Sentences with phrase «part of the new generation of artists»

As part of a new generation of artists associated with «New Materialism,» which proposes that objects and materials assert their own power over the viewer independent of subjective cultural interpretations, German and Mongolian - Chinese multimedia artist Timur Si - Qin is fascinated by the immediate visual and emotional power of brand logos and advertising in and of themselves.
The French curator Simon Castets, who is 30 but could be easily mistaken for a cast member of Glee, is part of the new generation of artists, filmmakers, writers, and other creative types emerging in the age of social media.
While African stories have long been told by outsiders, today Makgato sees himself as a part of a new generation of artists telling positive stories from African perspectives.

Not exact matches

The three «informalisms» in Bill by Bill are in part an attempt to create what artist Christopher K. Ho has termed «modest Bushwick abstraction» and linked to a kind of Clintonian political neutrality of privilege that our generation experienced outside of New York in the mid - to late - nineties.
Innerst broke onto the New York art scene in the early 1980s with exquisitely executed small - scale paintings with hand - made frames, and his works were considered part of the Pictures Generation of artists who employed widely varied images as source material culled from the expanding media of the pre-digital age.
2005 The Last Generation, curated by Max Henry, Apex Art, New York, NY, USA; traveling to Jousse Entreprise, Paris, France Superstars: From Warhol to Madonna, Kunstforum / Kunsthalle Wien, Vienna, Austria The Painted World, P.S. 1 Center for Contemporary Art, Long Island City, New York, USA The Disasters of War: From Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut, USA Post No Bills, curated by Matthew Higgs, White Columns, New York, USA Helga's Art Collection, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain The Art of Aggression: Iraqi Stories and Other Tales, curated by Jean Cruthchfield and Robert Hobbs, Reynolds Gallery, Richmond, Vancouver, Canada 2004 Editions Fawbush: A Selection, Sandra Gehring Gallery, New York, USA Last one on is a soft Jimmy, Paula Cooper Gallery, New York, USA Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art, New York, NY Word of Mouth, A Selection: Part 1, Dinter Fine Art, New York, USA La Lettre Volée, F.R.A.C. Franche - Comté Musée des Beaux - Arts de Dole, France The Freedom Salon, Deitch Projects, New York, USA Bush League, Roebling Hall, Brooklyn, New York, USA Painting (Wayne Gonzales, Roger Metto, Jason Middlebrook, Cristian Rieloff), Galleri Charlotte Lund, Stockholm, Sweden 2003 Parallax Views: Art and The JFK Assassination (Ant Farm & T.R. Uthco, Wayne Gonzales, Eric M. Jensen), Hallwals Contemporary Arts Center, Buffalo, New York, USA 150 artists make 150 T - Shirts, Daniel Silverstein Gallery, New York, USA Cartoon, Riva Gallery, New York, USA Melvins, Anton Kern Gallery, New York, USA 2002 The Presidential Suite, Nassau County Museum of Art, Roslyn Harbor, New York, USA Gravity Over Time, curated by John Pilson, 1000 Eventi, Milan, Italy From the Observatory, Paula Cooper Gallery, New York, USA Subject Matters, curated by Norman Dubrow, Kravets / Wehby Gallery, New York; Conner Contemporary Art, Washington, USA 2001 How is everything?
This two - parted exhibition will both trace the history of Sol LeWitt's relationship with NMSU, as well as show the extent of his influence on a new generation of artists who use the surface of the wall as their canvas.
Although half a generation younger, he was and is an artist in his own right and part of the «New York School,» the group that made post-war New York and America the new center of artistic expressiNew York School,» the group that made post-war New York and America the new center of artistic expressiNew York and America the new center of artistic expressinew center of artistic expression.
1984 Dreams and Nightmares, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Crime and Punishment: Reflections of Violence in Contemporary Art, Triton Museum of Art, Santa Clara, CA American Women Artists: Part II: The Recent Generation, Sidney Janis Gallery, New York, NY About Face, Art Museum of South Texas, Corpus Christi, TX Pratt Invitational Alumni: A Multimedia Presentation of Outstanding Pratt Alumni, Pratt Institute and 469 Broome Street Gallery, New York, NY ID, Bette Stoler Gallery, New York, NY Modern Masks, Whitney Museum of American Art at Philip Morris, New York, NY Sculpture Exhibition, Gallery Moos Ltd., Toronto, Ontario, Canada Drawing: Works on Paper From the Past Five Years by Fifty Artists, Barbara Toll Fine Arts, New York, NY Sculptors» Drawings 1910 - 1980, Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY
As he elaborates on their similarities and differences in accordance with his rejection of residual European influences in favor of the new application of fabricated objects and industrial products, we realize that his argument is part of his greater advocacy for the works of the artists of his generation (similar to what Clement Greenberg wrote a decade earlier in 1956, in his equally significant essay, «American - Type Painting»), and further deriving from his own artistic output at the time.
As part of its commitment to support an exciting new generation of artists, the Foundation named artist Ruby Onyinyechi Amanze (Fiber» 06), one of its three recipients of its Artist Commission Program forartist Ruby Onyinyechi Amanze (Fiber» 06), one of its three recipients of its Artist Commission Program forArtist Commission Program for 2018.
Monkman is part of a new generation of Native American artists who has exhibited widely in museums throughout Canada.
She sets up art — historical generations, locating artists such as Ellen Gallagher, Gary Simmons, Carrie Mae Weems, and Fred Wilson, among others, as the heirs of Robert Colescott, David Hammons, and Adrian Piper.2 MATRIX artist Sanford Biggers is part of a new art - historical generation.
There's this generation of artists who are getting recognition through Instagram of which I guess I am a part of and forming these new networks of creativity.
[citation needed] The Serpentine Gallery presented the first survey of the new generation of artists with the exhibition Broken English, [28] in part curated by Hirst.
This two - parted exhibition will both trace the history of Sol LeWitt's relationship with NMSU, as well as show the extent of his influence on a new generation of artists who use the surface of the... Continue reading «Off the Wall»»
Exploring careers in the art world, participants take part in a combination of studio visits, writing workshops and professional seminars with some of New York's most significant artists and institutions, from diverse cultural backgrounds and generations.
She featured in Artists of the New York School, Second Generation, at the Jewish Museum in 1957, and her work was shown in Japan, India, Brazil and, in 1958 - 59, as part of the major touring exhibition The New American Painting, which introduced Abstract Expressionism to European audiences.
Genzken has been part of the artistic discourse since she began exhibiting in the mid-1970s, but over the last decade a new generation of artists has been inspired by her radical inventiveness.
Boyce was part of a very particular generation of artists who studied at the Glasgow School of Art, taking what was then a new course called environmental art.
Her curatorial practice as part of Collins & Milazzo helped disrupt neo-expressionism, establish new conceptual art in the East Village, and establish a new generation of artists in the 1980s.
As part of its commitment to support an exciting new generation of artists, the Foundation announces artists ruby onyinyechi amanze, Mercedes Dorame and Emmanuelle Lainé as the recipients of its Artist Commission Program for 2018.
At NMSU Sage curated «Off the Wall», a two - parted exhibition tracing the history of Sol LeWitt's relationship with NMSU, as well as showing the extent of his influence on a new generation of artists who use the surface of the wall as their canvas.
More recently Pablo Bronstein, Lis Rhodes, BBjarne Melgaard, and Juergen Teller have all staged key solo exhibitions, whilst a new generation of artists, including Luke Fowler, Lucky PDF, Hannah Sawtell, and Factory Floor have taken part in exhibitions and residencies.
International Water Sculpture Competition, Davis McClain Galleries, Houston A Celebration of American Women Artists, Part 2: The Recent Generation, Sidney Janis Gallery, New York.
Tomlin was an american artist and part of the New York School's generation of abstract expressionists.
American Women Artists, Part II: The Recent Generation, Sidney Janis Gallery, New York, USA Beauties and Beasts, Pratt Manhattan Center Gallery, New York, USA Three Painters, Three Decades: Lee Krasner, Joan Mitchell, Pat Steir, The Harcus Gallery, Boston, USA Fauna, Flora, Etc, Barbara Mathes Gallery, New York, USA Vision and Conscience, University Art Gallery, State University of New York, Binghamton, USA Highlights: Selections from the BankAmerica Corporation Art Collection, Bank of America World Headquarters, San Francisco, USA Four Painters: Pat Steir, Sean Scully, Robert Mangold, Robert S Zakanitch, McIntosh / Drysdale Gallery, Houston, USA Content: A Contemporary Focus 1974 — 1984, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, USA Dowd Fine Arts Center Gallery, State University of New York, Cortland, USA, The New Culture: Women Artists of the Seventies, traveled to Turman Gallery, IN; State University, Terre Haute, IN; Emily H Davis Gallery, The University of Akron, Akron, OH.
There are two noteworthy gallery shows of artists who made their reputations in the earlier part of the 20th century: works by Regionalist Thomas Hart Benton are on display at Alan Avery Art Company in Atlanta, and Mr. Push / Pull, Hans Hofmann, whose students included a number of prominent «second generation» Abstract Expressionists, is on view at Ameringer McEnery Yohe in New York City.
Mahbubur Rahman (1969) is part of a generation of Bangladeshi artists who have introduced new techniques, work and subject matters into their art.
In the 1940s, Citron was part of the first generation of New York Abstract Expressionists, working alongside other well - known artists like Jackson Pollock and Mark Rothko.
This exhibition highlights in particular a new generation of collectors of color whose mission, in part, is to support artists already at the early stages of their career, often ahead of the mainstream.
Her work was part of the traveling exhibition Cuba / USA: First Generation, and has been included in museum exhibitions such as Ancient Roots / New Visions, Contemporaries: Juxtaposing Perceptions, at the Museum of Contemporary Hispanic Art in New York, Ten Contemporary Hispanic Artists, at the Brooklyn Museum, and Resurgimiento, at the Museo del Barrio in New York, among others.
Works submitted to the Biennale may be those of Russian or foreign artists of the new generation, working in the field of contemporary art with the latest strategies, concepts, and techniques (individual, collective, or as part of curatorial projects).
Obviously, there are other great artists, but having lived the life I've lived, being around a lot of different people and traveling to a lot of different places, it became interesting to me to be part of what I felt was a new generation of artists who were really able to make a statement and change the way people were looking at art in general,» said McEnroe, in an interview with Phillips.
Krushenick was part of a generation emerging at a time when Abstract Expressionism had fallen out of fashion; these artists were trying to distance themselves from this style and create something new.
At a time when a new generation of abstract artists experiences the grids of Mondrian not as spiritual threshholds but as prison bars, the exhibition reminds us what was at stake when a handful of artists in different parts of Europe first painted without reference to the external world.
His early work — forceful abstractions, ranging from large canvases to small collages — soon made his name as a second - generation Abstract Expressionist (1), part of a group of young New York School artists that included Grace Hartigan, Norman Bluhm, Michael Goldberg, Al Held, and Joan Mitchell.
«Francesca DiMattio is part of an exciting generation of artists who are taking painting in new directions,» says Jill Medvedow, Director of the Institute of Contemporary Art.
Charlesworth's work has usually been considered as part of the Pictures Generation, a term used to describe a number of artists, mainly active in New York, who in one way or another focused on the theme of representation.
As part of the public programme accompanying the show, Ginevra Elkann, today the President of the Pinacoteca Agnelli, and Hans Ulrich Obrist invited a new generation of Chinese artists to Turin for a marathon talk on the future of China produced with Philip Tinari, now Director of the Ullens Center for Contemporary Art.
Part of a new generation of conceptual artists in China using a range of media to articulate cultural and social concerns, He Xiangyu is known for his provocative and ambitious work.
Just as certain gestures, knowledge, and abilities are passed down from generation to generation and continually change in the process, the technique of the collaged works on paper — which are partly lithographed, partly drawn on fi ne Nepal paper — allows the artist to use individual motifs, faces, and body parts repeatedly, always varying and lending them new shape.
Over generations, collaborations are an exciting part of creativity and vital to artists who want to spark something new.
Korot was part of the first generation of artists to claim the new technology of video as an art form rooted in the external world; yet by the mid-70s, she turned her creative practice inward to the contemplative repetition of weaving.
Iconic works from the past return to the gallery from across the globe, shown as part of a dynamic programme of new commissions, performances and events by acclaimed artists of the current generation.
, a two - part exhibition featuring a new generation of artists who are challenging the construction of history through visual practice.
He came to prominence as an artist in the mid-1980s, as part of the generation of Neo-Conceptualist artists that first exhibited in New York's East Village, including Jeff Koons, Haim Steinbach, Mayier Vaisman and Ashley Bickerton.
In 1955, his painting Green Target was exhibited in the Jewish Museum as a part of the Artists of the New York School: Second Generation show.
Beginning with a core of works by artists who in some way are tied to the Museum's history — be they present in collections or part of some of the most significant events that have distinguished the Castello's thirty years of activity — the investigation is broadened to include others who, in the recent past, have proven to be, with their works, decisive for newer generations of artists.
Tellingly, the next generation of New York artists would spring from different circles, and a different part of town.
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