Not exact matches
The novel is notorious for its
style, told in the
particular voice
of Nick Carraway, and consequently there has been great difficulty in successfully rendering it into
film.
It's true that the disorientation produced in the collision
of Igorrr's frenetic
style - mashing and Dumont's unadorned long - take aesthetic ensures that the
film feels remarkably distinct from prior cinematic adaptations
of Joan
of Arc's life, but it's also hard not to wonder how this
particular story might have played without the farfetched musical conceit grafted atop it.
This
particular film is a collection
of cutesy «going in
style» clichés — old lady on a motorcycle?
From
films like Something's Got ta Give and The Holiday, the writer / director has made herself known for her
particular style of well - lit, amiable comedies starring A-listers looking to have a pleasant break from the harder fare that they usually take on.
Near Dark remains Kathryn Bigelow's best
film, suffused with
style and anarchy that has an unerring feel for the irregular pulse
of a very
particular place and time.
This
particular journalist is reminded
of the 1985 T.V. movie, which looked like its costumes and sets were stolen, Ed Wood -
style, from the B.B.C.'s Dr.. Who
film lot.
And, according to the
film's costume designer, Mark Bridges, that
particular styling was courtesy
of Day - Lewis himself.
Told ensemble
style by writer - director Jerry LaMothe, Brooklyn bred himself, Blackout's cast
of characters face mostly predictable fates and outcomes to their
particular quandaries, most
of which are established during the first half - hour
of the
film before the blackout kicks in.
I think even genre fans (the best group
of film fans out there) have
particular tendencies to favour some
styles over others, be it American slashers, Ozploitation or German expressionism.
For the first act, we are introduced to our main characters: a poor Latin - American mother and daughter (Carmen Ejogo and Zoe Soul, the real hearts
of this
film), an insufferable yuppie couple on the brink
of divorce (Zach Gilford and Kiele Sanchez) from which we get the lion's share
of our Crash -
style white guilt narrative, and Frank Grillo as a grieving father / ex-soldier who feels the urge to Purge one
particular soul on this night.
I'm thinking, in
particular,
of handsome young hero David (Shiloh Fernandez) getting thrown around a wet cellar in high Raimi smash - zoom
style, which only underscores how much the original
films drew their tone from Bruce Campbell — and how much this new one misses him.
This
particular episode
of the radio -
style talk show, available for free download from iTunes, originally followed a Utah public television broadcast
of The Ape Man, a classic 1943 fright
film.
A documentary
style short
film that allows an informal glimpse into the studio and the thoughts
of the artist, at a
particular time, giving context on works done and those to come.