Sentences with phrase «past curatorial work»

Music and sound have been recurring elements in my past curatorial work and I was introduced to Anna - Sophia Van Zweden who was developing a new format with the Dallas Symphony Orchestra to bring visual arts within the music realm.»

Not exact matches

Currently the Director / Curator of PLATFORM: centre for photographic + digital arts, Kegan found himself in New York City this past June as a participant in the inaugural Curatorial Intensive with Independent Curators International, where he work - shopped the exhibition Cabin Fever, which opened at PLATFORM in October.

For the past five years she has worked at David Zwirner gallery while also taking on independent curatorial projects.

A darling of the curatorial class whose work is marked by acrobatic juxtapositions of various mystical and artistic avant - gardes, Shezad Dawood — a London - based artist of joint Indian and Pakistani descent — has enjoyed a steady simmer of building acclaim over the past few years, taking home the Abraaj Capital Art Prize in 2011 and landing respectable shows.

at The Landing brings together the work of two developing artists in conversation with an iconoclastic voice from the past — illuminating the powerful possibilities of such methods of curatorial inquiry.

EW: Outside of the gallery, which I more regard as a Project Space, my activity includes a lot of curatorial work, as is evidenced in the upcoming exhibition «Body and Soul: Performance Art Past and Present» at the Biennale Arte 2017 in Venice.

over the past decade, the curatorial team has conducted extensive research to form the most comprehensive understanding of the famous design works.

But Trecartin's curatorial input is bound to be even more closely scrutinized than this work — after all, the tech - suffused aesthetic of identity art that he unleashed over the past decade has influenced many of today's most interesting artists, from DIS magazine to Jacolby Satterwhite.

Willard has worked as a curator in residence with grunt gallery and Kamloops Art Gallery, and her past curatorial projects include Beat Nation: Art, Hip Hop and Aboriginal Culture, a national touring exhibition, CUSTOM MADE (translation) at Kamloops Art Gallery, and select recent curatorial work includes: Nanitch: Historical BC Photography, Unceded Territories: Lawrence Paul Yuxweluptun, as well as LandMarks 2017 / Repères 2017.

Under the leadership of Mary Ellen Goeke, Executive Director of FotoFocus, and curated by Kevin Moore, Artistic Director and Curator of FotoFocus, the program will convene leading curators and a legal expert to discuss the significance and implications of this presentation over the past twenty - five years and the various curatorial approaches to engaging with Mapplethorpe's work and legacy.

To the past honorees, however, among whom I feel especially humbled and privileged to share this honor, I'd like to thank you for your example and achievements that have enriched us all: Andrea [Barnwell Brownlee], whose ambitious and inspired curatorial work gives voice to women artists of the African Diaspora; Jerry [Cullum], a visionary writer whose genius lies in his ability to synthesize the experience of art with poetic complexity; Louis [Corrigan], a trailblazing community leader whose innovative ethos and generosity has rekindled the boundless spirit of Nexus; Lisa [Cremin], a leader of responsible and responsive philanthropy who personifies the idiomatic true north for the arts in Atlanta; Lucinda [Bunnen], a brilliant artist and pioneering collector who established photography as an essential feature of contemporary visual culture in our city... and at the High Museum; and Susan [Bridges], den mother to us all, whose generosity of spirit is set off by her unshakable personal integrity.

Inspired by the open curatorial format devised by curators Kaspar König and Klaus Bussman for the 1987 exhibition Skulptur Projekte Münster, Jacob worked closely with twenty - three artists to develop site - specific projects for Places with a Past in 1991.

He explained that the show took a full two years to realize, with Hirst's curatorial team at Newport Street Gallery working alongside Colen's studio, and that the sheer might of the space's undergirding — it's built to withstand 25 tons per square meter — allow him to bring to fruition ideas scotched in the past due to logistical issues.

For the past year, Marcy Werner, curatorial assistant at UofL's Photographic Archives, has been hard at work on a database collecting all the fine prints in the extensive collection.

As well as exploring the work, the piece looks at Walter's past with Vitrine and the curatorial make - up of the show, giving insight into the development of the exhibition as a whole.

Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.

In the past couple of years, the Statements series has been bringing to Amsterdam internationally renowned artists like the Russian collective Chto Delat or Nathaniel Mellors, putting them in a curatorial position rather than merely presenting a retrospective of their work.

Its concept, which has remained essentially unchanged over the past decades, reflects the ideas of the participating artists; the curatorial team invites artists from all over the globe to explore the relationship between art, public space, and the urban environment, and to develop new, site - specific works.

This concluding exhibition is the last of a series of interconnected shows spanning 2016, which has seen the Gallery take a nostalgic journey through some of its curatorial highlights from the past 50 years, presenting works from across this span of time and recontextualising them with contemporary works of art and the present day; highlighting everything from globalisation, temporality, consumerism, consciousness, the body, and cultural identity.

This marked what feels like a natural progression for Marino, whose studio presence and curatorial work at pump project have undoubtedly influenced her capacity for medium exploration beyond the images she has shown in the past.

In a young city such as Los Angeles, archaeology can take many forms: Small's idiosyncratic museology, Gala Porras - Kim's reappraisal of unattributed objects from the ethnographic Fowler Museum or even the curatorial work of Moshayedi and Walker in excavating little - known art from Los Angeles's recent past.

Put together by the curator - critic Paul O'Neill, Curating Subjects, documents the inter-dependent relationships between the curatorial past, present and speculative futures and, instead of following the convention of curators writing about themselves, invites the authors to provide a text about the curatorial work of others.

Shum, too, came to Schnabel only in the recent past, after joining the Glass House in her curatorial role and observing closely the artist's work.

I am a bit late coming to the curatorial work of Nato Thompson, which first became recognizable to me at this past October's second annual Creative Time Summit, a gathering...

Jointly produced by the Asian American Women Artists Association and the Asian Pacific Islander Cultural Center, the juried show was organized by Linda Inson Choy, who worked as a Curatorial Assistant at the Asian Art Museum, San Francisco, form 1996 to 2004, and has since gone one to independently curate exhibitions at Mills College and Incheon Art Platform, Incheon, Korea, as well as organizing panels at the College Art Association Conference for the past four years.

Selected by an expert Curatorial Committee led by Philippe Garner, Former Director at Christie's and International Head of Photographs and 20th Century Decorative Arts and Design at Christie's, the works will provide a valuable insight into the past, present and future of the medium.