Sentences with phrase «past curatorial projects»

Her past curatorial projects include exhibitions at The Kitchen (New York, NY), Field Projects (New York, NY), Flashpoint Gallery (Washington, DC), Arlington Arts Center (Arlington, VA), Washington Project for the Arts (Washington, DC), VisArts Rockville (Rockville, MD), and DC Arts Center (Washington, DC).

Her past curatorial projects include exhibitions at The Kitchen (New York, NY), Field Projects (New York, NY), Arlington Arts Center (Arlington, VA), Washington Project for the Arts (Washington, DC), VisArts Rockville (Rockville, MD), DC Arts Center (Washington, DC), and SPRING / BREAK Art Show (New York, NY).

Past curatorial projects include exhibitions at the Tarryn Teresa Gallery and POVevolving in Los Angeles.

Past curatorial projects include: Shifting Gazes (Guest Projects, London, 2013; with Christine Takengny); Is Seeing Believing?

Past curatorial projects include the Contingent Movements Archive and Symposium, conceived for the Maldives Pavilion at the 55th Venice Biennale, and Crisis Complex, an exhibition and series of events held at Tin Sheds Gallery, Sydney.

Willard has worked as a curator in residence with grunt gallery and Kamloops Art Gallery, and her past curatorial projects include Beat Nation: Art, Hip Hop and Aboriginal Culture, a national touring exhibition, CUSTOM MADE (translation) at Kamloops Art Gallery, and select recent curatorial work includes: Nanitch: Historical BC Photography, Unceded Territories: Lawrence Paul Yuxweluptun, as well as LandMarks 2017 / Repères 2017.

Not exact matches

For the past five years she has worked at David Zwirner gallery while also taking on independent curatorial projects.

Past project spaces have included Curatorial Timeshare, Anarch and ATOI&CULL.

Burns has a particular interest in socially engaged arts practice and past projects commissioned through Fire Station include Troubling Ireland — a think tank for socially engaged artists in collaboration with the Danish curatorial collective Kuratorisk Aktion.

EW: Outside of the gallery, which I more regard as a Project Space, my activity includes a lot of curatorial work, as is evidenced in the upcoming exhibition «Body and Soul: Performance Art Past and Present» at the Biennale Arte 2017 in Venice.

Curatorial Talk: Rosario Güiraldes of the Drawing Center Thursday, March 29, 2018, 6:30 — 8 pm Presented in conjunction with the exhibition Copy, Translate, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros Güiraldes will be discussing her curatorial practice at the Drawing Center and in her past projects, engaging with and expanding on themes and questions brought up by the exhibitioCuratorial Talk: Rosario Güiraldes of the Drawing Center Thursday, March 29, 2018, 6:30 — 8 pm Presented in conjunction with the exhibition Copy, Translate, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros Güiraldes will be discussing her curatorial practice at the Drawing Center and in her past projects, engaging with and expanding on themes and questions brought up by the exhibitiocuratorial practice at the Drawing Center and in her past projects, engaging with and expanding on themes and questions brought up by the exhibition on view.

Inspired by the open curatorial format devised by curators Kaspar König and Klaus Bussman for the 1987 exhibition Skulptur Projekte Münster, Jacob worked closely with twenty - three artists to develop site - specific projects for Places with a Past in 1991.

Meanwhile she is extending her curatorial practice in many international projects including 9th Gwangju Biennale (2012) in South Korea as Co-Artistic Director, Phantoms of Asia: Contemporary Awakens the Past (2012) at Asian Art Museum in San Francisco as guest curator, and Ai Weiwei: According to What?

A Prologue to the Past and Present State of Things is curated by Aaron Cezar, Director, Delfina Foundation with contributions from Ala» Younis and Barrak Alzaid (curatorial fellows, Staging Histories) and Jane Scarth, Residency and Projects Manager, Delfina Foundation.

Past solo, collaborative, and curatorial projects have been presented at the Busan Biennial, Fleisher - Ollman Gallery, Vox Populi Gallery, Karma Gallery, Andreas Grimm Gallery, MOCA Los Angeles, The Hebel Theater, and Performance Space 122, amongst other venues.

This intensive, archive - based, curatorial experiment called for artists, curators, writers, and performers to create fifty new projects and publications based on ICA's history, bringing the museum's past into an unfolding present.

After the ICI Curatorial Intensive, the one - on - one conversations, the long walks in the evenings through the long and green boulevards of the 7th Ward, I was able to conceive the different components of the project, the financial architecture, the role of each person involved in the project over the past years in order to present the proposal in Paris.

Past Exhibitions includes a curatorial project titled The Company of People at Space 15 Twenty, group and solo exhibitions at Los Angeles; Youth Group Gallery, End of Century, Renwick Gallery, Openhouse Gallery, New York; Less is More Projects, Paris; Mike Potter Projects, Cologne; and Preteen Gallery, Mexico City.

This installation drew thousands of people and delved into revolutionary politics past and present, a continuing theme in Fein's work.In May 2010, Fein was invited by the New York curatorial project No Longer Empty to recreate his «Remember the Upstairs Lounge» installation in a vacant Chelsea space.The exhibition, once again, drew thousands of visitors and sparked renewed interest in this piece of history.

Other curators contract, demonizing anything successful or of the art world and embrace a kind of Curatorial Correctness — specializing in the rediscovery of the assistants of famous artists or other overlooked makers of the recent past (in other words, safer, quieter projects that make fewer grand claims about what is new or newly important).

Committed to promoting Russian and Eastern European art at the highest standard, in the past four years GRAD has presented over twenty curatorial projects, both historical and contemporary, addressing urgent social issues of today.

Under the curatorial direction of Aaron Cezar, two exhibitions were staged: Echoes & Reverberations at Hayward Gallery Project Space, in partnership with Hayward Gallery, Maraya Art Centre (Sharjah) and Shubbak, and A Prologue to the Past and Present State of Things at Delfina Foundation.

Meanwhile she is extending her curatorial practice in many international projects including 9th Gwangju Biennale (2012) in South Korea as the Joint Artistic Director, Phantoms of Asia: Contemporary Awakens the Past (2012) at Asian Art Museum in San Francisco as guest curator, and Ai Weiwei: According to What?

This marked what feels like a natural progression for Marino, whose studio presence and curatorial work at pump project have undoubtedly influenced her capacity for medium exploration beyond the images she has shown in the past.

Contemporary Art from the Collection,» Museum of Modern Art, New York, NY, July 7 — September 17, 2007 «Substance & Surface,» Bortolami Gallery, New York, NY, June 26 — August 31, 2007 «Contemporary Art from the Harvard University Art Museums Collections,» Fogg Art Museum, Harvard, Cambridge, MA, June 23 — January 31, 2008 «Repicturing the Past / Picturing the Present,» Museum of Modern Art, New York, NY, June 15 — November 5, 2007 «Lines, Grids, Stains, Words,» Museum of Modern Art, New York, NY, June 15 — October 22, 2007 «Art Unlimited,» Regen Projects at Art Basel 38, Basel, Switzerland, June 13 — 17, 2007 «Art in America, Now,» Museum of Contemporary Art, Shanghai, China, May 1 — June 30, 2007 «Paper: from the collection of Emily Fisher Landau,» curated by Bill Katz, The Fisher Landau Center for Art, Long Island, New York, NY, May 19 — December, 2007 «Remix Identity and Abstraction,» Albright Knox Art Gallery, Buffalo, NY, Fall 2007 «Learn to Read,» curated by Vincent Honoré and Maeve Polkinhorn, Tate Modern, London, United Kingdom June 19 — September 2, 2007 «Novel Readings,» curated by Florencia Malbrán, Bard Center for Curatorial Studies, Annandale - on - Hudson, New York, NY, May 13 — 27, 2007 «Fast Forward: Contemporary Collections for the Dallas Museum of Art,» Dallas Museum of Art, Dallas, Texas, February 11 — May 20, 2007; catalogue

She is a key figure in analysing socio - historical and generational trends within Japanese and Asian art and is renowned internationally for her curatorial practice, having engaged in many projects including as co-artistic director of ROUNDTABLE: 9th Gwangju Biennale (2012) and guest curator of Phantoms of Asia: Contemporary Awakens the Past (2012) at the Asian Art Museum, San Francisco.

Guarding against special interests in any particular style or genre, his curatorial projects bridge gaps left in art history and reflect the creative imagination of the past, present and future.