It usually ends up being the case anyway because there's often one female part to every five male
parts on a film set.
Not exact matches
Being
on set, it was amazing seeing so many moving
parts coming together to create a
film.
The
film focuses
on this painful but necessary
part of life, as well as the effect it has
on both men, each with their own
set of issues and the various ways they try to cope with them.
Based
on part one of the Chaos Walking series, The Knife of Never Letting Go, Liman's
film is
set in a future where all men have «the noise,» allowing them to hear each other's thoughts.
I think the best
part of being an actor is that to me it feels like I've been in the best
film school for the last twenty years because not only do I see the director work
on set, I see how the producers work, I see how the DPs work, I see how the gaffers work, I see how the costume department works, I see how the production office works.
Pictured
on set in New Mexico where
filming started this week: Maggie Gyllenhaal (The Dark Knight, Donnie Darko) as Clara, Michael Fassbender (Prometheus, Shame) as Frank and Domhnall Gleeson (Anna Karenina, Harry Potter and the Deathly Hallows:
Part II) as Jon.
Penélope Cruz rescues this frequently silly comedy,
set on a 1950s
film set in Franco's Spain, as a larger - than - life actor in a
part - entertaining,
part - exasperating tale
Robert Pattinson gives Reese Witherspoon a piggy back ride and holding a baby
on the
set of the upcoming
film «Water for Elephants» by director Francis Lawrence (I Am Legend, Constantine) starring Robert Pattinson (The Twilight Saga: Breaking Dawn —
Part 1, Bel Ami) and Reese Witherspoon (This Means War, Pharm Girl).
Colin Farrell admitted he got depressed while
filming «Killing of a Sacred Deer» and admits the fact he had to grown a beard for the
part meant he couldn't escape the movie when he wasn't
on set shooting.
It is in fact a prequel
set just before the events with kurt russell, now having seen the 1982 version about 10x i kinda know whats gona happen for the most
part in this
film, now that does nt mean there wasnt alot to enjoy, seeing cool new versions of the thing (which are very well done), and still being in suspense
on who is infected and who isn't.
It's a gloriously written
film, with jokes that are crafted rather than excavated from reams of
on -
set improvisation1; the success of the punchlines is scattershot and up for debate (connoisseurs of the Borscht belt should find much to admire, but a rehash of Lloyd's lovesick daydream flatlines, due in no small
part to an overestimation of the comic chops and kitsch appeal of Honey Boo - Boo's mom), yet there is something bracing about its structural classicism after the last few years of watching the Church of Apatow whack off.
If there's a certain airlessness to Folman's live - action aesthetic and a tendency to over-egg some of the speeches, it does
set up a kind of artificial, sci - fi - ish tone early
on, even in this, the least fantastical
part of the
film.
The Appendices — The Appendices
Parts IX and X showcase an immersive multi-part history of the
filming of The Hobbit: The Desolation of Smaug, covering pre-production in the various departments of the
film in the months leading up to the start of principal photography, training, the work done
on set and in the world of its digital effects.
A plot device in Captain America: Civil War may play a big
part in the next two Avengers
film, based
on clues from
set photos and trailers.
Last month it was announced that
filming on Warner Bros.» two -
part Justice League movie is
set to get underway
on April 11th, and speaking to MTV News at the Oscars this past Sunday, Henry Cavill briefly spoke about the DC superhero team - up and how it will expand the DC Extended Universe.
Directed by Quentin Lawrence and based
on a television
film he had directed earlier, the entire
film is kept to a couple of
sets and a small, contained cast, and the controlled microcosm is
part of what makes it work, as the threats are all outside the walls, unseen and only heard over a phone line or described by the charmingly commanding Morell.
In between it offers, among other things, meditations
on Spanish architecture and landscapes, an outdoor concert where the conductor is
on an elevated platform in a shopping arcade and the musicians are
on nearby balconies, a lavish state party thrown for the novelist, a verbal chess match at the party, a credit sequence 20 - odd minutes into the
film, a concert inside a cathedral, extended lovemaking, a recitation of
part of the novelist's book, an opera performed at a gigantic fish market, a university lecture
on algae, another opera
set (though not staged) in a Turkish bath, a TV interview, a meal prepared and eaten by the three lovers, a
film screening, and a plane trying to extinguish a forest fire.
Hugely successful upon their original release, thanks in
part to the skilled direction of Duccio Tessari («The Bloodstained Butterfly,» «Death Occurred Last Night»), the Ringo
films proved influential
on the Italian Western, spawning numerous unofficial sequels, due to their gripping
set - pieces and unforgettable musical scoring by Ennio Morricone.
«The Hunger Games: Mockingjay -
Part I,» which is the third installment in the acclaimed
film adaptation series of the hit «Hunger Games» book trilogy, is
set to open
on November 21 in theaters nationwide.
Second I know that Untitled Avengers 4 also known as Avengers: Infinity War
Part 2 is currently
filming which is scheduled to release
on May 3, 2019, and a news report revealed that a character from the Wolverine 2013 movie «Hiroyuki Sanada» who played «Shingen» was seen
on the
sets of Avengers 4.
Quentin Tarantino cast him in the relatively minor
part of Billy Crash, but after Kurt Russell, who was to have played the right - hand - man of villain Calvin Candie (Leonardo DiCaprio), walked off the
set, Tarantino, blown away by Goggins» work
on the
film, incorporated Russell's character into Crash, rather than recasting.
Having tons of tweets
on Park Chan - Wook I realized that by some illogical reason I had yet to see this
film that was a
part of his Vengeance Trilogy, and with Oldboy and Sympathy for Lady Vengeance being two of my favourite revenge / Korean
films, I guessed it would a good idea to complete the
set.
The Combo Pack includes access to a Digital copy of the
film as well as the following: Blu - ray · Feature
film in high definition · Bonus Content: o
Part 1 — SOUTHERN REACH § Refractions — See how director Alex Garland created the tone, textures and color palettes for the various
film environments
on set.
Also available
on DVD as
part of the four -
film set Classic Western Round - up Vol.
Since that auspicious debut, he has continued to collaborate with Anderson
on «The Darjeeling Limited» (which the pair wrote with Roman Coppola); the short
film «Hotel Chevalier»; his animated feature, «Fantastic Mr. Fox» (for which he contributed his vocal talents); «Moonrise Kingdom» (
part of Anderson's stellar ensemble cast of Murray, Tilda Swinton, Edward Norton and Frances McDormand), which
set a new record at the specialty box office over Memorial Day weekend for best limited indie debut of all time, and, the Academy Award nominated
film, «The Grand Budapest Hotel,» whose eclectic cast brought back thespians Murray, Norton and Swinton, along with Willem Dafoe, Soirsae Ronin, Ralph Finnes, Jude Law, Jeff Goldblum, Owen Wilson and Adrian Brody.
Though it centers
on people of Greek extract, little, if any, of the
film actually takes place
on the country's soil; instead,
part two of his projected trilogy, which began with 2004's The Weeping Meadow, is
set in Rome, New York, Berlin, the former Soviet Union, and various other locales around the globe.
At a recent roundtable interview, Revolori talked about the atmosphere
on set, working opposite Fiennes, his kissing scene with Saoirse Ronan, adapting to act in the Wes Anderson universe and the research he did beforehand, the physicality and pacing required
on set, having fun being a
part of the
film's exciting adventure
set pieces, being slapped repeatedly by Harvey Keitel in sub-zero weather, bowling with F. Murray Abrahams, his chocolate allergy, and his upcoming Bollywood
film, «Umrika» which he just finished shooting in India with Suraj Sharma from «Life of Pi.»
Alan Tudyk did the motion capture performance and voice for the reprogrammed Imperial droid K - 2SO, and since he was actually
on set to fulfill his
part in the
film, he provided some details
on K - 2SO's original Rogue One ending.
Rather like an extremely damped - down There Will Be Blood, Reichardt's
film — based
on historical events — depicts one group's journey through the Oregon Trail in 1845 as a trek through a hauntingly empty and alien landscape, with cinematographer Christopher Blauvelt exquisitely taking in the natural beauties of the
settings while framing the increasingly desperate wanderers in wide shots to emphasize, in
part, their ultimate smallness within the wild west.
He said he hopes his final breaths might come mid-scene
on set and become
part of his final
film.
Press notes boast that one of Spielberg's «largest
sets... was left intact after
filming to become a
part of Universal Studios Hollywood theme park tour,» and «The actors... sometimes likened the experience [of working
on the movie] to being
on an amusement park ride.»
And while the movie's New York
setting might have been
part of what worked in its favor at the Gotham - friendly Gothams — star Oscar Isaac, accepting the prize
on behalf of the Coens, noted the connection — it nonetheless offered the
film a much - needed boost at the dawn of nomination season.
Director Jordan Vogt - Roberts is
set to begin shooting the
film this Monday, but his actors and
part of his apes are already
on set.
Blu - ray Highlight: Although it's appeared
on previous editions, «The Art of the Sting» is an excellent three -
part retrospective that features interviews with Robert Redford, Paul Newman and other cast and crew as they reflect back
on making the
film, including the choice to use ragtime music for the score, cast chemistry and anecdotes from the
set.
The
film benefits from some wonderful comedic timing
on the
part of Larson, and a great
set of movie parents essayed by Bradly Whitford and Joan Cusack.
So, the hardest
part of this
film for me was, whenever I am
on set, I like to goof off.
This rousing in
parts, but overall average b / w western, was the last
film Errol Flynn and Raoul Walsh («Gentleman Jim» / «They Died With Their Boots
On» / «Uncertain Glory») made together (they made seven in total, but Walsh had enough of Flynn's drinking on the set and not being able to act in the afternoons because he was so drunk
On» / «Uncertain Glory») made together (they made seven in total, but Walsh had enough of Flynn's drinking
on the set and not being able to act in the afternoons because he was so drunk
on the
set and not being able to act in the afternoons because he was so drunk).
Part of the success of the performances in the
film owes greatly to Hooper's decision to record the actors singing
on set, rather than have them lip - sync to pre-recorded tracks, the usual method for
filming musicals.
It's hard to know where to start or how to even describe Annihilation —
part alien invasion
film,
part surreal mind - bender,
part heartfelt melodrama... I was
on the
set a little over a year ago, spoke with the producers, director, production & art designers, saw the mood boards tracking the story of the
film, and watched a particularly tense sequence
filmed — and yet even after all of that, I'm still not sure what to expect.
After exploring the depths of space, «Gravity» screenwriter Jonas Cuaron is ready to look to the deepest
parts of the ocean, re-teaming with Warner Bros.
on the Atlantis -
set film, «The Lost City.»
Part of this is because the first two
films did such a terrible job
setting up real characters, besides Katniss; this extra time gives the filmmaker an opportunity for audiences to connect with the characters who have been
on the perimeter over two
films.
With Annihilation
set to debut
on Netflix next month, Ex-Machina director Alex Garland has taken
part in an Ask Me Anything Q&A
on Reddit, where he was asked the question about the possibility of a further
film in the 28 Days / Weeks Later franchise.
Ant - Man & the Wasp, meanwhile, will introduce not one but two iterations of the Wasp also
set to appear: Janet Van Dyne's arc in the sequel is one of the
film's most closely - guarded secrets but Marvel Studios executive producer Victoria Alonso did tease that Pfeiffer was actually
on the
set of Avengers 4; Evangeline Lilly, for her
part, has cautioned that her own version of the Wasp only plays a minor role in the
film.
It's loosely based
on parts of a 14th - century collection of Italian novellas called The Decameron, and there's a shaggy, improvised feel to the
film which at times feels fresh, given the
setting, and at others gives it a feather - light flimsiness.
«Haunted Hospital:
On Location» — Cast and crew discuss what it's like to film at a haunted location (Blu - ray exclusive) «Leigh Whannell's Insidious Journal» — A look at making the film through the perspective of writer / actor Leigh Whannell (Blu - ray exclusive) «Work in Progress: On Set Q&A» — Barbara Hershey, Patrick Wilson, Jason Blum, James Wan, and Leigh Whannell discuss their experiences filming «Insidious: Spectral Sightings» 3 - Part Webisodes — Specs & Tucker find an unexpected ally in their early days as paranormal investigators (Blu - ray exclusive) «Peripheral Vision: Behind the Scenes» — Go on the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effec
On Location» — Cast and crew discuss what it's like to
film at a haunted location (Blu - ray exclusive) «Leigh Whannell's Insidious Journal» — A look at making the
film through the perspective of writer / actor Leigh Whannell (Blu - ray exclusive) «Work in Progress:
On Set Q&A» — Barbara Hershey, Patrick Wilson, Jason Blum, James Wan, and Leigh Whannell discuss their experiences filming «Insidious: Spectral Sightings» 3 - Part Webisodes — Specs & Tucker find an unexpected ally in their early days as paranormal investigators (Blu - ray exclusive) «Peripheral Vision: Behind the Scenes» — Go on the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effec
On Set Q&A» — Barbara Hershey, Patrick Wilson, Jason Blum, James Wan, and Leigh Whannell discuss their experiences filming «Insidious: Spectral Sightings» 3 - Part Webisodes — Specs & Tucker find an unexpected ally in their early days as paranormal investigators (Blu - ray exclusive) «Peripheral Vision: Behind the Scenes» — Go on the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effe
Set Q&A» — Barbara Hershey, Patrick Wilson, Jason Blum, James Wan, and Leigh Whannell discuss their experiences
filming «Insidious: Spectral Sightings» 3 -
Part Webisodes — Specs & Tucker find an unexpected ally in their early days as paranormal investigators (Blu - ray exclusive) «Peripheral Vision: Behind the Scenes» — Go
on the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effec
on the
set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effe
set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effects
Along with a screenwriter commentary and blooper reel (both of which appear
on the first disc with the movie), the two - disc
set also includes a 25 - minute pre-production featurette («Charting the Return») covering (among other things) the struggle of the writers to complete the script in time, a lengthy production featurette («According to Plan»)
on the actual
filming, and a three -
part featurette («Mastering the Blade»)
on weapons training for Bloom, Knightley and Davenport.
Potential Avengers: Infinity War and Avengers 4 spoilers follow... A few weeks ago, Marvel Studios and directors Joe and Anthony Russo completed
filming on Avengers 4, and now Mark Ruffalo has taken to Twitter to share a
set photo from his final day of shooting
on the two -
part Marvel blockbuster: Saw this
on Reddit.
In some
films, like Code Unknown and Caché, Haneke creates multiple
on - screen realities, through movie
sets and cameras that are
part of the story, to blur the boundaries of time and space within the world of the movie.
Click here for the next
part of my
set visit, which includes details
on the scene being
filmed during my visit, and an interview with actress Bailee Madison about her character.
Looking at the follow - ups of some recent Academy Award winners, so you can see a near - three - hour erotic drama (Ang Lee), a one - man show about a man cutting off his own arm (Danny Boyle), a near - three - hour drama about the search for Osama Bin Laden (Kathryn Bigelow) and a near - three - hour musical sung live
on set (Tom Hooper),
films that for the most
part, would have had a trickier time getting a green light without the ability to put «From Academy Award Winning Director...»
on the poster.