Sentences with phrase «particular women artists»

Not exact matches

But I was just amazed by how everyone, young and old wanted to be involved... and was so deeply enriched and touched by the experience and the laughter and the love I experienced from the people I met and how women would in particular open their hearts to me and tell me the stories of where they've come from, particularly because I have the language and was coming there as a woman and just how touched they were that I was there as a woman from England who's learned the language and who's an artist and running this project and come all the way to see them so they didn't feel forgotten I think that was pretty much what they felt... that their stories were being heard so they don't feel forgotten knowing the tents would be around the world.

The mystery of The Swan Thieves revolves around a 19th - century female artist, and the sacrifices women in particular must make to pursue art.

BOOKSHELF A number of recent exhibition catalogs have featured artists from the Black Arts Movement and AfriCOBRA in particular, including «Soul of a Nation: Art in the Age of Black Power,» «Witness: Art and Civil Rights in the Sixties,» «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» and «We Wanted a Revolution: Black Radical Women, 1965 — 85.»

Is there something about Pop as a style, as a socio - economic entity, as a particular body of content that made the appearance of a major woman artist within it so difficult?

Despite her tragically short life and career, Modersohn - Becker is an artist whose work remains ever - powerful, in particular in relation to the difficulties often faced by women artists in combining a family life with an artistic one.

Women artists in particular know enough to be concerned not only with what they see, but also with how they are seen.

One New York gallery in particular, Untitled Space, is currently inviting multidisciplinary women artists to submit work to an upcoming exhibition titled «Angry Women,» which will channel the feelings of election - related rage and anxiety into challenging and confrontational works of feministwomen artists to submit work to an upcoming exhibition titled «Angry Women,» which will channel the feelings of election - related rage and anxiety into challenging and confrontational works of feministWomen,» which will channel the feelings of election - related rage and anxiety into challenging and confrontational works of feminist art.

For the late spring and summer of 2007, quite a few women artists have done a particular fine job of scrambling the roles.

In 2010 independent curator and academic Nontobeko Ntombela curated the exhibition Layers at Goodman Gallery Projects as part of her ongoing research into the creative strategies of women artists, in particular those that aim to contextualise socio - political issues.

To commemorate International Women's Day on 8 March, we asked three Christie's specialists to discuss the female artists whose work has made a particular impact on them.

Night Gallery's current five - artist exhibition, International Women's Day, celebrates the holiday by focusing on the legacy of one woman artist in particular, Camille Claudel.

While this year's standout museum shows are admittedly concentrated in the Western world (and many in major cities), they reveal a positive trend in the recognition of underrepresented facets of the art world — women and artists of color, in particular.

In particular, Latina and Latin American women artists in Radical Women defied canonical ideas of art and normative definitions of the body, specifically of the female women artists in Radical Women defied canonical ideas of art and normative definitions of the body, specifically of the female Women defied canonical ideas of art and normative definitions of the body, specifically of the female body.

A panel of artists and historians will join curator Jason Andrew to investigate the contemporary art world with a particular focus on the state of women in the arts.

Feminism in the art world resulted in a much larger presence for women artists in the 1970s and 1980s, and the «Pictures» generation — those who arrived on the New York City art scene in the late 1970s (many from California Institute of the Arts or Buffalo State College) and experimented radically with using borrowed images — may be the first group of artists associated with a particular movement in which there are as many (or more) high - profile women as there are men.

Rehistoricizing.org presents the work of women artists and artists of color from varied ethnic and cultural backgrounds who worked in a «pre post — race» environment, an era in which the artist hero was almost always a white male, in particular among abstract expressionists.

The Rehistoricizing Exhibition at the Luggage Store gallery presented the work of women artists and artists of color from varied ethnic and cultural backgrounds who worked in a» pre post — race» environment, an era in which the artist hero was almost always a white male, in particular among abstract expressionists.

Of particular note are the many female artists represented, as Mrs. Miller has been a lifelong champion of women's ambitions and achievements.

Chanzit mentions that in the course of the preparation of this project over one hundred artists were considered, and while «most were not consistent participants in the movement» and do not belong in this particular study, the very existence of such a long roster of potential candidates indicates that this generation of women artists is ripe for reconsideration.

Extending an earlier post about metonymy in art, the subject of a book by Denise Green, Deborah Barlow blogs about «the aboriginal women artists of Utopia, in particular Emily Kame Kngwarreye and Minnie Pwerle.

Given women's greater autonomy in general and in sexual matters in particular, it should be payback time, a chance for the woman artist's gaze to linger on the naked male body as a source of esthetic delight and desire.

She grappled with how to treat artists who only belatedly receive critical attention for their work, and also suggested that younger women have a particular, vested interest in this problem.

This exhibition focuses on international artists contributing to the advancement of women's rights around the world, with a particular lens on how women mobilize resistance in the Middle East, South Africa, the United Kingdom and the United States.

In particular, stories of abstraction have been dominated by larger than life male artists — in the case of abstract expressionism it is hard not to focus on Jackson Pollock or Willem DeKooning, but there were several important women working during that time as well.

Do you have anything in particular to say about de Kooning as an artist and about his series on women in particular?

In particular, the event Black Women Artists For Black Lives Matter showed how self - care and collectivity could be a form of political resistance.

Recent examples include Sadie Coles in London, whose exhibition «Room» brings together installations and photographic works by female artists (until 18 February), and the Fine Art Society (FAS), whose program will pay particular attention to women throughout 2017.

This attention comes at a moment when U.S. institutions have begun to more fervently embrace Latin American women artists, and Brazilians in particular, as demonstrated by the monographic exhibitions of Lygia Pape at the Met and Lygia Clark and Tarsila do Amaral at MoMA.

Veloric will explain an extended series of circumstances particular to Philadelphia that enabled a number of «firsts» for trailblazing women artists.

With a particular focus on the experience of British Muslim women, the exhibition is «an accumulation of several narrative threads drawing together intimate conversations between the artist and her two sisters, ominous animated visions of a metamorphosing body, e-learning training on Prevent and staged, performed gestures.»

Ranging in scale from three inches to nearly 40 feet, the exhibit features mixed - media installations in a presentation of approximately 50 unique objects, dating from 1796 to the present, in particular with the inclusion of large works by four contemporary women artists: Kara Walker, with her panoramic wall murals, Camille Utterback via an interactive digital installation that reacts to visitors» movements and shadows, Kristi Malakoff's life - size cutouts of children dancing around a Maypole, and Kumi Yamashita's intricate, shadowy installations.

Contemporary Galleries, second floor In the past few decades, a group of outstanding women artists established a particular art language based on their own experiences of gender and identity.

By this I mean: she «made it» as a woman artist when almost no one else did, forged a highly chronicled six - decade career, maneuvered the art world with great skill, and remained true to her particular artistic vision.

Winged Woman: Three Perspectives extends an examination of artist Arlene Love's work through the multimedia drawing and painting of three particular makers: Andrea Caldarise, Nancy Halbert, and Sutton Hays.

Whether Frankenthaler, who also influenced many other male artists (Morris Louis, Ken Noland et al) would have appreciated this particular collectivity is no longer in my view, relevant: The more women artists and architects can be seen as running towards, rather than away, from their influence on other women artists, the better.

This phenomenon is not particular to this movement or time period, but rather, as Nochlin notes, to the plight of women throughout art history and human history in general... Many of the most prominent female abstractionists socialized with their ale counterparts, or were involved in relationships with male artists.

With particular attention to the artistic practices of women and LGBTQI artists, Forms & Alterations addresses the body as a creative and contested site in which gender norms are redefined and negotiated through clothing and self - styling.