Sentences with phrase «part painting series»

Burtle's The Room is a Frame and / or An Accumulated Anthrome is the thrid of the nine part painting series entitled Expanding on an expansive subject organized by Sinéad Finnerty - Pyne.

Executed in 1986, Günther Förg's set of 32 works (above) is an iconic example of his sequential chromatic explorations, and was a precursor the 32 - part painting series he developed for the Museum Haus Lange, Krefeld, the following year.

Not exact matches

But its sorry state also made the piece, part of Reinhardt's «Black Square» series painted between 1960 and 1966, the perfect specimen for art conservators at the Guggenheim, and its Manhattan neighbor, MoMA — The Museum of Modern Art, eager to test out the latest restoration technologies.

«This painting is part of a series of 19 paintings and they're not answers to the question of what it means to be an American,» Seemel said.

I'm so excited to share with you the next part of our Watercolor 101 guest series by Stefanie, focusing on the best watercolor materials and watercolor painting supplies for beginners!

The «secret,» optional tombs you can so choose to raid - auspiciously denoted with cave paintings and present in most areas - were my favourite parts, throwing back to the pure platforming and environmental manipulation this series was built upon while temporarily removing enemies from the equation.

Safety in Numbers Part of the series: Painting With Numbers Mathematician Marcus du Sautoy reveals how the language of maths is used to construct the complex codes that we encounter in everyday life.

In comparison to the regular United States bound 2016 Mitsubishi Outlander there are no major design changes; however, the PHEV version will have a series of unique characteristics such as bumper extensions, side garnish and other decorative parts painted in the same color as the bodywork.

A Custom Paintin» Place paint job, Fab Fours front and rear Vengeance - series bumpers, a T - Rex custom grille, an ARB on - board air system and Bushwacker fender flares were part of the package as well.

For this 7 - series, BMW Individual started with Almandine Brown metallic paint, while the interior has been upholstered in Mediterranean brown fine - grain Merino leather which extends to the lower part of the dash and the center stack.

One thing that deserves to be pointed out immediately is that while, as mentioned earlier, Atelier Lydie & Suelle: The Alchemists and the Mysterious Paintings is part of a long running series, you do not have to have played the other entries to enjoy it.

As part of the Backstory series, Richard Benari and Lauren Henkin invited me to share some thoughts on my recent paintings, on view at Elizabeth Harris Gallery, New York through March 28, 2015.

As part of his blog series In Process, Paul Behnke posts about the development of the recent painting And the Vital Vigor Stood it's Ground (2013) by painter Matthew Neil Gehring.

I often make paintings that perhaps aren't part of any specific series, or were created for a course, or are one off experiments that have no «place» amongst my usual work.

Talk: Huey Copeland and Michelle Kuo at Artists Space Part of the Artists Space «Dialogues» series, this event brings together Huey Copeland, associate professor of art history at Northwestern University, and Michelle Kuo, a curator of painting and sculpture at the Museum of Modern Art in New York and the former editor of Artforum.

Searching for Love is part of larger series of paintings titled My Eternal Soul, which Kusama began in 2009 and has grown to include over five hundred works.

The 20 - part Meshworks series, an extended experiment with the paradigmatic grid, is the group of drawings upon which Winters's new paintings are based.

Part of a series of 102 silkscreened canvas panels conceived as one painting with multiple components, in this piece there are elements that call to mind Franz Kline's investigations into calligraphic compulsions.

Perhaps the mannerism found in Varejão's new tropical / orientalist banana - leaf painting series can be seen as being part of a negative phenomena found in many international galleries based in Hong Kong and China, where «the Orient,» as a subject, seems to be enforced on artists debuting a solo exhibition at these spaces.

Part of a series of new commissions inviting artists to create performative responses to the current exhibition Painting from the Zabludowicz Collection: Part I.

In part one below, Joshua and I talk about his paintings, including studio life, working with the figure, working in series and so much more:

The work is part of Coventry's Estate series, which recalls Kasimir Malevich's graphic suprematist paintings but actually represents the layouts of British public housing estates.

This is the first painting of 4 by Maya Hayuk that we will feature exclusively here on the website as part of our Artist of the Month Series.

This counterpoising of chance and risk is a thread throughout the exhibition and one picked up on particularly by Gerhard Richter in St John (1988), part of his London Paintings series, in which he builds up layers of paint using huge spatulas, before erasing and revealing earlier moments with a squeegee.

Part of Arcangel's Photoshop Gradient Demonstration series, it encapsulates the long - cherished desire to put photography on par with painting and the accelerating democratization of new media; at 72 - by - 110 inches, its scale and vivid hues evoke Color Field painting.

Fallen Fruit from Frisland comprises a series of new paintings presented as part of an installation that features a carpeted floor, rising wave - like against one wall, and a simple wooden boat made...

These paintings by Andy Denzler are part of the series «Under My Skin».

Currently, she has paintings in the Contemporary Realism Biennial, at the Fort Wayne Museum of Art in Fort Wayne, Indiana, and The Tie that Binds show, part of the Pay It Forward series at the Principle Gallery in Charleston, South Carolina.

In the main gallery: No info on the gallery site for this painting, either, but I can tell you that it's part of the Diagonal series from the Sixties

Although she sometimes ventures beyond her circle (her dream subject, she says, would be Joan Didion), the series is in part a valentine to creative souls with whom she has forged an enduring connection, as much as a study in contemporary portrait - making that alludes to historical painting.

They are both invested in art's revolutionary possibilities for social change as evinced in Rainer's anti-war protest dances in the 1970s and the feminist dimensions of her radical choreographic style and films, as well as in Pendleton's Black Lives Matter flag for the Belgian Pavilion in the 2015 Venice Biennial and his latest series of paintings entitled Untitled (A Victim of American Democracy), which debuted this past summer as part of Edwards» Blackness in Abstraction exhibition at Pace Gallery and are now on display in Pendleton's first show with Galerie Eva Presenhuber, Zurich named Midnight in America.

Concurrently, Lehmann Maupin will present Tracey Emin: I Followed You To The Sun, a two - part exhibition featuring over 100 new works, including a series of new bronze sculptures, paintings and drawings, embroideries and a short film, on view from May 2 to June 22, 2013 at both of its New York galleries.

Staggered openings in January 2014 for the remaining three exhibitions in the series — Painting: A Love Story, Rites of Spring, and Black in the Abstract, Part 2: Hard Edges / Soft Curves — invite audiences to re-visit the evolving exhibition and consider abstract painting from multiple vantagePainting: A Love Story, Rites of Spring, and Black in the Abstract, Part 2: Hard Edges / Soft Curves — invite audiences to re-visit the evolving exhibition and consider abstract painting from multiple vantagepainting from multiple vantage points.

Taylor De Cordoba is pleased to present Crocodile Company, Part I. La Guerre Des Machettes Danseuses (The War of The Dancing Machetes), a new series of mixed media paintings and drawings by Los Angeles - based artist Frohawk Two Feathers.

Cumberland paints in series with the intent to humorously communicate specific themes, for the most part relating to Sigmund Freud's idea of «sublimation» — the channeling of «lower» sexual urges into «higher» aims such as art or science.

Byron Kim's painting Innocence over Blue — a work featured in Blue Black — is a part of a series of works inspired by Carl Phillips's poem «Alba: Innocence.»

Ceres Gallery presents the exhibition Elizabeth Downer Riker: Beneath the Same Sky, a series of paintings juxtaposing the experience of farming in two of the most profoundly different parts of the Americas — the New York metropolis and a Mesoamerican village in Mexico.

Fans of Makara's work will recognize the painting as part of her Masks series — which helped earn her Torpedo Factory Artist of the Year in 2012.

Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.

As part of his «American Icons» series, Manifest Destiny, 2003 — 4, an 8» x 24» painting at the Brooklyn Museum, presents an apocalyptic view of Brooklyn underwater as a result of the raised sea level.

For the Whitechapel Gallery, Celia Hempton has created fifteen unique monotypes which relate to her recent series of oil paintings, Chat Random, exhibited as part of the Whitechapel Gallery 2016 exhibition, Electronic Superhighway 2016 - 1966.

Part of Monet's «Haystack» series, the painting sold for $ 81.4 million, breaking the artist's previous record by nearly $ 1 million that was set in 2008 at Christie's London.

By isolating and highlighting fragments of body parts, the opulent bas - reliefs and series of erotic paintings (Hand Fragments) refer in particular to the women washing and dressing motif.

Painting has always been an important part of Hirst's work, but unlike the spot paintings and «fact» painting series which were made using a collaborative studio process, this series is altogether more personal: painted from life, by Hirst at his home iPainting has always been an important part of Hirst's work, but unlike the spot paintings and «fact» painting series which were made using a collaborative studio process, this series is altogether more personal: painted from life, by Hirst at his home ipainting series which were made using a collaborative studio process, this series is altogether more personal: painted from life, by Hirst at his home in Devon.

Known for his curious arrangements of everyday objects, Haim Steinbach will discuss the work of the Japanese conceptual artist On Kawara, he of the instantly identifiable «date paintings,» as part of Dia: Chelsea's «Artists on Artists» lecture series.

Since its creation in 1954 Bacon's Untitled (Pope), part of the series he did based on Diego Velasquez's «Pope Innocent X» paintings, has been in private and corporate collections in France, Italy, Switzerland and the UK.

In addition to appearing in the special exhibitions listed above, Untitled [glossy black painting] was shown in SFMOMA's galleries in 1999, 2000, 2003, 2004, 2005, 2006, and 2016 as part of a series of rotating presentations of the permanent collection.

As part of Phaidon's Contemporary Artists series, Peter Doig ($ 39.95) provides a comprehensive look at the artist's oeuvre, from the thick and dappled paintings of the late eighties to the airy pastel washes of the mid-nineties to motifs — à la Gauguin or Rothko — that reflect the lush surroundings of his current home in Trinidad.

In addition to appearing in the special exhibitions listed above, White Painting [three panel] was shown in SFMOMA's galleries in 1999, 2000, 2001, 2004, 2005, 2006, 2007, 2008, and 2016 as part of a series of rotating presentations of the permanent collection.

Scanning (1963) is part of an extended series of works Robert Rauschenberg produced between 1962 and 1964 that combine silkscreened photographic images with lush, gestural passages of paint.