Sentences with phrase «particular works exhibited»

The book also contained a series of scientific essays from academic journals corresponding to particular works exhibited.

Not exact matches

Her work in Hartley's films established the blonde, strong - jawed actress as a solid talent with a proclivity for deadpan humor, something she has also exhibited in a variety of film, television, and stage productions including Tom Noonan's What Happened Was..., a darkly humorous date movie that earned Sillas particular praise.A native of Brooklyn, where she was born June 5, 1965, Sillas studied at the acting conservatory at the State University of New York at Purchase.

Brought together from international public and private collections, this will be the first time these particular works have been exhibited together in a group of this size since Judd's 1989 installation.

The Creation Myth, Rhoades» work which was exhibited in London in the 2009 Hayward Gallery exhibition Walking in My Mind, is emblematic of this idea of the use of «highly particular materials.»

The spatial complexity apparent in many of his two - dimensional images and their references to screens, windows, reflections, and other filters translates easily to Tonsfeldt's sculpture and his engagement with the space outside the photograph in general and with the spaces where the work is exhibited in particular.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

«Exhibited» investigated different approaches to making exhibitions, and the ways in which particular exhibition contexts seek to ascribe value, meaning and aura to works.

Brought together from international public and private collections, this will be the first time these particular works have been exhibited together in a group of this size since -LSB-...]

Mostly paintings in oil but also other media, plus drawings and several sculptures this intriguing exhibit made clear the challenge of self - portraiture to achieve more than a likeness captured in a particular moment and move towards a fuller revelation of self and the essence of one's work.

Alison Raimes, an abstract painter herself, does not exhibit in this particular group exhibition, but she surely takes the idea from what has long driven her own work.

Many of the exhibited pieces display a relationship with the concept of windows which in the work of the Portuguese artist is amplified, not merely by the Renaissance structure of the frame / window itself — a technique ready to open new abstract perspectives on the concept of space — but in that particular use of materials tied to the construction of a window.

These prints are exhibited in a space where the same soundtrack as the video work is audible, further raising questions about the nature of representation, the relationship between different media and the choices made by an artist in the selection of particular images.

Furthermore, they provide viewers opportunities to see artists» works that may not normally be exhibited in a particular place, as well as a platform to engage in discussions and interactions with others beyond gallery walls.

The artist is known in particular for his use of flora, seen clearly in series such as Wild Gardens Kushner's work has been exhibited widely throughout the United States, Europe, and Asia, including solo shows at the Whitney Museum and the Brooklyn Museum in 1984 and the Philadelphia Institute of Contemporary Art in 1987.

Since the exhibit concludes on this particular note, it brings to mind New Criticism's question: How important is peripheral information to works of art?

«My work is pretty universal for this particular exhibit; the entry point is that the main piece is a large neon that mimics the ever - noticeable «loading» sign.

If you really like a particular work, approach the artist, the gallery owner or publisher exhibiting the artist's work and find out whether there are other pieces more in your price range.

The focus of the gallery since its inception has been to exhibit, represent and champion artists from around the world, in particular artists from Africa, East Asia, and North America, by mounting major exhibitions of their work in the gallery, presenting artworks at important fairs, securing museum exhibitions and publishing major catalogues and scholarly essays.

The exhibition includes works by a selection of the most renowned contemporary artists who have been represented at the CAC Málaga over this period and thus offers a survey of the principal artistic trends and their multi-faceted disciplines, with a particular focus on artists who have exhibited at the Centre for the first time or have produced site - specific projects for it.

This particular body of work began in 2005, building on the hope that one day the cosmology would be exhibited in a site - specific composition.

Further Evidence — Exhibit A and Further Evidence — Exhibit B present a crucial selection of later works, highlighting in particular Schneemann's large - scale, multi-media installations that incorporate her research, installations, film, and video.

Of particular interest was a massive new work by Takashi Murakami, exhibiting the Japanese pop art icon's unique range and continued evolution within his self - branded «superflat» style.

Each of the artists have been chosen for particular pieces of recent work, some of which will be exhibited at the Tate Britain from 25 September — 6 January 2019.

When I first went to Aggie Gund's home, where I saw your Rice House (which she later told me she acquired from your show in New York at Sperone Westwater in the»90s — she had previously acquired a Milkstone from the first exhibition in 1979 which she later donated to MoMA and will be shown at MoMA in the upcoming exhibit Studio Visit: Selected Gifts from Agnes Gund, April 29 — July 22, 2018), it must have been in the Fall of 2007, I immediately felt a particular sense of serenity in relation to the other works of art in her collection, including a Rothko painting.

The Victoria and Albert gallery held a retrospective of his work in 1971 and he exhibited internationally throughout the 70s, becoming a key figure in the international concrete poetry movement with a particular following in Brazil.

Ranging in scale from three inches to nearly 40 feet, the exhibit features mixed - media installations in a presentation of approximately 50 unique objects, dating from 1796 to the present, in particular with the inclusion of large works by four contemporary women artists: Kara Walker, with her panoramic wall murals, Camille Utterback via an interactive digital installation that reacts to visitors» movements and shadows, Kristi Malakoff's life - size cutouts of children dancing around a Maypole, and Kumi Yamashita's intricate, shadowy installations.

«Allangorpoq», his previous work about Greenland society's transformations has been largely published and exhibited in festivals and galleries (in particular during solo shows in gallery Le 247 in Paris and at the Santa Fe's Center for Contemporary Arts).

A champion of the arts of the Southwest and in particular Tucson, the gallery also exhibits top local and regional artists working in a variety of media, and presents free exhibition programs that address related local and national issues.

Having exhibited in Europe and the US, Hollowell's works often evoke bodily landscapes and sacred iconography through allusions to the human form, and in particular to women's bodies.

Converge 45: YOU IN MIND is conceived as an «art convergence in four chapters» that takes an acute and particular care about the idea and ethos of Portland's inherent positivity to amplify (for good purpose) the generous hand of independent artists whose practices tend towards perpetuating / activating the now radical notion of our cultural commons... It is my intention with YOU IN MIND that the projects we exhibit and / or present, focus on artists who have a «public» in mind, conceptually, structurally and / or are actively present within the resulting work itself.

Although by this time he was exhibiting his paintings and prints in a variety of venues both in the UK and abroad, it wasn't until he showed at the Royal College's exhibition of graduate works in 1984 that he received particular attention.

Since 1997, Pavel Zoubok Gallery has exhibited the work of contemporary and modern artists with a particular focus in the fields of collage, assemblage and mixed media installation.

This data is in the public domain and available for anyone to sort and analyze — answering questions such as how many exhiitions included work by a particular artist, which exhibitions were organized by a particular curator, who was the youngest artist to have a solo show, or which artists are most frequently exhibited with another artist.

Although Marcia Hafif and I have known each other since 2005 (we met at one of Robert Ryman and Merrill Wagner's legendary annual holiday parties, and I have since had the pleasure of visiting her SoHo studio a few times), it wasn't until a day before the opening reception of her recent exhibit, The Italian Paintings, 1961 — 1969 at Fergus McCaffrey (April 21 — June 25, 2016), that I was able to view this particular body of work.

WORK HISTORY Aug 2007 — Dec 2012 Local Museum — Indianapolis, IN Curator • Arranged for a particularly rare Mayan artifact that the museum was looking for to be displayed for three years • Researched newfound facts about three different displays and added to the information tablet • Planned and executed exhibitions • Worked with the public at large to provide information regarding particular displays • Researched new and rare artifacts and arrange form purchases • Cataloged all items according to type • Managed item preservation • Wrote content for museum's website and tablets • Hired and trained staff to manage the exhibits

In particular, helpless salespeople are more likely to quit during their first year of work, exhibit little or no persistence during customer interactions, and engage in unethical sales behaviors.