Sentences with phrase «pas ici»

Fais semblant qu'on n'est pas ici includes new paintings, sculpture and a raised floor.

Liam Everett's third solo - exhibition at Altman Siegel, entitled «Fais semblant qu'on n'est pas ici,» features new paintings such as Untitled (I would have a scythe of perfect curvature and so would you)(2017)(image courtesy of Altman Siegel).

An installation view of Liam Everett's «Fais semblant quon nest pas ici» (2018) at Altman Siegel, San Francisco.

Not exact matches

«We'll Make Out Better than Okay,» The Charlotte Street Foundation la Esquina Gallery, Kansas City, MO, October 25 — December 20, 2013 «Etched in Collective History,» Birmingham Museum of Art, Birmingham, AL, August 18 — November 17, 2013 «The Spirit of Utopia,» Whitechapel Art Gallery, London, UK, July 4 — September 5, 2013 «Labour and Wait,» Santa Barbara Museum of Art, Santa Barbara, CA, July 2 — September 22, 2013; catalogue «Sculpture in the Close,» Jesus College, Cambridge, MA, June 24 — September 22, 2013 «BNKUDRWTR,» Art Basel Unlimited 2013, Basel, Switzerland, June 13 — 16, 2013 «Transforming the Known: Works from The Bert Kreuk Collection,» Gemeente Museum, The Hague, Netherlands, June 8 — September 24, 2013; catalogue «Prima Materia,» Punta della Dogana, Venice, Italy, May 30, 2013 — February 15, 2015; catalogue «Do It,» curated by Hans Ulrich Obrist, organized by Independent Curators International (ICI), Socrates Sculpture Park, New York, NY, May 12 — July 7, 2013; traveled to Gund Gallery at Kenyon College, Gambier, OH, May 12 — August 25, 2013; tranzit, Budapest, Hungary, May 17 — May 19, 2013; MU artspace, Eindhoven, Netherlands, May 17 — July 19, 2013; Manchester Art Gallery, Manchester, UK, July 5 — September 22, 2013; Samek Art Gallery, Lewisburg, PA, September 23 — December 12, 2013; Handwerker Gallery, Ithaca, NY, September 30 — November 1, 2013; Stacion — Center for Contemporary Art Prishtina, Prishtina, Kosovo, November 15, 2013 — January 14, 2014; Utah Museum of Contemporary Art, Salt Lake City, UT, January 17 — May 31, 2014; Musée de la danse, Rennes, France, April 1 — May 17, 2014; Garage Center for Contemporary Culture, Moscow, Russia, May 1 — July 6, 2014; The Episcopal Academy, Newtown Square, PA, September 3, 2014 — April 3, 2015; Michaelis School of Fine Art, University of Capt Town, Cape Town, South Africa, September 4 — 13, 2014; The Galleries at Moore College of Art & Design, Philadelphia, PA, September 13 — December 6, 2014; Denler Art Gallery, Saint Paul, MN, October 16 — November 13, 2014; Anne & Gordon Samstag Museum of Art, Adelaide, Australia, February 13 — April 24, 2015; KKW Kunst Kraft Werk, Leipzig, Germany, May 22 — July 9, 2015; Napa Valley Museum, Yountville, CA, June 19 — August 30, 2015; Kunsthal Rotterdam, Rotterdam, Netherlands, July 4 — August 30, 2015; Numu — El Nuevo Museo de Arte Contemporáneo, Guatemala City, Guatemala, August 8 — October 18, 2015; Kunsthal Aarhus, Aarhus, Denmark, October 2 — November 29, 2015; Bowling Green State University, Bowling Green, OH, October 21 — November 19, 2015; Tallina Kunstihoone, Tallinn, Estonia, November 24, 2015 — January 10, 2016; Verge Center for the Arts, Sacramento, CA, January 9 — March 20, 2016; Galerie de l'UQAM, Montréal, Québec, Canada, January 14 — February 20, 2016; Galerija Umjetnina, Split, Croatia, January 30 — December 31, 2016; Frac des pays de la Loire / HAB Galerie, Nantes, France, February 5 — April 17, 2016; Art Museum of the University of Memphis, Memphis, TN, March 1 — May 10, 2016; Blue Star Contemporary, San Antonio, TX, March 3 — May 8, 2016; Ulrich Museum of Art, Wichita, KS, April 23 — August 28, 2016; Montclair Art Museum, Montclair, NJ, September 9, 2016 — January 1, 2017; catalogue

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003