As
part of a new generation of artists associated with «New Materialism,» which proposes that objects and materials assert their own power over the viewer independent of subjective cultural interpretations, German and Mongolian - Chinese multimedia artist Timur Si - Qin is fascinated by the immediate visual and emotional power of brand logos and advertising in and of themselves.
The French curator Simon Castets, who is 30 but could be easily mistaken for a cast member of Glee, is
part of the new generation of artists, filmmakers, writers, and other creative types emerging in the age of social media.
While African stories have long been told by outsiders, today Makgato sees himself as
a part of a new generation of artists telling positive stories from African perspectives.
Not exact matches
The three «informalisms» in Bill by Bill are in
part an attempt to create what
artist Christopher K. Ho has termed «modest Bushwick abstraction» and linked to a kind
of Clintonian political neutrality
of privilege that our
generation experienced outside
of New York in the mid - to late - nineties.
Innerst broke onto the
New York art scene in the early 1980s with exquisitely executed small - scale paintings with hand - made frames, and his works were considered
part of the Pictures
Generation of artists who employed widely varied images as source material culled from the expanding media
of the pre-digital age.
2005 The Last
Generation, curated by Max Henry, Apex Art,
New York, NY, USA; traveling to Jousse Entreprise, Paris, France Superstars: From Warhol to Madonna, Kunstforum / Kunsthalle Wien, Vienna, Austria The Painted World, P.S. 1 Center for Contemporary Art, Long Island City,
New York, USA The Disasters
of War: From Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut, USA Post No Bills, curated by Matthew Higgs, White Columns,
New York, USA Helga's Art Collection, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain The Art
of Aggression: Iraqi Stories and Other Tales, curated by Jean Cruthchfield and Robert Hobbs, Reynolds Gallery, Richmond, Vancouver, Canada 2004 Editions Fawbush: A Selection, Sandra Gehring Gallery,
New York, USA Last one on is a soft Jimmy, Paula Cooper Gallery,
New York, USA Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art,
New York, NY Word
of Mouth, A Selection:
Part 1, Dinter Fine Art,
New York, USA La Lettre Volée, F.R.A.C. Franche - Comté Musée des Beaux - Arts de Dole, France The Freedom Salon, Deitch Projects,
New York, USA Bush League, Roebling Hall, Brooklyn,
New York, USA Painting (Wayne Gonzales, Roger Metto, Jason Middlebrook, Cristian Rieloff), Galleri Charlotte Lund, Stockholm, Sweden 2003 Parallax Views: Art and The JFK Assassination (Ant Farm & T.R. Uthco, Wayne Gonzales, Eric M. Jensen), Hallwals Contemporary Arts Center, Buffalo,
New York, USA 150
artists make 150 T - Shirts, Daniel Silverstein Gallery,
New York, USA Cartoon, Riva Gallery,
New York, USA Melvins, Anton Kern Gallery,
New York, USA 2002 The Presidential Suite, Nassau County Museum
of Art, Roslyn Harbor,
New York, USA Gravity Over Time, curated by John Pilson, 1000 Eventi, Milan, Italy From the Observatory, Paula Cooper Gallery,
New York, USA Subject Matters, curated by Norman Dubrow, Kravets / Wehby Gallery,
New York; Conner Contemporary Art, Washington, USA 2001 How is everything?
This two -
parted exhibition will both trace the history
of Sol LeWitt's relationship with NMSU, as well as show the extent
of his influence on a
new generation of artists who use the surface
of the wall as their canvas.
Although half a
generation younger, he was and is an
artist in his own right and
part of the «
New York School,» the group that made post-war New York and America the new center of artistic expressi
New York School,» the group that made post-war
New York and America the new center of artistic expressi
New York and America the
new center of artistic expressi
new center
of artistic expression.
1984 Dreams and Nightmares, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Crime and Punishment: Reflections
of Violence in Contemporary Art, Triton Museum
of Art, Santa Clara, CA American Women
Artists:
Part II: The Recent
Generation, Sidney Janis Gallery,
New York, NY About Face, Art Museum
of South Texas, Corpus Christi, TX Pratt Invitational Alumni: A Multimedia Presentation
of Outstanding Pratt Alumni, Pratt Institute and 469 Broome Street Gallery,
New York, NY ID, Bette Stoler Gallery,
New York, NY Modern Masks, Whitney Museum
of American Art at Philip Morris,
New York, NY Sculpture Exhibition, Gallery Moos Ltd., Toronto, Ontario, Canada Drawing: Works on Paper From the Past Five Years by Fifty
Artists, Barbara Toll Fine Arts,
New York, NY Sculptors» Drawings 1910 - 1980, Selections from the Permanent Collection, Whitney Museum
of American Art,
New York, NY
As he elaborates on their similarities and differences in accordance with his rejection
of residual European influences in favor
of the
new application
of fabricated objects and industrial products, we realize that his argument is
part of his greater advocacy for the works
of the
artists of his
generation (similar to what Clement Greenberg wrote a decade earlier in 1956, in his equally significant essay, «American - Type Painting»), and further deriving from his own artistic output at the time.
As
part of its commitment to support an exciting
new generation of artists, the Foundation named
artist Ruby Onyinyechi Amanze (Fiber» 06), one of its three recipients of its Artist Commission Program for
artist Ruby Onyinyechi Amanze (Fiber» 06), one
of its three recipients
of its
Artist Commission Program for
Artist Commission Program for 2018.
Monkman is
part of a
new generation of Native American
artists who has exhibited widely in museums throughout Canada.
She sets up art — historical
generations, locating
artists such as Ellen Gallagher, Gary Simmons, Carrie Mae Weems, and Fred Wilson, among others, as the heirs
of Robert Colescott, David Hammons, and Adrian Piper.2 MATRIX
artist Sanford Biggers is
part of a
new art - historical
generation.
There's this
generation of artists who are getting recognition through Instagram
of which I guess I am a
part of and forming these
new networks
of creativity.
[citation needed] The Serpentine Gallery presented the first survey
of the
new generation of artists with the exhibition Broken English, [28] in
part curated by Hirst.
This two -
parted exhibition will both trace the history
of Sol LeWitt's relationship with NMSU, as well as show the extent
of his influence on a
new generation of artists who use the surface
of the... Continue reading «Off the Wall»»
Exploring careers in the art world, participants take
part in a combination
of studio visits, writing workshops and professional seminars with some
of New York's most significant
artists and institutions, from diverse cultural backgrounds and
generations.
She featured in
Artists of the
New York School, Second
Generation, at the Jewish Museum in 1957, and her work was shown in Japan, India, Brazil and, in 1958 - 59, as
part of the major touring exhibition The
New American Painting, which introduced Abstract Expressionism to European audiences.
Genzken has been
part of the artistic discourse since she began exhibiting in the mid-1970s, but over the last decade a
new generation of artists has been inspired by her radical inventiveness.
Boyce was
part of a very particular
generation of artists who studied at the Glasgow School
of Art, taking what was then a
new course called environmental art.
Her curatorial practice as
part of Collins & Milazzo helped disrupt neo-expressionism, establish
new conceptual art in the East Village, and establish a
new generation of artists in the 1980s.
As
part of its commitment to support an exciting
new generation of artists, the Foundation announces
artists ruby onyinyechi amanze, Mercedes Dorame and Emmanuelle Lainé as the recipients
of its
Artist Commission Program for 2018.
At NMSU Sage curated «Off the Wall», a two -
parted exhibition tracing the history
of Sol LeWitt's relationship with NMSU, as well as showing the extent
of his influence on a
new generation of artists who use the surface
of the wall as their canvas.
More recently Pablo Bronstein, Lis Rhodes, BBjarne Melgaard, and Juergen Teller have all staged key solo exhibitions, whilst a
new generation of artists, including Luke Fowler, Lucky PDF, Hannah Sawtell, and Factory Floor have taken
part in exhibitions and residencies.
International Water Sculpture Competition, Davis McClain Galleries, Houston A Celebration
of American Women
Artists,
Part 2: The Recent
Generation, Sidney Janis Gallery,
New York.
Tomlin was an american
artist and
part of the
New York School's
generation of abstract expressionists.
American Women
Artists,
Part II: The Recent
Generation, Sidney Janis Gallery,
New York, USA Beauties and Beasts, Pratt Manhattan Center Gallery,
New York, USA Three Painters, Three Decades: Lee Krasner, Joan Mitchell, Pat Steir, The Harcus Gallery, Boston, USA Fauna, Flora, Etc, Barbara Mathes Gallery,
New York, USA Vision and Conscience, University Art Gallery, State University
of New York, Binghamton, USA Highlights: Selections from the BankAmerica Corporation Art Collection, Bank
of America World Headquarters, San Francisco, USA Four Painters: Pat Steir, Sean Scully, Robert Mangold, Robert S Zakanitch, McIntosh / Drysdale Gallery, Houston, USA Content: A Contemporary Focus 1974 — 1984, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, USA Dowd Fine Arts Center Gallery, State University
of New York, Cortland, USA, The
New Culture: Women
Artists of the Seventies, traveled to Turman Gallery, IN; State University, Terre Haute, IN; Emily H Davis Gallery, The University
of Akron, Akron, OH.
There are two noteworthy gallery shows
of artists who made their reputations in the earlier
part of the 20th century: works by Regionalist Thomas Hart Benton are on display at Alan Avery Art Company in Atlanta, and Mr. Push / Pull, Hans Hofmann, whose students included a number
of prominent «second
generation» Abstract Expressionists, is on view at Ameringer McEnery Yohe in
New York City.
Mahbubur Rahman (1969) is
part of a
generation of Bangladeshi
artists who have introduced
new techniques, work and subject matters into their art.
In the 1940s, Citron was
part of the first
generation of New York Abstract Expressionists, working alongside other well - known
artists like Jackson Pollock and Mark Rothko.
This exhibition highlights in particular a
new generation of collectors
of color whose mission, in
part, is to support
artists already at the early stages
of their career, often ahead
of the mainstream.
Her work was
part of the traveling exhibition Cuba / USA: First
Generation, and has been included in museum exhibitions such as Ancient Roots /
New Visions, Contemporaries: Juxtaposing Perceptions, at the Museum
of Contemporary Hispanic Art in
New York, Ten Contemporary Hispanic
Artists, at the Brooklyn Museum, and Resurgimiento, at the Museo del Barrio in
New York, among others.
Works submitted to the Biennale may be those
of Russian or foreign
artists of the
new generation, working in the field
of contemporary art with the latest strategies, concepts, and techniques (individual, collective, or as
part of curatorial projects).
Obviously, there are other great
artists, but having lived the life I've lived, being around a lot
of different people and traveling to a lot
of different places, it became interesting to me to be
part of what I felt was a
new generation of artists who were really able to make a statement and change the way people were looking at art in general,» said McEnroe, in an interview with Phillips.
Krushenick was
part of a
generation emerging at a time when Abstract Expressionism had fallen out
of fashion; these
artists were trying to distance themselves from this style and create something
new.
At a time when a
new generation of abstract
artists experiences the grids
of Mondrian not as spiritual threshholds but as prison bars, the exhibition reminds us what was at stake when a handful
of artists in different
parts of Europe first painted without reference to the external world.
His early work — forceful abstractions, ranging from large canvases to small collages — soon made his name as a second -
generation Abstract Expressionist (1),
part of a group
of young
New York School
artists that included Grace Hartigan, Norman Bluhm, Michael Goldberg, Al Held, and Joan Mitchell.
«Francesca DiMattio is
part of an exciting
generation of artists who are taking painting in
new directions,» says Jill Medvedow, Director
of the Institute
of Contemporary Art.
Charlesworth's work has usually been considered as
part of the Pictures
Generation, a term used to describe a number
of artists, mainly active in
New York, who in one way or another focused on the theme
of representation.
As
part of the public programme accompanying the show, Ginevra Elkann, today the President
of the Pinacoteca Agnelli, and Hans Ulrich Obrist invited a
new generation of Chinese
artists to Turin for a marathon talk on the future
of China produced with Philip Tinari, now Director
of the Ullens Center for Contemporary Art.
Part of a
new generation of conceptual
artists in China using a range
of media to articulate cultural and social concerns, He Xiangyu is known for his provocative and ambitious work.
Just as certain gestures, knowledge, and abilities are passed down from
generation to
generation and continually change in the process, the technique
of the collaged works on paper — which are partly lithographed, partly drawn on fi ne Nepal paper — allows the
artist to use individual motifs, faces, and body
parts repeatedly, always varying and lending them
new shape.
Over
generations, collaborations are an exciting
part of creativity and vital to
artists who want to spark something
new.
Korot was
part of the first
generation of artists to claim the
new technology
of video as an art form rooted in the external world; yet by the mid-70s, she turned her creative practice inward to the contemplative repetition
of weaving.
Iconic works from the past return to the gallery from across the globe, shown as
part of a dynamic programme
of new commissions, performances and events by acclaimed
artists of the current
generation.
, a two -
part exhibition featuring a
new generation of artists who are challenging the construction
of history through visual practice.
He came to prominence as an
artist in the mid-1980s, as
part of the
generation of Neo-Conceptualist
artists that first exhibited in
New York's East Village, including Jeff Koons, Haim Steinbach, Mayier Vaisman and Ashley Bickerton.
In 1955, his painting Green Target was exhibited in the Jewish Museum as a
part of the
Artists of the
New York School: Second
Generation show.
Beginning with a core
of works by
artists who in some way are tied to the Museum's history — be they present in collections or
part of some
of the most significant events that have distinguished the Castello's thirty years
of activity — the investigation is broadened to include others who, in the recent past, have proven to be, with their works, decisive for
newer generations of artists.
Tellingly, the next
generation of New York
artists would spring from different circles, and a different
part of town.