Sentences with phrase «past the material world»

Not exact matches

They seem stuck in the past — quoting outdated material and living with this very narrow view of the world.

Key facts about the lesson are: The content covered by the lesson are: The heartland theory World systems theory Dependency theory Modernisation theory using Rostow model Criticisms of each theory Learning resources used in the lesson are; Video clips Web links to reading material Past paper question and structure for response Images and maps Lesson plan The lesson is planned in detail and all the resources for teaching the lesson are included in the ppt; starter, learning activities with resources, clear outline of learning tasks and a plenary.

With a completely redone exterior that echoes the classic Mustang designs of the past, an interior featuring world - class materials, numerous technology upgrades and an improved driving experience, the 2010 Mustang is poised to become the latest classic in the proud line of Ford's iconic American muscle car.

The cabin retains much of the old - world charm of Jaguars past, but with a modern interpretation that includes contemporary materials.

Both Nozkowski and Guston share a love for the material world, for things underfoot, and for art of the past.

This work explores issues of race and identity through the readaptation of archival material from past issues of magazines Our World, Sepia, and Ebony.

His projects illuminate histories of aesthetics and science, examining continuities and ruptures between past and present practices of knowing, ordering, and classifying the material world.

This exhibition shows how artists in the past and present have used transparent materials, forms and ideas about transparency to explore how we see and experience the world.

They each have a distinct approach to visualizing the world, creating environments and materials that express diverse and thoughtful ideas about the ways past and present experiences are communicated through images.

Over the past five years, the artist's large sculptures, often built from repurposed materials found in blighted urban neighborhoods, have featured in a rash of major surveys that gather the world's most progressive work — 2010's Whitney Biennial, 2013's dOCUMENTA, and 2015's Venice Biennale.

This new work, like that of the past, reflects the artist's commitment to materials, his poetic approach to making art, and ultimately his faith in the fragility and beauty of the world.

With its idea that humble «poor» everyday materials — both natural and man - made — can be transformed into powerful, evocative works of art, Arte Povera transformed the landscape and language of contemporary art in the late 1960s and 70s and has become one of the most influential art movements of the past half century, exerting a profound impact on art around the world, including conceptual art, minimalism and the YBAs.

The political, spiritual, and material conflicts captured within these shrines expose Kuksi's disenchantment with the past, present, and future state of the world.

While the exhibition examines the world of Suh's art from diverse perspectives and through various materials, it provides visitors with a valuable opportunity to observe simultaneously the past, present and future of Suh's creativity.

During the past of British art, at the forefront of landscape paintings, early abstract works, and innovations in the use of materials, we acknowledge the artists from this part of the world.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

While his drawing materials cross the ancient to modern worlds, there is nothing in David Schutter's drawings that situate them in reverence of the past.

A survey of Martin Creed's playful, thought - provoking art.Over the past two and a half decades British artist Martin Creed has pursued an extraordinary path by confounding the traditional categories of art.Winner of the 2001 Turner Prize, Creed is recognised around the world for his minimalistic approach that strips away the unnecessary, but preserves an abundance of wit, humour and surprise.Crossing all artistic media and including music, his art transforms everyday materials and actions into surprising meditations on existence and the invisible structures that shape our lives.

Through the medium of ceramic, described by Kristalova as having once been «seen as a low material, and not serious enough, especially when glazed,» the artist forms micro worlds with her sculptural figures and «relates to a sculpture tradition that has its roots several hundred years in the past.

Stepping out of the space cleared by these past genres, new artists are looking into even more extreme methods of breaking free, not only borrowing from the trappings of our civilized world, its symbols, memes and ceremonies, and advertisements, but also treating meaning itself as material for color, texture, and mood.

«Over the course of the past 30 years, through her use of meaningful, everyday materials, often in unexpected and socially - charged public spaces in her native Colombia and elsewhere around the world, Doris Salcedo has created a body of work that is both aesthetically striking and politically resonant.

The geologists are interested in, and talking about, the way oil used to be formed in the past; the marine biologists are saying that developing conditions can kill off a lot of organisms, and that would cause sedimentation making layers rich in organic material — at present, in a very different world.

A Sunday Times piece on the alleged information - dumping notes that CRU is «the world's leading centre for reconstructing past climate» and that the material in question «was used to build the databases... showing how the world has warmed by 0.8 C over the past 157 years.»

For all of us in the device world, the past year has seen incredible growth and innovation with new form factors, thinner and more powerful components, more durable materials and the evolution of computing experiences.

While most contemporary extensions are a world away from those awkward structures that attempt unsuccessfully to blend in with an existing building, they've moved on from the ultra-modern glass boxes and mixed materials of the past few years.

Terracotta itself - as both a color and material - has been trending back into the design world for the past year or so.