Sentences with phrase «parted open hair»
Pair them up with parted open hair, tucked behind the ear on one side, and a shiny bindi and you're all set to slay!
https://www.myntra.com/ Not exact matches
Modern artist Damien Hirst, open - mouthed in a blurred Edvard Munch - style scream; pop artist Andy Warhol, mouth languidly open, dark eyes right up near the lens; Meryl Streep mussing her hair; David Bowie and Catherine Deneuve angelic and near - identical; a pensive Bob Dylan; Ralph Fiennes with a skull, both looking sleepy; Jack Nicholson looking aggressively cheeky; a young Mick Jagger with his pillowy lips slightly parted... It's a bacchanalia in black and white.
The BB Soothe is recommended as an application for any lumps and bumps that may occur in the open hair follicles and the best part is, it isn't alcohol - based meaning it works for even the most delicate of skin.
The pore is the opening of a hair follicle (the pilo part) and within it there is a little oil or sebum making gland (the sebaceous part).
The hair open and styled with a side part gives a very informal fervor to the wearer.
I have blonde hair going gray and hazel eyes, 5» 7» tall, heavy set, I'm average looking, happy for the most part, kind hearted, honest, easy - going, logical, at times a hopeless romantic, loyal, courteous, respectful, open - minded individual, strong sens
, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.
Like all of Koons's work, the objects are rendering very realistically, but this one, which was executed in 1988, is a bit unusual because the top of her head is sliced off, leaving part of her long wet hair falling on her shoulders and her shocked, open mouth.