As
part of an exhibition titled A Love of the World, The City Gallery at the Water Tower presented photographs, commissioned by the Biennial, from Welling's Chicago series (1986 - 2017).
The paintings below are
part of her exhibition titled «View from Here», which is currently on view until August 31 at Winnipeg Art Gallery.
Aquariva by designer Marc Newson was
part of an exhibition titled Marc Newson: Transport at Gagosian Gallery in New York.
Sikkema Jenkins & Co. presented new graphite drawings and hand - printed texts on paper that explore themes of transition and migration that run throughout the African American experience in the 20th century as
part of an exhibition titled «Dust Jackets for the Niggerati — and Supporting Dissertations, Drawings Submitted Ruefully by Dr. Kara E. Walker.»
Scroll through the images below for a preview of Carucci's work, published as a book by Prestel and collected together as
part of an exhibition titled «Home Truths» at The Photographers» Gallery.
Dan Halter's work will be on show as
part of an exhibition titled Earth Matters: Land as Material and Metaphor in the Arts of Africa at the Fowler Museum at the University of California (23 April — 14 September 2014).
Also, two works by Cosentino are
part of an exhibition titled Masturbation, which runs through March 26, 2016 at Mixer.
Moleski's sci - fi inflected goddesses are currently on view as
part of an exhibition titled «Vision Quest» at New York's Museum of Contemporary African Diasporan Arts (MoCADA).
It was
part of an exhibition titled Marc Newson: Transport at Gagosian Gallery in New York.
Solo exhibitions of JVB's watercolors, sculptural installations and live art have been presented by The New Museum as
part of the exhibition titled Trigger: Gender as a Tool and a Weapon (NYC, 2017), Participant, Inc. (NYC, 2011, 2016), Art Market Provincetown (2014), and Vitrine (London, 2015).
Puff is
part of the exhibition titled Breathe in Geneva.
Not exact matches
Opening: Rachel Lee Hovnanian at Leila Heller Gallery The first
of a three -
part exhibition by Rachel Lee Hovnanian
titled «The Women's Trilogy Project, NDD Immersion Room» is a large - scale immersive environment in which gallery - goers must trade in their phones for a lantern to enter.
Bouwer is
part of the new group
exhibition [Working
Title] 2013, now on view through August 19 at Goodman Gallery in Johannesburg, South Africa.
As
part of the inaugural
exhibitions, Sarah Cain has created a dynamic wall installation for the ICA LA courtyard
titled «now i'm going to tell you everything,» 2017.
A photo
titled «Ronda Winking» will be on exhibit in New York as
part of the new Meryl Meisler
exhibition at Steven Kasher Gallery.
It is
part of a yearlong series
of Warhol
exhibitions, collectively
titled Warhol × 5, which will take place in academic museums across the Hudson Valley.
Featured as
part of Museum
of Contemporary Art Santa Barbara's group
exhibition of nine artists from Santa Barbara,
titled Shift, Stretch, Expand: Everyday Transformations at...
The work is
part of an
exhibition,
titled «Coming...
Borrowing its
title from the eponymous work by Carrie Mae Weems (American, b. 1953), the
exhibition presents the history
of the medium in three
parts, emphasizing the strengths
of Menschel's collection and mirroring his equal interest in historical, modern, and contemporary photography.
In another work, a text and sound
exhibition titled «The transience
of soap» in 2001 at The Tin Sheds Gallery, McGreevy collaborates with Barbara Halnan and Warren Summers to create ephemeral spatial drawings using suspended perspex etched with text, where the passage
of time is an essential
part of the work.
Areaware X Pratt: Areaware, a New York City - based design brand, and Pratt Institute have partnered to present an
exhibition titled Objects
of the Moment: An Exploration in Counting, Marking, and Contemplating Time as
part of WantedDesign in Brooklyn.
Like the members
of the arte povera movement obliquely referenced in the
title of his
exhibition, Dark Povera
Part 1, Harrison strives to break down conventions around what distinguishes art objects from the seemingly ephemeral, but with a 21st - century twist.
-- As
part of her Artist Lab residency and
exhibition in fall 2013, Caycedo created a powerful installation and performance work
titled
I had a show comprised completely
of performance aftermath
titled The FOREVER Aftermath in 2013 (at a now - defunct space called Artisphere in Rosslyn, Arlington, Virginia), and some Shed Skins were shown as
part of Theaster Gates's Retreat
exhibition last year.
The
exhibition takes its
title from a desire on the
part of the artists to open up a discursive space between theoretical engagement and visceral response, between contemplation and surprise.
The
exhibition also includes a five -
part document from 1979 that is
part of an open - ended set
of written works
titled Communications Devices.
In his first L.A. museum
exhibition, Simmons paints the
titles of race films on five large walls as
part of a site - specific installation in CAAM's grand entrance.
But the
title of the
exhibition is apropos, as the artist's stylistic approach lends the paintings a stilted, staged quality, as though the subjects are playing their
parts in a tale.
Yet each half
of Tan's two -
part solo
exhibition (each
titled after the installation it houses) responded to the other, reflecting on the gradual passage
of time and the inevitably
of loss.
This article is
part of an ongoing photojournalism survey
of art
exhibition openings
titled EMS N (art) rative.
The fundamental role
exhibition announcements once played was also apparent in a pair
of exhibitions at MoMA earlier this year — now online —
titled «Please Come to the Show: Invitations and Event Fliers from the MoMA Library,»
Part 1 (ca. 1960 — 80) and
Part 2 (ca. 1980 — now).
All were born between 1960 and 1980, making them
part of Generation X (hence the
exhibition title).
[2]
Titled after the nursery rhyme, the piece was
part of a number
of new works which incorporated moving elements, presented in 1996 at Gagosian Gallery, New York, in the
exhibition «No Sense
of Absolute Corruption».
«When Logics Die (figs. 134/135)»,
part of a series
of five works made between 1991 and 1999, was included in Hirst's eponymously
titled solo
exhibition at Galerie Perrotin, Paris, in 1991.
The painting,
part of a public art
exhibition titled Always Strong, is now on display in Terminal A.
To highlight both the absurdity
of creating these lists for artists and also the contradictory desire within young artists to be
part of them, Brooklyn gallery VICTORI + MO has organized a 30 - person group
exhibition cheekily
titled 30 Under 30ish.
He suggested the idea
of the
exhibition and selected the works himself, an act
of autobiography in a sense and
part of the reason for the
title American Memories.
[Working
Title] is an annual group
exhibition hosted by Goodman Gallery, as
part of its continuing efforts to support young and independent artists and curators.
This work was first presented as
part of a 2016
exhibition titled Feral Neighbours about the concepts
of privacy, impersonality, and anonymity
of urban living.
Bigger's
exhibition includes quilted sculptures, including Selah, the 10 - foot - tall work that gives the show its
title, and Seated Warrior, a
part of the artist's «BAM» series that responds to recent and ongoing acts
of police brutality against black Americans.
Our latest
exhibition,
titled Silicon City, begins with an event that was an unforgettable
part of my own life — the 1964 New York World's Fair.
«The installation is the best
part — you've been talking about the work for so long, and you're finally seeing it in person,» said Mr. Schoonmaker, the sneaker - clad artistic director
of the
exhibition,
titled «Prospect.4: The Lotus in Spite
of the Swamp,» on view through Feb. 25.
Number three in the series is currently hanging in Victoria Miro's Mayfair gallery, as
part of a deep dive into the women artists in contemporary abstract painting who art history has ignored — in the form
of an
exhibition titled Surface Work.
For the love
of dissent is the
title of the first series
of exhibitions held as
part of the Sexta Sur project.
For the love
of dissent is the
title of the first series
of exhibitions held as
part of the Sexta Sur project, comprising Edgardo Aragón (Mexico), Laura Lima (Brazil), Carlos Bunga (Portugal) and Marcela Armas (Mexico).
Perez recently completed her first limited - edition printed book
of original poems and drawings
titled twenty from the margins as
part of her latest solo
exhibition, The Giving Distance at the Southwest School
of Art in San Antonio.
The
title of the
exhibition is taken from a large painting exhibited here for the first time, which is a
part of the trilogy Love - Birth - Death, her latest major project.
Andrea Büttner (2009 - 11)--
Part of Andrea Büttner's work created for her Max Mara Art Prize
exhibition, The Poverty
of Riches, and
titled Untitled (Paintings)(2011) was included in the Whitechapel Gallery's landmark
exhibition Adventures
of the Black Square in 2015.
Titling and describing the
exhibition is
part of the curating process.
Titled No borders in a wok that can't be crossed, Marten's
exhibition is curated by Beatrix Ruf and is the first major collaboration between CCS Bard and the Kunsthalle Zürich and was presented as
part of the inaugural program
of the Kunsthalle's newly expanded Löwenbräukunst complex in 2012.