Sentences with phrase «particular focus of this exhibition»

Grabner's paintings are a particular focus of the exhibition, spanning early works based on textile patterns appropriated from her domestic environment; her shift to abstraction, which continued her interest in repeated forms and gestures; and recent works that revisit textiles directly through the use of torn fabric and brightly colored gingham patterns.

Not exact matches

A particular emphasis of the exhibition is focused on the Holocaust Memorial, which was unveiled in 2000 at the Judenplatz in Vienna.

Edited by the exhibitions's co-curators Frances Morris and Tiffany Bell, and with essays by leading scholars that give a context for Martin's work — her life, relationship with other artists, the influence of South - Asian philosophy — alongside focused shorter pieces on particular paintings, this beautifully designed volume is the definitive publication on her oeuvre.

Of particular focus is Giacometti's studio practice, which is examined through rarely seen plaster sculptures that highlight the artist's working process, in addition to historical photographs documenting his relationship with the Solomon R. Guggenheim Museum — which hosted the artist's first US museum exhibition, in 1955 — and with New York City.

This impressive collection coincides with an ambitious exhibition programme that tells the story of the birth of the L.A. art scene, with particular focus on Judy Chicago, Hammons, Hockney and Ruscha.

The show places particular focus on pieces emblematic of the gallery program from 2016 and 2017 with relevance to recent Museum exhibitions and acquisitions, as well as showcasing rare and sold out contemporary editions...

With a particular focus on the African American art scene on the South Side of Chicago, this group exhibition explores the connection between avant - garde jazz and experimental music of the late 1960s and contemporary art and culture.

Throughout this exhibition there is a particular focus on the role and expression of female relationships in Goldin's work.

Charlie Clarke, Ron Mueck's long - time exhibition manager, is in conversation with the Modern's Senior Curator, Andrea Karnes as they discuss the work and career of Ron Mueck, from his first acclaimed sculpture, Dead Dad, to his most recent installation of 100 giant skulls, Mass, with a particular focus on the works in the Modern's exhibition Ron Mueck.

Genzken, who has often dedicated particular art works to specific people, naming sculptures after friends, artists, or people whom she admires, focuses in this exhibition on her own image, thematizing the idea of portraiture and self - portraiture, being at once the artist and the subject.

It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.

These gallery visits may include follow - up educational activities based on the exhibition's content and conceptual premise with a focus on a particular area of study or curriculum requirement.

As assistant curator, Padgett will contribute to exhibition planning, publications, research, and growth of the collection, with a particular focus on American art from the 1900s through 1960s.

The DAM's exhibition focuses on the expressive freedom of direct gesture and process at the core of abstract expressionism, while revealing inward reverie and painterly expression in these works by individuals responding to particular places, memories and life experiences.

With a particular focus on painting, this exhibition brings together seminal works that provide an overview of the artistic, socio - economic and political concerns of artists in Germany, during a time period when these artists were reconciling with the trauma of war, finding a national identity, struggling for freedom of expression and constantly pushing the limits of modern and contemporary art.

Night Gallery's current five - artist exhibition, International Women's Day, celebrates the holiday by focusing on the legacy of one woman artist in particular, Camille Claudel.

Ordinarily, exhibitions focusing on American painting and sculpture from this period isolate and examine only one particular style or one specific group of artists; Counterpoints: American Art 1930 - 1945 will explore and emphasize the pluralist nature of the multi-dimensional art world.

In particular, this exhibition focuses on his use of textile in the artistic process.

Rather than presenting a chronology of events, this exhibition focuses on how artists — many of whom witnessed combat firsthand as official ative experiences particular to this global conflict.

Clark will focus on a number of exhibitions and projects he has organized over the past 12 years with a particular emphasis on the role and responsibility of the institutional curator / director, the relative virtues of context, opportunism and demand, and the need for a different kind of speed.

Central to the exhibition is a re-examination of Op art and perceptual abstraction, with a particular focus on the work of painters Bridget Riley, Victor Vasarely, Richard Anuskiewicz, and Julian Stanczak, amongst others.

The exhibition, curated by Elodie Evers and Gregor Jansen, focuses in particular upon the early and middle period of Martin's oeuvre.

Formally, the border serves to contain and ground the central activity of the canvas with particular focus on the empty spaces - the «minus» of the exhibition title.

Some entries detail the lens, lighting and film used to take a particular picture; others the exhibition history of a work; and still others, specifically for the Zeiss Distagon lens, its focusing range.

May 7, 2009 Janez Jansa at Location One will take you through a series of artistic, political, administrative and media actions performed by himself together with Janez Jansa and Janez Jansa with a particular focus on their latest personal exhibition entitled NAME Readymade.

By addressing certain issues that have both united and polarized the neighborhood over the last 30 + years, the exhibition will encourage artists and community members to become an active part of the conversation by focusing on the particular insights and experimental processes that artists bring to imagining new urban spaces.

The DAM's exhibition focuses on the expressive freedom of direct gesture and process at the core of abstract expressionism, while revealing inward reverie and painterly expression in these works [as they respond -RCB- to particular places, memories, and life experiences.

[10] However, no more than 800 or 900 of those pieces are on display at any one time.The museum also mounts temporary exhibitions that focus on a particular artist, an art movement or artistic period, or art that was created in a specific region or country.

The exhibition focuses in particular upon César's radical work of the 1960s and 70s.

The paintings in this exhibition are the product of three years of the artist's continued focus on one particular neglected industrial site in Chicago culminating in an exhibition both contemplative and powerful.

By focusing on one single work, the exhibition immerses the viewer in the artist's concerns, through a closer examination of a particular, rarely displayed piece.

Isabelle DervauxThis focused exhibition — one painting and twelve drawings — fits into the program of exhibitions of modern and contemporary drawings that the Morgan has developed in the last ten years or so, which is devoted to the work of twentieth century artists for whom drawing was an important medium and who have made a particular contribution to its history.

Focusing on the subject of the ideal female head, the exhibition puts a spotlight on a somewhat vaguely defined category of sculptural portraits concerned with portraying an «ideal» or «mood», as opposed to the character of a particular person.

The exhibition thus offers a lens on various collecting approaches, with some collectors focusing on the work of particular artists or on specific art historical movements or themes, and others developing their own criteria, whether deliberately or unconsciously.

So how is Dean Sobel, the museum's director, going to pull off Vincent / Clyfford — «a focused exhibition exploring connections between Vincent Van Gogh and Clyfford Still — in particular those found during the initial decades of the latter's career,» according to the press release?

Anthology Film Archives is an international center dedicated to the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant - garde cinema.

The focus of the gallery since its inception has been to exhibit, represent and champion artists from around the world, in particular artists from Africa, East Asia, and North America, by mounting major exhibitions of their work in the gallery, presenting artworks at important fairs, securing museum exhibitions and publishing major catalogues and scholarly essays.

The exhibition includes works by a selection of the most renowned contemporary artists who have been represented at the CAC Málaga over this period and thus offers a survey of the principal artistic trends and their multi-faceted disciplines, with a particular focus on artists who have exhibited at the Centre for the first time or have produced site - specific projects for it.

This exhibition focuses on international artists contributing to the advancement of women's rights around the world, with a particular lens on how women mobilize resistance in the Middle East, South Africa, the United Kingdom and the United States.

The exhibition programme reflects the research focus of the specialist subjects on offer within the College, Fine Art and Theatre Design, and a particular focus on Drawing.

Performance as conceptual art also features heavily in this exhibition with a particular focus on the investigation of social relations of power, gender, stereotype and history.

Each year the Zimmerli presents two large exhibitions that survey a particular theme or movement in art, or focus on the work of a particular artist.

Public Matter features rotating outdoor exhibitions of large - scale paintings by the most recognized and celebrated names in contemporary art, with a particular focus on those artists who have developed their skills and visual art in public spaces.

But the rise of Latin American art is not just focussed on Los Angeles, although it does have strong links with Latin America and 48 % of the total population in the area is Latino which is one of the reasons The Getty Foundation focussed on this particular area, several other major exhibitions of Latin American influenced artists are planned or have recently been shown, including Radical Geometry: Modern Art of South America from the Patricia Phelps de Cisneros Collection at the Royal Academy of Arts in London, while the Guggenheim UBS Map Global Art Initiative will take its Under The Same Sun: Art From Latin America exhibition to Brazil and Mexico in 2015.

The fact that the attention to this is focused, above all, on exhibitions that are considered important is evident, although there are exceptions in this issue of Stedelijk Studies, which in particular concern exhibitions that are in the shadow of others considered to belong to the canon (Visual Aspects of Science, Stedelijk Museum), or exhibitions which are even considered to be less interesting (documenta 6).

Astrup Fearnley Museet presents Imagine Brazil, an exhibition of Brazilian contemporary art, with a particular focus on the young, emerging art scene.

Hughie O'Donoghue, «Scorched Earth» Marlborough Fine Art OPENS: March 15 This solo exhibition of new works by British artist questions the legacy of Vincent Van Gogh, with particular focus on the paintings Van Gogh made during the last two years of his life in Arles and St. Remy in the south of France.

In addition, recent exhibitions — at LAMOCA in Los Angeles, the Guggenheim New York, and the Centre Pompidou in Paris — have recognized Chicago's output during that period as significant contributions to the direction and focus of Minimalism and, in particular, the sub-genre known as the Finish Fetish movement.

To further explore the presence of Asger Jorn in this exhibition, Hilde de Bruijn (Senior Curator, Cobra Museum of Modern Art, Amstelveen) talks about her research on Jorn's work and writing, with particular focus on his relation to folk art and vandalism.

On Non-Visibility, Cokes's first gallery exhibition, presents a historical cross section of his practice, focusing in particular on the titular theme.