You have to sidle round a huge hanging object —
part unstretched painting, part gigantic obstacle — on your way in.
Not exact matches
Loving's
unstretched canvas and paper, though, tell only
part of the story of a painter with real weight.
Jackson Pollock famously explained that he painted his
unstretched canvases on the floor because he felt «more at ease [and] nearer, more a
part of the painting since this way I can... literally be in the painting.»