In light of Rocketship's very aggressive growth plans, principal credentialing and experience is an important
part of the public dialogue.
Not exact matches
And at stake in the
dialogue in «our classes, our refectory, the suburban congregations in Westchester, the inner - city congregations
of Brooklyn, and the bureaucratic
part - time jobs at the Interchurch Center is a central issue: How does one achieve and combine authentic personal spirituality with equally authentic
public spirituality?
Poughkeepsie... As
part of the continuing efforts to get
public input and increase community
dialogue, Dutchess County Executive Marcus J. Molinaro will host the County's first live Telephone Town Hall meeting tomorrow evening at 6 pm, following the release
of the 2014 Tentative County Budget at 11 am on Wednesday, October 30th.
A continuous
dialogue with the
public sector unions should be a necessary
part of any such arrangements.
The DIY - biology community, as a stakeholder that has already addressed many
of the underlying issues, should take
part in a robust
public dialogue about the use
of CRISPR — Cas9 and how governance models can ensure safe, responsible research.
I can't help wondering if this «
public dialogue» along with Popovich's articles aren't
part of a pull marketing strategy, i.e., convince people they want something and they'll start demanding it.
She recommended that this community work with these strengths in moving forward by including stakeholder and
public dialogues as
part of pre-release efforts and early field research and by continuing to address uncertainties through risk - related research.
As
part of College Success Arizona's mission to build
public will for college completion and support an increase in degree earners, especially among low - income and first - generation students across the state, we are committed to produce needed data on college success rates and economic impact in the state and to create
dialogue on the findings.
And too often the
dialogue about
public education is being controlled by people who aren't necessarily education experts or even
part of the education community.
ASCD's work in this area is
part of a large, multiyear plan to shift
public dialogue about education from a focus on a narrow curriculum - centric and accountability system to a whole child approach that encompasses all factors required for successful student outcomes.
This paper is also
of interest from another point
of view, since it is
part of an extended
dialogue and was not intended to bear alone the bright spotlight
of public interest.
Ballroom Marfa, FotoFest International and the
Public Concern Foundation will bring Marfa
Dialogues to Houston, Texas March 24 - 26, 2016 as
part of the FotoFest 2016 Biennial.
In 2009 she worked with Helen Frederick on BreakthroughArt, funded in
part by the Aspen Institute; BreakthroughArt sponsored 10 Berlin Artists to tour five US cities in commemoration
of the Fall
of the Berlin Wall, and conducted a
public dialogue about Freedom issues.
By leveling the playing field, we see Random
Parts as an equalizer — aiming to showcase provocative and challenging art in an approachable environment in hopes
of engaging the
public and promoting critical thinking,
dialogue, and risk taking.
Using a mixture
of official documents and fictitious scenarios, she takes a nightmarish topic (one that for the most
part has faded from the
public dialogue) and makes it immediately pressing, and often playfully accessible.
ROYAL DANISH ACADEMY
OF FINE ARTS, Copenhagen, Denmark 2011 «Some Structures; drawing, writing, finance» AARHUS, SCHOOL OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outsid
OF FINE ARTS, Copenhagen, Denmark 2011 «Some Structures; drawing, writing, finance» AARHUS, SCHOOL
OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outsid
OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS;
Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School
of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outsid
of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY
Public Art lectures with Dennis Adams 2009, «No More Shall We
Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow
of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outsid
of Oppenhiemer» Rhode Island School
of Design, Providence, RI How Do We Look to the Outsid
of Design, Providence, RI How Do We Look to the Outside?
This collaboration between the DESTE Foundation and the Museum
of Cycladic Art is
part of the latter's «Young Views» program, which aims at launching a
dialogue with a younger generation, keeping the
public up to date with the latest developments in contemporary cultural production, and ensuring the dynamic presence
of a space for the exchange
of ideas.
As
part of its residency scheme, it aims to establish a lively
dialogue between artists from various backgrounds and disciplines, and the
public at large.
In June 2013 the Robert Rauschenberg Foundation invited me (with @JoesPub at The
Public) to present a concert as
part of the Marfa
Dialogues / NY on Climate Change.
Furthermore, by creating opportunities for artists who have not previously worked in the
public realm as
part of the programme, we are committed to developing a broader
dialogue in artistic practice, with manifold and stimulating outcomes.»
As
part of Ojih Odutola's residency, she is participating in a host
of campus events, some big and
public — like her January 31st
dialogue about Art & Equity with South African artist Mary Sibande, and a talk about her new book, The Treatment — and others more focused on students
of the visual arts — such an intensive two - week drawing course, a studio visit for visual - arts majors, and a senior studio critique.
As
part of its residency scheme, it aims to establish a lively
dialogue between artists from various backgrounds and disciplines, and the
public at large.To achieve these goals, the Künstlerhaus Bethanien organises a wide range
of events ranging from monthly exhibition openings to private and
public studio visits («Open Studios»).
Ballroom Marfa, FotoFest International and the
Public Concern Foundation will bring Marfa
Dialogues to Houston in March 2016 as
part of the FotoFest 2016 Biennial.
While Ebola fortunately is unlikely to become a global pandemic (due to Ebola's infection pathway, which requires direct contact with bodily fluids, and the risk - minimizing
public health advances in many
parts of the world), we can harness the concern from the global community about Ebola's potential spread to have a constructive
dialogue about preventing future outbreaks.
A
dialogue with decision - makers and the general
public is also an important
part of a new contract between science and society.
It is all
part of this particular ongoing
public dialogue in which Winston, as a scientist with a practical responsibility to society, has chosen to participate, and for which he has followed the ethical and evidence - based guidelines he recommends.