Sentences with phrase «particular audience wants»

(Unfortunately, the most important prop of all is never whipped out, continuing this franchise's vast misunderstanding of what this particular audience wants.

Not exact matches

You're making a speech to a particular audience, and you'll want to put five minutes of thought into who they are to make sure it's relevant, related, and relatable.
This help when he's tweeting quotes from particular presentations, and for when he want to engage with the SaaStr Annual audience on both broad and specific levels.
He's amazing in that he will SAY whatever he thinks the particular audience in front of him wants to hear at that moment.
«Whenever... preachers, instead of a lesson in religion, put [their congregation] off with a discourse on the Copernican system, on chemical affinities, on the construction of government, or the characters or conduct of those administering it, it is a breach of contract, depriving their audience of the kind of service for which they are salaried, and giving them, instead of it, what they did not want, or, if wanted, would rather seek from better sources in that particular art of science.»
If Motrin wants to appeal to THIS particular audience segment, let them.
And even if Cuaron had wanted to, Columbus had installed himself as a producer on «Azkaban» with a particular goal in mind: «I wanted to make sure that the film didn't stray too far from the world the audience and the fans have sort of fallen in love with over the course of the first two movies,» he told The Times» John Horn last year.
In particular the uses of POV shots are thrilling and sparsely used, leaving audiences wanting more.
In light of the recent underperformance of various sequels this year, do you think studios will start to take more of a second look as to whether audiences will want a sequel to a particular film?
Or you may want to take a cross section of events, for a particular instructor for example, and create of report of these, so your audience only has to look at the data that is relevant to them.
Simply put, when you want your audience to learn a particular behavior, otherwise known as behavioral modeling.
On the other hand, I think every writer probably has an ideal writer in mind or they want to be read, and I think being able to think about how you're going to entertain or delight that audience, or how you can best interact with that audience, it only usually increases or furthers your own intrinsic motivations for why you're writing in the first place, which is to reach a particular readership.
If you decide that you want to try and reach an international audience, crafting a customized Author Central page for that particular market is a great way to go.
But on the other hand, having contact information from readers who express an interest in a particular title or genre is valuable information for discovering what the audience wants to read, so potential for losing an ebook sale is outweighed by gaining a customer.
A general rule of thumb is to write the book you want to write and if it proves relevant to a particular international audience then great.
Let's be clear, you do not just want to target a particular «physical» audience or a particular section of society, you also want to focus on the places they hang out and communicate about their interests online, where they go for their most trusted information.
Agents and traditional publishers also want you to know who your audience is, your allure to that particular group, and how you plan on connecting with them.
Also, really good, established bloggers who specialise in a particular subject area or genre can have a huge audience that are exactly the kind of people that you want to reach.
Harrison's argument is that games on Xbox One should not be differentiated and that you will «discover the games you want to play» and also for some reason the «challenges that independent developers face» will be diminished because by some mysterious power particular indie games will «magically» be purchased by some unidentified audience.
The benefit of videos like is that you can zoom in on a particular part of the painting if you want the audience to look at a particular detail.
Phil Jones: The Organisation wanted a relatively simple diagram for their particular audience.
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