Sentences with phrase «particular qualities of the paint»

Both the studies and the paintings are typically in one colour — sometimes vivid and saturated, other times diluted to the point of invisibility and sparely applied — with the particular qualities of the paint and brushstrokes left visible to allow for subtle variations in tone and irregularities in line.

Were there any particular qualities of her paintings with which you connected?

An unstable pile of oozing, cracked paint reveals the particular qualities of the paint that is used to give furniture a distressed look.

Not exact matches

Each painting contains a particular quality of light and air, and most refer to a landscape space, one that asks us to make our way through dense paint to the spaces behind.»

The inspiration for Wylie's paintings often comes from a particular sight or visual moment that strikes her with a «special quality» that she tries to capture through her own language of painting.

I have found that certain qualities of light make the painted image an epitome conveying a particular quality.

Regarding «Shadow Brigade», Sarah has noted that people were discussing it, looking at it, talking about moving around the complex transitions of pictorial spaces of the painting in a manner quite comparable to that of looking at and moving around in a complex spatial figurative painting — BUT, it is now clear that this is not a quality restricted to figurative painting, and this particular quality of how the eye takes in and moves around imaginatively in the work is just a natural condition of all painting once it starts to develop and mature and take on synthesised complexity to any degree.

Dealing largely in the secondary market, Jonathan Boos specializes in American paintings, drawings, and sculpture of the 19th and 20th centuries with a particular focus on works of the highest quality from the Ashcan School, Modernism (including the Stieglitz Group), Realism, and the post-war period.

The kind of paint (and the way the paint ought to be treated, which is really the same thing, for a given painting) depends on the particular spatial or object quality of the canvas, which depends on the scale of the stretcher.

In Passlof's large works from 1958 - 9, the referential quality of her brushstrokes and a particular, dappled light confirms her interest in sources outside the paintings.

I am often drawing on my own past experiences of the quality of light in a particular place, but that place might as easily have been in a film or in a painting as a GPS location.

In order for students to feel comfortable expressing themselves with a particular medium, they often have to spend plenty of time messing with the stuff they are interested in shaping - be it car parts, plastics, plaster or paint - before they may be ready to create high quality works.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arOf these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof light and sound as well as the interactive qualities of kinetic arof kinetic art.

MS: The gestural qualities of the TGA works definitely have a stronger connection to subconscious «expression» than any of my other paintings and most of my works do have a particular focus on materials and process.

About her process, Newman has said, «My paintings often take specific qualities of particular places as points of departure, but I try to approach the image without preconceived ideas and to discover forms through improvisation.»

Sinsel's minimal yet intricately detailed works reflect a focus on the nature of painting and sculpture and on the particular qualities and associations of the materials he uses.

They emphasize free, spontaneous, and personal emotional expression, and they exercise considerable freedom of technique and execution to attain this goal, with a particular emphasis laid on the exploitation of the variable physical character of paint to evoke expressive qualities (e.g., sensuousness, dynamism, violence, mystery, lyricism).

She is equally focused on the history of painting, the material qualities of oil on canvas, and her particular subject matter.

1 The fact that Cook's works succeed by the very terms established by Fried for painterly success — «being convinced that a particular work can stand comparison with the painting of the past whose quality is not in doubt» — reveals that, even if such a change has come to pass, in the hands of a select few artists, like Cook, it has reinvigorated rather than impoverished painting.

Untitled (SF79 - 979)(1979) is a work of particular quality, with its powerful vertical and horizontal strokes in bold green and red contrasting with more expressive paint spatters and small areas of white space, left intentionally blank.

With a particular emphasis on photography, but also including other forms of artistic expression such as painting, video, film, performance and installation art from the 1960s to the present day, Haunted is co-curated by Jennifer Blessing, Curator of Photography, and Nat Trotman, Associate Curator, both from the Solomon R. Guggenheim Museum in New York, and reveals the extraordinary quality of the photographic and new media works in the Guggenheim Collections.

In 1957 he explained the qualities particular to relief: «construction is a development of painting and not of sculpture.