Not exact matches
With this in mind, Rollins concludes that «in contrast to the
modern view that religious doubt is something to reject, fear or merely tolerate, doubt not only can be seen as an inevitable aspect
of our
humanity but also can be celebrated as a vital
part of faith.»
Initially, the
modern university was «
part of a single Protestant hope to uplift
humanity and usher in an age
of redemption.»
Mockingjay
Part 1 locks you into a revolutionary fight chamber with irresistible force, but allows
humanity and individualism to bubble amid the destruction while also essaying a cracking interpretation
of media in
modern warfare.
These landscapes, whether cityscape or the newly industrialised agricultural landscape — as with Ralston Crawford's featureless work
of modern purity «Buffalo Grain Elevators», 1937 — are for the most
part completely devoid
of any human narrative, only later do we end with Edward Hopper's isolated figure, in his 1928 picture «From Williamsburg Bridge»; sitting in the window
of an otherwise empty cityscape, framed by an expansive absence
of humanity.