Sentences with phrase «part of the exhibition material»

Andrew Osborne, who is a PhD candidate at Goldsmiths and currently works at the Royal College of Art, has contributed to the catalogue essay Anthropsensory: The New Ethico - Aesthetic Paradigm, which forms an integral part of the exhibition material.

VISITING ARTIST MARGERY AMDUR February 22 — March 6, 2018 Amdur's residency is a part of the exhibition MATERIAL SLIP.

ART EVENTS VISITING ARTIST MARGERY AMDUR February 22 — March 6, 2018 Amdur's residency is a part of the exhibition MATERIAL SLIP.

ART EVENTS ARTIST TALK IO PALMER Sunday, March 4 at 2:30 p.m. Commons Gallery Combined opening reception for 2018 MFA Thesis Exhibition, Material Slip, The Extended Hawaiian Body Sunday, March 4, 2018 3:00 — 5:00 p.m. Palmer's talk is a part of the exhibition MATERIAL SLIP.

Not exact matches

Cornelia Parker, famed for her use of found and overlooked materials, presents War Room as part of an exhibition of new commissions and retrospective installations at The Whitworth until Sunday 31 May 2015.

The result, called The Botanic Ash, is now part of an exhibition of Stead's work in the Caledonian Hall at the Royal Botanic Garden, illustrating the wealth of material that can be derived from just one tree.

In addition, a large part of the exhibition will be dedicated to the first public presentation of archival materials from the Joan Mitchell Foundation.

An accompanying solo exhibition at the Mönchehaus Museum presented an untitled installation made in 2015 that is comprised of seven parts: four wooden towers and three columns incorporating a range of materials including mirror foil, glass, plastic flowers, spray paint, plaster, acrylic, woven polypropylene, medication instructions, coloured tape, photographs, metal clips, magazine covers, and paper.

The result of a close collaboration between Wolfson and the book designer Joseph Logan, the publication is part exhibition catalogue and part artist's book, and includes a text by Wolfson that provides context for the visual material.

Degas used his razor - sharp memory to make an astonishing group of monotypes that I found to be the highlight of the exhibition, in part because he made a major change in materials, method and process.

Each of the museum's two current headline exhibitions — Anna Betbeze's Venus and Matthew Angelo Harrison's Dark Povera Part 1, both on view through December 17 — engage that complicated relationship in indirect but interesting ways: Betbeze is a Georgia native who continues to make work here despite now living in New York, and Detroit artist Harrison's show draws much of its source material from Atlanta - based collections of African art.

Galerie Lelong presents 14 striking new sculptures by Petah Coyne in Vermilion Fog, an exhibition divided into two parts — Dante's Inferno and Unforgiven, allusions to literature and film that loosely frame the works by themes of loss, chaos, and redemption.Vermilion Fog is a monumental exhibition for the artist known for her use of diverse materials in large works whose grace and fragility belie their immense weight and arduous process.

NSK Folk Art is part of a London wide presentation in cooperation with Tate, who will be hosting a Symposium and which will also include a music performance at Tate Modern's Turbine Hall, an exhibition of archival material at Chelsea Space (Chelsea College of Art) and a seminar at UCL.

Archival materials are spread through two geographically separated spaces, the A + D Gallery and the Glass Curtain Gallery, and the program also includes workshops and student exhibitions as part of a yearlong fellowship from the Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media.

TRIBECA & SOHO & NOHO & EAST VILLAGE & MURRAY HILL 100 Painters of Tomorrow / 23 Warren / thru 12/6 Material Way curated by Kathleen Kucka / BMCC — CUNY / 81 Barclay / thru 12/1 Carey Denniston / Kansas / 59 Franklin / thru 12/20 Anton Perich / Postmasters / 54 Franklin (new location) / thru 11/22 Terry Winters / The National Exemplar / 381 Broadway @ White — suite 206 / thru 12/31 Bianculli's Personal Theory of TV Evolution organized by David Bianculli / Apexart / 291 Church / thru 12/20 Seokmin Ko; Elena Berriolo / API / 434 Greenwich / thru 12/20 Basim Magdy; Daphne Fitzpatrick; Will Yackulic / Art in General / 79 Walker / thru 1/10 Mohammed Kazem / Grahne / 157 Hudson / thru 12/20 MFA Thesis Exhibition (Part I) / Hunter / 205 Hudson (on Canal) / thru 11/22 Ariel Orozco / Brownstone / 3 Wooster / thru 11/22 Design Series / Swiss Institute / 18 Wooster / thru 11/23 Classical Nudes / Leslie - Lohman Museum / 26 Wooster / thru 1/4 Roy Lichtenstein / Feldman / 31 Mercer / thru 12/20 Opening 11/22 Pedro Cabrita Reis / Freeman / 140 Grand / thru 12/20 Sam Samore / Team / 83 Grand / thru 12/21 Opening 11/23 Tim Noble & Sue Webster / Geiss / 76 Grand / thru 12/20 Chris Domenick / Recess Activities / 41 Grand / thru 12/20 Smoothie Social: 11/22 (3 - 6 PM) Performance: 12/18 (6 - 8 PM) Prime Matter / Senaspace / 229 Centre / thru 12/6 Thread Lines; Xanti Schawinsky / Drawing Center / 35 Wooster / thru 12/14 Open Sessions 2 / Drawing Center: The Lab / 35 Wooster / thru 12/14 Opening 11/21 Andreas Schulze / Team / 47 Wooster / thru 12/21 Opening 11/23 Phillip Chen, etc. / Museum of Chinese in America / 215 Centre / thru 3/1 Nadja Frank; Jessica Segall / Denny / 261 Broome / thru 12/7 Paul Cowan / Clifton Benevento / 515 Broadway / thru 12/20 Mitsuko Miwa / Longhouse / 285 Spring / thru 12/6 Reuven Israel / Fridman / 287 Spring / thru 12/20 Plasmatik: K.K.Thoen, G.Kroenert, S.A.March, T.Francke, S.Tufnell; curated by N.Kates / Melissa / 102 Greene / Opening 11/20 (7 - 9 PM) Social Photography IV / Carriage Trade @ Harvey Foundation / 537 Broadway / Closing Reception 11/22 (6 - 9 PM) The Right Amount of Wrong curated by Lovina Purple / ISE Foundation / 555 Broadway / thru 12/19 Ernesto Burgos / Werble / 83 Van Dam / thru 12/20 Suzatte Bross / Geary / 185 Varick / thru 12/6 Amy O'Neill / Karma / 39 Great Jones / thru 12/6 Alex Kwartler; LeRoy Stevens / Karg / 41 Great Jones / thru 11/26 Learn to Read Art: A Surviving History of Printed Matter / 80WSE / NYU / 80 Washington Square East / thru 2/14 Opening 12/2 Reception 12/12 Ernest Cole / NYU Grey Art Gallery / 100 Wash..

The exhibition presents Schnabel's five - part series Untitled (Series on Melancholia) from 1989, in which he employed the found material of tarpaulin as his canvas, and used bold, gestural white strokes to create monumental abstractions.

As if to confirm this, Barlow notes that she was rather taken with the way a delivery firm had stacked up the elements for her Hide (2010) installation in Basel (where it was eventually installed as part of a group exhibition curated by Berlin - based independent space Silberkuppe); and I get the impression she is only half joking when she says she was tempted to abandon plans for a full - scale recreation of a petrol station shell, preferring the unintentional sculptural amalgamation of the material pile instead.

The juxtapositions are both overt: the second part of the exhibition concentrates on Fontana ceramics and Ruby ceramics; and more subtle: the first two rooms of the exhibition intertwine bronze works by both artists, each of which shares a rare ability to simultaneously expose the significance of both the material from which the work was molded, with equal emphasis on the intrinsic nature of bronze as essential to the work's perception.

All elements of his studio, including his tools and materials, will be re-installed and accessible to audiences as part of the exhibition, providing a new perspective and avenue for engagement with Sharif's practice.

The funds were also used to purchase equipment to exhibit this material in MoMA's galleries, first as part of the Projects series and then in Video Viewpoints, an ongoing exhibition program formed in the late 1970s.

This January, in his first exhibition with the Goodman Gallery, Gerhard Marx presents new works that are born out of his own self - designed processes, which involve skillful manipulation of materials collected as part of an engagement with the artist's physical urban context.

The artists represented in this exhibition wish to restore tactility to painting, to redefine drawing as part of the pictorial and to go beyond Postmodernism to retrieve the fullness of painting as major art, including its tactility, explicitly material surface and capacity for metaphor as well its purpose to fulfil what Henri Bergson defined as its principle function: to be «life enhancing» in its vitality.

This two - part exhibition presents the photographs of artist Gunnie Moberg alongside archive material and films by the influential filmmaker and writer Margaret Tait.

Continuing his practice over many years of challenging any hierarchy based on the material form in which his art exists, Weiner has devised a temporary tattoo and limited run poster as part of the exhibition, which are both available in the gallery bookshop.

The first part of the exhibition From a Poem to the Sunset is devoted to conceptual approaches concerned both with the significance of artistic traditions and with the collision of divergent cultural, media and material worlds.

Viewers are invited to sit, observe, and draw from the model using the easels and materials provided, and the finished drawings are pinned to the gallery walls to become part of the exhibition, challenging conventional expectations of authorship.

CAMH goes on to say that an integral part of this exhibition involves, «examining source material, generally borrowed from the mass media, to expose the ways commercial images reveal the mechanisms of power.»

In the upstairs part of the house, the museum displays Magritte's paintings and archival materials and mounts rotating exhibitions of likeminded artists.

There are also supplementary materials as part of the exhibition, pulled from the gallery's almost 50 year history and extensive archive, set on shelves and in a vitrine in a separate gallery space, taking the exhibition offscreen to the physical page.

Recently on view as part of Okwui Enwezor's All the World's Futures exhibition at the 56th Venice Biennale, the artwork unites newly shot footage from remote locations on the Isle of Skye, the Faroe Islands and the Northern regions of Norway with archival material and readings from classical sources.

The Tate Modern was to show the work as part of its larger exhibition «Pop Life: Art in a Material World» but closed the gallery in which it was contained after Scotland Yard warned that the Shields photograph could violate obscenity laws.

Morehshin has been part of numerous exhibitions, festivals, and workshops around the world including Venice Biennale, Museum of Contemporary Art in Montreal, Queens Museum, Pori Museum, Dallas Museum of Art, Museo Ex-Teresa Arte Actual, Contemporary Arts Museum of Houston, Museum für Angewandte Kunst, Miami Art fair, and Material Art fair.

The exhibition consists of three parts: the artworks, the archival materials, and a lexicon of over five thousand artists born between 1880 and 1980, essentially documenting one hundred years of Chinese modern art history, which was discovered on his computer.

The exhibition is accompanied by a fully illustrated catalogue containing an introduction on the subject of the Surrealists» collecting practices, a scholarly two - part essay on the masks and the Surrealists» engagement with them, color plates with catalogue entries, and ample archival material documenting this rich art - historical narrative.

In June 2014, components of Laura's new series one man's junk will be installed as part of the Contemporary Art Forum, Kitchener and Area Biennial (CAFKA) and in the group exhibition Material World at the Indianapolis Art Center in Indiana, USA.

Due in part to the exhaustive research efforts of the Guggenheim, Stedelijk, and Zero Foundation, Group Zero's extensive network, and the ambitious material, social, and conceptual scope of their vision, the Guggenheim iteration of the exhibition is vast and informative.

Bringing together a selection of rubbings, drawings, paintings, sculptures, and installations, this part of the exhibition explores how materials themselves are imbued with charged histories as a result of their making, their use, and the economies in which they circulate.

The second part of the exhibition, envisioned like a drafting room, focuses on the lives and conditions of materials.

For his third, self - titled new solo exhibition with London's esteemed Lisson Gallery (running concurrently with major shows in Berlin & Brooklyn), Chinese dissident artist Ai Weiwei has created a monumental new installation of bicycles as part of his ongoing «Forever» series, as well as a number of hand - carved, domestic - scale copies — in various materials including wood, stainless steel and crystal — of some highly personal objects.

Exhibition: Mike Kelley at Luhring Augustine Mike Kelly's Extracurricular Activity Projective Reconstruction # 8 (Singles» Mixer) is part of a larger 2005 series of installations by the late artist titled «Day Is Done,» which used materials culled from high - school yearbook photographs as a jumping - off point.

Sarah Morris» «Red Jardim Botanico [Rio]» (2015) is part of the current exhibition at John Berggruen Gallery, «Material Considerations.»

This material is also included as part of the exhibition.

A blend of found objects and materials mixed with the artist's own texts, Witkin creates an entire room exhibition that can be conceived through its disparate parts or as a whole.

2014 The Unwinding, Cookie Butcher, Antwerp, Belgium The Little Things Could Be Dearer, MoMA PS1, New York, USA The Registry of Promise: The Registry of Moving Things, Centre d'art contemporain d'Ivry — le Crédac, Ivry - sur - Seine, France Merzen, LiveInYourHead, Geneva, Switzerland Little Forest, TOR 13, Bremen, Germany Surplus living group exhibition, KM Tempoaer, Berlin, Germany humanonhumain, Foundation D'Entreprise Ricard, Paris, France Technokinesis, Blum & Poe, New York, USA Soft Material, Wallspace, New York, USA Another Look at Detroit: Part 1 & Part 2, Marlborough Chelsea / Marianne Boesky Gallery, New York, USA Vom Dasein & Sosein.

Dan Halter's work will be on show as part of an exhibition titled Earth Matters: Land as Material and Metaphor in the Arts of Africa at the Fowler Museum at the University of California (23 April — 14 September 2014).

Curated by Caroline Picard, this exhibition is part of an on - going investigation that began with Field Static (The Co-Prosperity Sphere, 2012), Ghost Nature (Gallery 400 / La Box ENSA, 2014), and congealed last fall in a group show about the material of the human body, The New [New] Corpse (Sector 2337, 2014).

This latest exhibition presents a body of new work united as a single project — part of which will appear on the Power Plant's smokestack, rising fifty feet over Lake Ontario — and promises, cryptically, to explore «the non-metaphorical use of a cul - de-sac as a sculptural material.»

The process behind every piece, choice of available material and the social context, is all part of the exhibition at Magasin 3 Stockholm Konsthall.

The event is part of the exhibition Space Odyssey: Beyond Material Confinements, curated by Nadja Marcin exploring themes like artificial intelligence, gravity, the explosion of movement and feminine architecture.

A major part of the Garage summer exhibition season, the show — curated by Massimiliano Gioni and Gary Carrion - Murayari from the New Museum in New York — brings together around four hundred works, including ephemera and materials from the personal archive of a figure who has been key to the American art scene since the 1990s.