Early versions of this technique were used to join pieces of aluminium jewellery and to weld
parts of aeroplanes from the US in the Second World War.
Not exact matches
According to Dr Joana Meier, first author
of the study: «It's similar to the way the recombination
of parts from Lego tractor and
aeroplane kits could generate a wide variety
of vehicles.»
Clydeside Colossus — Giant Glasgow industrial conglomerate William Beardmore and Co made ships railway engines
aeroplanes airships motor cycles taxicabs... and as Bill Monro relates cars / Fort Dunlop Under Siege — Douglas Blain takes a close look at a manufacturing operation which is key to the survival
of our hobby / Buying a Car For Restoration — Workshop / Sunbeam Tiger — Buyer's Guide / Goodwood Does It Again — David Venables reports on another successful Goodwood Festival
of Speed / Austin Seven Ulster Rebuild / Loyd - Lord — Michael Worthington - Williams recounts how a conventional car from Chiswick strayed from the straight and narrow / Dollar Derby — The Editor enjoys a 3 1/2 litre Bentley that cost # 1460 new but once changed hands for a dollar / Racing Under The Bonnet — The camera
of Alan Smith captures the action that matters behind the scenes in the early days
of postwar British motor racing / MG Buyer's Guide —
Part two
of our special MG supplement / MG Buyers Guide —
Part Two
Stella particularly disliked both take - off and landing — that race to build up speed, the
parting from the ground and then, at the end
of the flight, the thump
of the tonnage
of aeroplane coming into contact with the earth.
On display is woodworking equipment, typewriters, a candy floss machine, agricultural machinery, an old washing machine, a potato sorter, water pumps, engines
of all sorts, telephones, a rather large
aeroplane engine, an iron lung... and that's just
part of the collection!
Also in 1995, her African Landscape with
Aeroplane (1986) left these shores with «Panoramas
of Passage - Changing Landscape
of South Africa», a group exhibition that travelled to the US; and «Transitions - Contemporary Art from the Republic
of South Africa»,
part of the 1995 Bath International Festival, carried her work to the UK.