Perhaps all would be forgiven if M: i: III were competently - directed (while M: I - 2 is one of the stupidest films ever made, as John Woo is one of the best action directors of the past twenty - five years, damn if it's not beautiful, coherent, auteurist stupidity), but it's a glassy - eyed, dead thing complete with superfluous flashbacks to events we don't care about involving characters we don't recognize, an interminable
party sequence in which Cruise trots out his smile like it was a weathered, beaten - down trophy wife, and a smug, self - congratulatory conclusion full of high - fives, victory arms, and shit - eating grins.
Baumbach's usual novelistic attention to detail is everywhere: the late - night hook - ups, the LACMA decal on the fridge, the hose twirling in the pool, the desultory walks through the canyons, the great screwed - up birthday scene at Musso & Frank's, climaxing with a riveting and devastating
party sequence in which Roger does coke with a group of Millennials and attacks their values.
The new episodes don't represent another radical leap forward in style or quality the way season two was, but whatever's lost from the shock of the new (nothing here is quite as weird or surprising as the cavewoman prologue or «International Assassin,» though a joke in the second episode and
a party sequence in the fifth come close) is gained in how much more we know all the characters at this point, and how aware they are of their proximity to their story's end.
Not exact matches
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The «vow» that the main UK
party leaders made to boost the powers of the Scottish parliament
in the days before the independence referendum started a
sequence of events that will see welfare benefits vary...
This allowed us to map
in great detail the
sequence in which
parties won every seat being contested, and to pay special attention to who gets to win the last one or two seats
in each region.
The closing
sequence of Hawking is genuinely moving, cutting between his appearance
in front of an ecstatic crowd at the opening of the 2012 Paralympic Games, an onstage lecture before an audience packed with admiring fans, and an intimate bonfire
party at his Cambridge home.
Instead, they identified a subtle flaw (
in the form of «side channels»)
in the Linux software that enables attackers to infer the TCP
sequence numbers associated with a particular connection with no more information than the IP address of the communicating
parties.
Yesterday afternoon was the kickoff
party launching WashU's Cancer Genomics Initiative (CGI), better known as our goal to
sequence 150 cancer genomes
in the coming year.
The name keeping on presenting latest stuff has
in its newest variety of maxi dresses..., casual zig zag, leopard and floral prints, every single one designed with unique cuts and style; Winter Spring Summer Ball outfits with net and embroidery, stones,
sequences, ribbons, belts and broaches to get the
party started with confidence and boundless glitters of your style!
After a brief (and cliché)
sequence of bad guys attacking an armored caravan, we are treated to the first pleasant surprised the trailer has
in store for us: the iconic
party van comes up behind the masked villains as RUN - DMC's «Tricky» begins to play.
After a brief introductory
sequence, five old buddies hop
in a van and drive to Las Vegas for the bachelor
party to end all bachelor
parties.
An early
sequence, of a dinner
party gone awry, is a little comic masterpiece; the great Melanie Lynskey shows up
in jewels, a
party dress, and a tiara («It's everything I never wore!»)
«That
party sequence is why I really wanted to do this film, because I've been to that
party,» Kaluuya said of a scene
in which Chris politely navigates a series of white strangers whose pleasantries are edged with passive - aggressive racist undertones.
Part of me thinks it'd be a fun gag for the movie to end with a Bruce Lee style fight
sequence where all this build up ends
in a one two punch kick combo that just brings the losing
party to his feet and the curtain falls and we're all sitting there with our jaws
in our laps, doubt it though.
The visceral, grainy lighting captures mood but the moments of intimacy lack the suggested emotional depth that strings the two together and the filmâ $ ™ s soundtrack follows
in the footsteps of Winterbottomâ $ ™ s 24 Hour
Party People, look for an amusing appearance from The Clashâ $ ™ s front man singing a classic
in a karaoke bar
sequence.
However, they do make great «wallpaper» cinema: films to turn on
in the background during a cocktail
party to entertain your guests (especially fun when Thunderbirds are Go casts aside narrative and indulges
in a prolonged dream
sequence at a night club
in space — call it a camp precursor to the Stargate
sequence in Kubrick's 2001: A Space Odyssey).
From the EW preview we know one thing for sure: there will be more spectacular
party sequences as there were
in the first film, with Neighbors 2 including a Mad Max - inspired tailgate and a hall - of - mirrors rave.
Example:
In an amusingly awkward restaurant
sequence, bringing together Deanna with her best friend (Rudolph), the college boy Deanna met at a frat
party (Luke Benward, sweetly smitten) and various other characters, there's an outrageous relationship reveal that works like crazy with an audience.
Most of the features that make Lewis» directorial work such a remarkable exception to the dominance of a realist aesthetic
in Hollywood filmmaking are brilliantly apparent
in The Errand Boy, including the foregrounding of sound manipulation (most blatant
in the
sequence involving the post-synchronisation of the song «Lover» for a musical film, and
in the tape manipulation of Kathleen Freeman's reaction to having been left by her driver
in the back seat of a convertible receiving a car wash) and the placement of actors
in a shot so as to highlight the presence of the camera (as when Morty, an undirected and oblivious extra
in a film - within - the - film cocktail -
party scene, keeps looking at the camera from the background of a shot
in which other extras,
in their roles as
party guests, intermittently block him from the camera).
Declaration of War announces itself
in a nifty opening
sequence as Juliette meets Romeo at a
party and they set off on their romance with an impressively edited tracking shot through the streets of Paris.
In between it offers, among other things, meditations on Spanish architecture and landscapes, an outdoor concert where the conductor is on an elevated platform in a shopping arcade and the musicians are on nearby balconies, a lavish state party thrown for the novelist, a verbal chess match at the party, a credit sequence 20 - odd minutes into the film, a concert inside a cathedral, extended lovemaking, a recitation of part of the novelist's book, an opera performed at a gigantic fish market, a university lecture on algae, another opera set (though not staged) in a Turkish bath, a TV interview, a meal prepared and eaten by the three lovers, a film screening, and a plane trying to extinguish a forest fir
In between it offers, among other things, meditations on Spanish architecture and landscapes, an outdoor concert where the conductor is on an elevated platform
in a shopping arcade and the musicians are on nearby balconies, a lavish state party thrown for the novelist, a verbal chess match at the party, a credit sequence 20 - odd minutes into the film, a concert inside a cathedral, extended lovemaking, a recitation of part of the novelist's book, an opera performed at a gigantic fish market, a university lecture on algae, another opera set (though not staged) in a Turkish bath, a TV interview, a meal prepared and eaten by the three lovers, a film screening, and a plane trying to extinguish a forest fir
in a shopping arcade and the musicians are on nearby balconies, a lavish state
party thrown for the novelist, a verbal chess match at the
party, a credit
sequence 20 - odd minutes into the film, a concert inside a cathedral, extended lovemaking, a recitation of part of the novelist's book, an opera performed at a gigantic fish market, a university lecture on algae, another opera set (though not staged)
in a Turkish bath, a TV interview, a meal prepared and eaten by the three lovers, a film screening, and a plane trying to extinguish a forest fir
in a Turkish bath, a TV interview, a meal prepared and eaten by the three lovers, a film screening, and a plane trying to extinguish a forest fire.
Hence the post-credit
sequence in which real - life Wiseau bumps into James - as - Wiseau at a rooftop
party and makes hilariously stilted small talk.
The
party sequences are dull and redundant and the character of Costa is so annoying that I wanted Thomas to leave him
in the dust.
Although
in one instance — a
party sequence featuring a rather clichéd depiction of Catherine's feelings of claustrophobia
in a crowded space — the film falls victim to a heavy - handed narrative choice and unsubtle execution, more often, smaller moments such as Catherine's interactions with Rich, or her reminiscences about the past with Ginny, become crucial
in expressing her emotions.
In a murderous opening
sequence, their camp is ambushed by an Arikara war
party.
Regrettably, there is actually a market for movies like this, and the crowds of fifteen - year - old boys that manage to sneak
in to the R - rated flick will enjoy every minute; including the 20 - minute
party sequence that functions only as a catalyst for more marijuana - induced comedy.
Also more interesting
in concept is «A Golightly Gathering,» a reunion of various people who were involved
in the film's famous
party sequence; while there are some amusing remembrances of working with Hepburn, George Peppard, and director Blake Edwards, at 20 minutes it goes on too long, and the cocktail
party conceit of the gathering is a bit too precious.
At a climactic concert at a
party, rows of listeners can be seen gliding off
in separate directions as if on separate mind journeys, and
in a much earlier surreal
sequence featuring newsreel war footage
in a cafe, the narrator, reading a letter, can be seen rising with his chair like a film director seated on a crane, all the way to the top of the room, where he encounters his own childhood self running a projector — an image that might be traced, like much else, to one of Proust's extended descriptive passages.
Though it most comes alive
in game
sequences, which are depicted with many layers of sound and perspective and set to short clips of hip hop, hard rock and at one point Bill Withers, the film also depicts
parties, publicity, and the filming of a rap music video.
In this video is the full opening
sequence of story mode for Mario
Party 9, as well as a few turns...
Like ALL of Rogen's films, «Sausage
Party» unnecessarily takes everything to the extreme to get the cheap laugh, and
in the case of the final
sequence, simply shock and stun the audience.
The matter of personal chemistry is provocatively covered
in the dazzling opening
sequence,
in which a young man (Michael Pitt) wearing a white doctor's coat to an edgy downtown New York Halloween
party spots a slinky young woman wearing black leather and a face mask; only her dazzling eyes, which he photographs, are visible.
Deathly Hallows has plenty of special effects moments that look spectacular
in HD, and even when there's not a huge action
sequence in play, the film's reliance on the
party's trek means there are lots of sweeping landscape shots that have their own beauty.
They make their way to a ravaged, now nearly forest - like, and, obviously, zombie - infested London (after a stop
in a forest — another solid action
sequence, punctuated by Parks showing what he's willing to do — that whittles down the number of ancillary characters accompanying the
party).
There are a series of fantasy
sequences where Simon imagines his gay online friend as this or that kid from school, a Halloween
party with Simon and BFF Leah (Langford) dressed as John and Yoko, and we figure out this Georgia high school has parents hip enough to not mind swearing
in front of the kids and not strict enough to care when those kids come home from that
party drunk.
Hitchcock and Saul Bass had this same idea for the title
sequence of Vertigo; the root of pornography is segmentation, and when men are engaged
in sexual attraction they're
party to a bloodless vivisection.
The flashier aspects to Tarantino's movie get most of the press — the obscene but smart and wickedly funny dialogue, the non-linear timeline, the obscure and wildly varied soundtrack, the dance
sequence with Vincent and Mia, soullessly revisited by both
parties in «Be Cool» — but the most underrated aspect of «Pulp Fiction» is its tone.
Criterion's Blu - ray presents the film exclusively
in its 1996 extended cut, rather than the unrated 100 - minute original theatrical cut that abbreviated that out - of - nowhere
party sequence.
Rogen and Byrne also attend one of the frat's early, out - of - control
parties, which is the opening salvo
in what turns out to be some of the most elaborately choreographed and beautifully photographed
party sequences we've ever seen
in a mainstream studio comedy (their wild night spent drinking their faces off ends
in a wonderful scene reminiscent of «The Trip,» with Efron and Rogen comparing Batman impressions.)
Reinserted for a 1996 video release, that originally cut, seemingly random
sequence (whose nudity earned an R rating) sets up the next, when Tony's embarrassing drunken display at his housewarming
party raises the concerns of his fellow «reborns»
in the community.
Most studio comedies look flat and over-lit, but «Neighbors» is bathed
in deep shadows, with the
party sequences electrifying the movie
in dazzling ways.
There's so much going on
in the movie already: the fantastic soundtrack, the montage
sequences, all the subplots, the
party scenes, a lesbian love story that is actually incredibly sincere and heartfelt.
Inside, you still get the previous XF's
party piece i.e. the uber - cool start - up
sequence with the rotary gear selector rising up from the centre console and the air vents rolling up
in harmony.
It IS possible that Adobe's read aloud feature, Kindle's text reader, or some other third
party read aloud software could have custom code to read a specific character as «bullet» or «subbullet», but the reader software would have to know exactly which character would be used as a bullet or subbullet and know the exceptions (like the same dot - like character used
in a
sequence for dotted borders and other objects).
Another common derivative used
in a contract setting when trading are swaps, they allow both
parties to exchange
sequences of cash flows for a set amount of time.
An opening
party sequence allows you to customise the genders and ethnicity of your character and their lover, and all seems rosy as they raise their glasses
in a toast.
But if you want an extra challenge, each song you unlock
in story mode comes with an optional task attached to it (i.e. «hit this many arrows», or «do this specific
sequence perfectly») that can be accessed by leaving
Party Mode off.
Journey with and learn more about a crew of half - zombie girls through visual novel
sequences and as you crawl through dungeons, beating up twisted creatures that were born from the fall of society
in fast - paced turn - based RPG combat, and ultimately deliver the only known cure for what ails your
party members to a place where it can be mass produced!
The work that made Leckey's name
in 1999 was Fiorucci made me Hardcore — a personal journey through British dance culture starting with 70s Northern Soul and
sequencing through to 90s techno and the free
party scene.