The works are a ten -
part photographic series of 30 by 50 - inch LightJet prints, entitled Simply Stunning.
Post-Postmasters opening, get your fill on turtlenecks with the launch of Catharine Maloney's Teleplay,
Part I photographic series at Printer Matter.
Not exact matches
Analysed in three
parts in this
photographic series by Elisa Ritter.
Taking the form of drawings,
photographic series and video installations, his work consistently invokes the use of systems as generative
part of the artist's practice, investigating the relationships between aesthetic experience, political beliefs and the formation of meaning.
As
part of an ongoing
series of works on paper collectively entitled Perceptual Ecology, Mat Chivers has been making drawings that result from the mirroring and combination of self - made and found
photographic images, film and CAD renderings.
Catherine Opie's, «Divinity Fudge» hangs next to «Vaginal Davis» which both form
part of the «Portrait»
photographic series, formed from 1993 to 1997 while she was exploring the representation of the figure in gender politics and the sado - masochistic leather subculture in California.
«Notes on Sculpture» is informed in
part by the artist Robert Morris» 1966 essay of the same name, and consists of a site - responsive installation of ribbon and ratchet straps and a new
series of
photographic collages.
Scanning (1963) is
part of an extended
series of works Robert Rauschenberg produced between 1962 and 1964 that combine silkscreened
photographic images with lush, gestural passages of paint.
The exhibition and this accompanying catalogue are divided into three
parts: seven large paintings from the Wall of Light
series; a set of 40 watercolors; and three
photographic series, which intriguingly illuminate Scully's image - making process — Aran, Santo Domingo for Nene and Alhambra, the latter of which is published here for the first time.
The seven -
part sculptural
series What It's Like, What It Is # 2 (1991), commissioned by the Hirshhorn Museum and not exhibited since 1992, breaks from Piper's Conceptual use of the frame and grid, confronting the viewer with
photographic cut - out figures both iconic and anonymous sourced from movements in American History, from the civil rights era to the early 1990s.
Numbers & Trees VI, Landscape, # 4 (1989) is
part of a body of work in which Gaines transformed
photographic images within a
series of prescribed operations.
In his first solo exhibition in Hong Kong at Axel Vervoordt Gallery, entitled «分合
PART: MEET,» Bae presents five new black - and - white
photographic prints from his «Sonamu — Pine Trees»
series (2015), returning to his favorite subject of the pine trees found in the forested mountains of Gyeongju.
The exhibition is composed of a
series of
photographic portraits that document sculptures made out of animal skin and body
parts, using untreated pigskin, raw meat for the lips, and fresh pigs» eyes.
The exhibition is composed of a
series of
photographic portraits that document sculptures made out of animal skin and body
parts, using untreated pigskin, raw meat for the lips, and fresh -LSB-...]
Elsewhere, a perfectly circular «bomb pond», made by an American bomb in a Cambodian rice - field, forms
part of the
photographic series «Takeo» (2009) by the young Cambodian artist Vandy Rattana, while an antique exhibit from the National Museum in Beirut was transformed into a fusion of metal, ivory, glass and terracotta by the bombs that fell there during the Lebanese civil war (1975 — 90) and thus given a new abstract beauty.
«Aaron's Rod Turning Into A Snake,» Lot 234, by Anselm Kiefer, is a 25 by 33 inch oil, lacquer and
photographic collage on paper, executed circa 1984 as
part of the artist's Departure from Egypt
series.
In the third of this three -
part podcast, produced on the occasion of the exhibition Richard Misrach: On the Beach, Misrach and Greenough delve into the impact of new
photographic technology on his art and the inspiration for his
series.
The
photographic tableaux created as
part of the
series will be exhibited in an upcoming exhibition, Jewish Folktales Retold: The Artist as Maggid, at the Contemporary Jewish Museum in San Francisco, starting 28 September 2017.
Current exhibition: Barbara Probst's
series of diptychs called 12 Moments —
part of Exposures project — which complicate ideas of
photographic «truth».
Bracketed chronologically by Rosler's well - known photo - text work The Bowery in two inadequate descriptive systems (1974/75) and her highly influential essay In, around and afterthoughts (on documentary photography)(1981), this
series takes its place alongside Rosler's photographs of airports, roads, shop windows, and public transportation as
part of a career - long
photographic practice.
A complementary
photographic series, «Heat Maps», is currently on view at Jack Shainman Gallery, New York, and will be shown as
part of the Prix Pictet exhibition at the Victoria and Albert Museum, London, from 6 to 28 May.
The original
photographic series, Visible Girls by Anita Corbin portrayed the search for identity; the street - level self that was
part of a tribe bonded by music, fashion and politics.
This limited edition comprises of the publication The Rhubarb Triangle: Photographs by Martin Parr and the
photographic print Tomlinson's, Pudsey, 2015,
part of a
series of photographs taken over the last 12 months in the area of countryside known as «The Rhubarb Triangle» in West Yorkshire.
This surrealist
photographic self - portrait of herself as a preening housewife looking over her shoulder while standing at the stove, is
part of a
series of self - portraits entitled «Untitled Film Stills» (1977 - 80).
13 Most Beautiful Avatars (
part of their larger Portraits project from 2006 - 7) is a
photographic series of «celebrity» avatars exhibited in a contemporary art gallery in Second Life.
About the Robert Mapplethorpe Photography Gallery When We Were Young: Photographs of Childhood from the National Galleries of Scotland is being shown in the Robert Mapplethorpe Photography Gallery and is
part of a continuing
series of
photographic exhibitions (including Lee Miller & Picasso and Ponte City) in the Scottish National Portrait Gallery.