Sentences with phrase «part of the exhibition including»

Work from the art gallery's rich permanent collection will also be on display as part of the exhibition including 20th century naked portraits from Stanley Spencer's painting of his second wife Nude, Portrait of Patricia Preece (1935) to John Coplan's photographic Self Portrait Upside Down (1992).

The second part of the exhibition includes photographic work by Peter Campus, Gregory Crewdson, Eldon Garnet, Andreas Gursky, Zoe Leonard, John Pfahl, Gary Schneider and Hiroshi Sugimoto.

The second part of the exhibition includes works by artists programmatically - following academic painting of the 19th century, and references to classical painting firmly tied to the Renaissance heritage.

Not exact matches

Its aim is to address the on - going skills shortage, helping to tackle short and long - term recruitment needs through its educational outreach programme, including its upcoming STEMs day at the Manchester Science Museum on the 15th November as part of the museum's Robots Exhibition.

Just a few weeks ago, the head of exhibitions was studying the correspondence between Steenstrup and Darwin as part of her search for objects to include in an upcoming exhibition.

The money for Hull is all part of a package for the Northern Powerhouse which includes funding the iconic new Factory Manchester and the Great Exhibition of the North.

Back in the 1800s, the warehouses which formed a large part of the city's commerce started to become the unlikely setting for old school dates, as they gradually got converted into restos, shops and art exhibition spaces, including the well regarded Arnolfini.

Thanks to Heritage Schools, half a million children have already taken part in a range of stimulating projects including creating local heritage films, community exhibitions and some have even campaigned to have their local war memorial included on the National Heritage List for England.

Passionate about design and learning, Michael has been sharing his lessons learned during the evolution of eLearning and HTML5 through webinars and exhibitions; including taking part in speaking at ATD...

Passionate about design and learning, Michael has been sharing his lessons learned during the evolution of eLearning and HTML5 through webinars and exhibitions; including taking part in speaking at ATD (formerly ASTD), LTEN (formerly SPBT), DevLearn and Learning Solutions Conference.

As part of Reading's Year of Culture 2016, and to coincide with national Heritage Open Days, RG Spaces put on an exhibition of art and beautiful books, including Two Rivers Press books, at The Turbine House.

The @Large exhibition is included as part of general Alcatraz admission.

World Travel Market Africa is part of Thebe Reed Exhibition's Africa Travel Week, which also includes IBTM Africa and ILTM Africa at The Cape Town International Convention Centre from 28th April — 3rd May 2014.

The Castle is home to several exhibitions, including «The Queen» by light artist Chris Levine and holographer Rob Munday, which features, «Equanimity», a world - renowned holographic portrait of Her Majesty commissioned as part of Jersey's celebrations of its 800 - year - old relationship with the monarchy.

www.arabiantravelmarket.com ATM is part of Reed Travel Exhibition's World Travel Market events, which also includes WTM London, WTM Latin America and WTM Africa.

Arabian Travel Market is part of Reed Travel Exhibition's WTM Portfolio of events, which also includes World Travel Market, World Travel Market Latin America and World Travel Market Africa.

Other portfolio highlights include his Postr Club work created with Spin, which was on show as part of the group exhibition at Twenty Twenty Two in Manchester around this time last year and a brilliant little film publication which demonstrates a deft way with layout and using found imagery.

This exhibition at the Serpentine Sackler Gallery was part of the Serpentine's 2015 Spring Programme, which included a major survey by American artist Leon Golub that ran concurrently at the Serpentine Gallery.

Cai has been the subject of numerous international solo exhibitions, including «Cai Guo - Qiang — An Explosion Event: Light Cycle Over Central Park» (2003) at Asia Society Museum, as well as a part of such seminal group exhibitions as Asia Society's «Inside Out: New Chinese Art» (1998).

Notable early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; seven of Bruce Nauman's seminal early shows; eleven Richard Long exhibitions; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 — part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti.

This exhibition forms part of IMMA's programme of painting exhibitions, which has included major exhibitions by Lucian Freud, Howard Hodgkin and Francesco Clemente.

What was always a private practice of creating work on a multitude of surfaces, including show invitations, sketchbooks, and ceramics, has recently become an important part of the artist's public exhibitions.

Drawing on work included in the exhibition Human Interest: Portraits from the Whitney's Collection, this two - part course offers new perspectives on the genre of portraiture.

This exhibition puts the Gee's Bend quilts in context by featuring the work of master quilt maker Mary Lee Bendolph and those she influenced, accompanied by the art of artists working in the found - object tradition who are part of her artistic sphere, including Thornton Dial and Lonnie Holley.

The exhibition Disfarmer — The Vintage Prints is part of a series of exhibitions about photo studios that Foam has presented in recent years, including Portraits from Isfahan, Fotogalatasaray and Miryam Sahinyan's Photo Studio.

Part portraiture, part collage constructed of disinherited consumer «waste» collected in nearly fifty countries, part sociopolitical archive, but wholly humanist, Currier's work has been featured in numerous solo shows, including a major solo exhibition at the Bolivarian Republic of Venezuela Embassy in Washington,Part portraiture, part collage constructed of disinherited consumer «waste» collected in nearly fifty countries, part sociopolitical archive, but wholly humanist, Currier's work has been featured in numerous solo shows, including a major solo exhibition at the Bolivarian Republic of Venezuela Embassy in Washington,part collage constructed of disinherited consumer «waste» collected in nearly fifty countries, part sociopolitical archive, but wholly humanist, Currier's work has been featured in numerous solo shows, including a major solo exhibition at the Bolivarian Republic of Venezuela Embassy in Washington,part sociopolitical archive, but wholly humanist, Currier's work has been featured in numerous solo shows, including a major solo exhibition at the Bolivarian Republic of Venezuela Embassy in Washington, DC.

He joined the «Irascibles» in protest against the Met's exclusion of avant - garde artwork from its juried exhibitions, and he was also part of the Studio 35 three - day symposium on abstract art, which included — among others — Norman Lewis, James Brooks, Theodoros Stamos, and Willem de Kooning.

An accompanying solo exhibition at the Mönchehaus Museum presented an untitled installation made in 2015 that is comprised of seven parts: four wooden towers and three columns incorporating a range of materials including mirror foil, glass, plastic flowers, spray paint, plaster, acrylic, woven polypropylene, medication instructions, coloured tape, photographs, metal clips, magazine covers, and paper.

She is known for bridging fine art and other art forms, including music and film, and for championing fashion as part of her practice — where she has seamlessly presented fashion designers, such as Karl Lagerfeld and Marc Jacobs I her exhibitions alongside visual arts.

His work is currently included in a group show at the Migros Museum für Gegenwartskunst in Zurich, and will be presented as part of a three - person exhibition the Brant Foundation in Greenwich, CT this spring.

This morning several news outlets — including Artsy, Frieze, and Out Magazine — published parts or all of an open letter allegedly written by artist Dana Schutz asking the co-curators of the 2017 Whitney Biennial, Christopher Y. Lew and Mia Locks, to remove her controversial painting of Emmett Till from the exhibition.

Barbara Lee's extraordinary gifts deepen the ICA's holdings of works by Louise Bourgeois, Tara Donovan, Marlene Dumas, Mona Hatoum, Cindy Sherman, and Lorna Simpson, and adds seminal works by artists who are part of the ICA's exhibition history including Sandra Cinto, Ellen Gallagher, Rachel Harrison, Eva Hesse, Jenny Holzer, Roni Horn, Louise Lawler, Ana Mendieta, Doris Salcedo, Joan Semmel, Amy Sillman, Kiki Smith, Shelburne Thurber, Kara Walker, and Lisa Yuskavage.

Part portraiture, part collage constructed of disinherited consumer «waste» collected in nearly fifty countries, part sociopolitical archive, but wholly humanist, Currier's work has been featured in numerous solo shows, including a major solo exhibition at the BolivariaPart portraiture, part collage constructed of disinherited consumer «waste» collected in nearly fifty countries, part sociopolitical archive, but wholly humanist, Currier's work has been featured in numerous solo shows, including a major solo exhibition at the Bolivariapart collage constructed of disinherited consumer «waste» collected in nearly fifty countries, part sociopolitical archive, but wholly humanist, Currier's work has been featured in numerous solo shows, including a major solo exhibition at the Bolivariapart sociopolitical archive, but wholly humanist, Currier's work has been featured in numerous solo shows, including a major solo exhibition at the Bolivarian...

He returned to his artistic practice in 2005, and has since exhibited in several group exhibitions including State of Mind: New California Art Circa 1970 co-organized by the Berkeley Art Museum and the Orange County Museum of Art; Ends of the Earth: Art of the Land to 1974 at the Museum of Contemporary Art, Los Angeles; and Afterlife: A Constellation, curated by Julie Ault as part of the 2014 Whitney Biennial.

MUSEUM OF THE AFRICAN DIASPORA, SAN FRANCISCO, Jan. 16 Spanning film, art and music the Museum of the African Diaspora has a full day of activities planned in observance of King Day, including its current exhibitions — «A Matter of Fact: Toyin Ojih Odutola,» «David Adjaye: Urban Africa,» and «Nyame Brown — Classroom in Nevérÿon,» part of its emerging artist prograOF THE AFRICAN DIASPORA, SAN FRANCISCO, Jan. 16 Spanning film, art and music the Museum of the African Diaspora has a full day of activities planned in observance of King Day, including its current exhibitions — «A Matter of Fact: Toyin Ojih Odutola,» «David Adjaye: Urban Africa,» and «Nyame Brown — Classroom in Nevérÿon,» part of its emerging artist prograof the African Diaspora has a full day of activities planned in observance of King Day, including its current exhibitions — «A Matter of Fact: Toyin Ojih Odutola,» «David Adjaye: Urban Africa,» and «Nyame Brown — Classroom in Nevérÿon,» part of its emerging artist prograof activities planned in observance of King Day, including its current exhibitions — «A Matter of Fact: Toyin Ojih Odutola,» «David Adjaye: Urban Africa,» and «Nyame Brown — Classroom in Nevérÿon,» part of its emerging artist prograof King Day, including its current exhibitions — «A Matter of Fact: Toyin Ojih Odutola,» «David Adjaye: Urban Africa,» and «Nyame Brown — Classroom in Nevérÿon,» part of its emerging artist prograof Fact: Toyin Ojih Odutola,» «David Adjaye: Urban Africa,» and «Nyame Brown — Classroom in Nevérÿon,» part of its emerging artist prograof its emerging artist program.

The first, entitled The Production Line of Happiness, is equal parts artist's book and exhibition publication, and includes texts by the curators Mark Godfrey, Roxana Marcoci, and Matthew S. Witkovsky.

The result of a close collaboration between Wolfson and the book designer Joseph Logan, the publication is part exhibition catalogue and part artist's book, and includes a text by Wolfson that provides context for the visual material.

Senior curator Jennifer Powell explains the exhibition will include «early sculptures and works on paper from the late 1930s onwards as well as large scale paintings from 1940 - 51, the period in which Pousette - Dart was part of the burgeoning New York art scene and developing Abstract Expressionism.

This exhibition at the Serpentine Gallery was part of the Serpentine's 2015 Spring Programme, which included an exhibition by Cameroon - born artist Pascale Marthine Tayou presented concurrently at the Serpentine Sackler Gallery.

In addition to this, Jarvis has independently curated and consulted on many fine art exhibitions including: The Amistad Center for Art and Culture's Double Exposure: African Americans Before and Behind the Camera five - city traveling exhibition (2007 - 2010); Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (2014of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (2014of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (2014of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (2014Of Present Bodies at the Arlington Arts Center, VA (2014).

Permanent works and public projects include Streetcar Stop for Portland, Regional Arts and Culture Council, Portland (2014); Plat 99, Bar and Lounge designed for The Alexander Hotel, Indianapolis, (2013); Tecoh, private residence, Yucatán (2012); Untitled (reinstallation of the Latin American Galleries), LACMA Los Angeles County Museum of Art, Los Angeles, US (2008); Untitled (Guadalajara Light Piece), Solares Foundation, Guadalajara (2005); House for Cesar and Mimi Reyes, Old San Juan (2004); Project, a reimagining of the lobby and new bookshop for Dia Art Foundation Chelsea, New York, US (2000); 4166 Sea View Lane, a proposal as part of an exhibition for LA MoCA to build an artist's house on a hillside in Mount Washington, Los Angeles, for which Pardo designed every element of the building (completed 1998).

This exhibition is part of the museum's The Artist Speaks series that includes a large video installation of the artist explaining the work in her own words.

Her work is included in the permanent collection of the High Museum and is part of an ongoing exhibition in Bratislava, Slovakia through Art in Embassies.

Sworn's most recent solo exhibitions include The Rag Papers > at the Chisenhale Gallery, London, and the Neuer Aachener Kunstverein, Germany, and Endless Renovation, which was part of Tate Britain's Art Now programme.

This exhibition will include her early paintings of the 1950s, her «painting constructions» with moving parts of the 1970s, and later crossovers between painting, performance, and film.

Notable early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; seven of BBruce Nauman's seminal early shows; eleven Richard Long exhibitions; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 — part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti.

This past year my work has been included in exhibitions at the 2012 New York Photo Festival (Brooklyn, NY), South Hill Park Arts Centre (Bracknell, UK), Artspace New Haven (CT), Galerie Jeanroch Dard (Paris, France) and most recently a solo exhibition, The Dubious Sum of Vaguely Discernable Parts, at the Bindery Projects in St. Paul, Minnesota which included a series of text based drawings, a photo installation and ephemeral print publication of images and writings.

Highlights of NYCxDESIGN included BKLYN DESIGNS, WantedDesign, and the International Contemporary Furniture Fair (ICFF), and Pratt took part in these events with demonstrations, installations, and exhibitions of student work.

The fourth floor of the exhibition will feature a number of large - scale works by Bayrle, including his monumental Flugzeug (Airplane)(1984), presented alongside his recent kinetic sculptures made of repurposed automobile parts repeatedly reciting the rosary, as in his much - celebrated inclusion in dOCUMENTA 13 (2012).

Earlier this year, her work could be seen at the Museum of Contemporary Art in Detroit as a part of CCA Wattis Institute's traveling exhibition, When Attitudes Became Form Become Attitudes, and will be included in a forthcoming publication.