hammons.

Lidén's exhibition at the New Museum is part of a series of focus shows that began last May with presentations by Apichatpong Weerasethakul and Gustav Metzger.

The second installment of the two - part exhibition, Hammer Contemporary Collection: Part II focuses on figurative and imagistic wopart exhibition, Hammer Contemporary Collection: Part II focuses on figurative and imagistic woPart II focuses on figurative and imagistic works.

175 years after the invention of photography, the extensive two - part exhibition presents a somewhat different history of the medium: rather than focusing on technical, sociological aspects or those related to media science and art history, it tells the story of photography from the point of view of artists.

By addressing certain issues that have both united and polarized the neighborhood over the last 30 + years, the exhibition will encourage artists and community members to become an active part of the conversation by focusing on the particular insights and experimental processes that artists bring to imagining new urban spaces.

The exhibition was created by Ulf Küster, curator at the Fondation Beyeler, and is part of the «Courbet Season», a joint venture with the Musées d'art et d'histoire in Geneva, which is mounting a concurrent show in the Musée Rath that focuses upon Courbet's years in Switzerland.

The exhibition is divided into two parts: Gallery One is focused on ideas of rationality in classical art and Gallery Two, on religion.

Cullinan made the picks for «In Part,» an exhibition of works from the Prada collection that focuses on close - ups, cropped images, and body parts by artists who include Lucio Fontana, Maurizio Cattelan, Richard Serra, William Copley, and John Baldessari — a disproportionately male lineup barely relieved by the presence of an Eva Hesse and the Bourgeois on view in other buildings.

The first part of the exhibition, with the main title Attitudes, presents a compact, tentative overview of art and focuses on the themes of sustainability and ecology.

Focus on Artists is part of 75 Years of Looking Forward, a series of exhibitions and events organized in celebration of the museum's anniversary.

Prior to moving to the UK, she curated as part of the collective M.U.L.E. exhibitions throughout the Los Angeles area focused on cultural and community based issues.

In collaboration with the Gordon Parks Foundation, this first half of a two - part exhibition focuses on lesser known bodies of work by the late multihyphenate artist — photographer, film director, composer, and writer — Gordon Parks.

Mr. Hibit is curating a group exhibition at Ortega y Gasset Projects, Gowanus, Brooklyn, opening late June 2016; he is part of a three - person exhibition at the Geoffrey Young Gallery, Great Barrington, MA, August 2016; and is the focus of a one - person exhibition at the University of Vermont, September 2016.

This exhibition is part of a series focusing on a single project or body of work within an artist's larger practice.

The second part of the exhibition, envisioned like a drafting room, focuses on the lives and conditions of materials.

Smith's current exhibition at the Contemporary Arts Museum of Houston, part of the museum's Perspectives series, focuses on three video installations: Elevator, Bulto: Fragments, and Xilitla: Dismantled 1.

Exhibition: «Radical Women: Latin American Art, 1960 — 1985» at Brooklyn Museum This first - of - its - kind show, which traveled from the Hammer Museum in Los Angeles, where it was part of the Getty Foundation's Pacific Standard Time: LA / LA initiative, focuses on contemporary art made by Latin American and Latina women artists over the course of two and a half decades.

The roles nature and time play in modern society is fittingly the focus of this three - part exhibition.