Sentences with phrase «pattern on a red background»

This silk jacquard features a fancy swirl pattern on a red background.

Rich red in a subtle pattern dresses the flanking upholstered chairs, while bold floral pattern on a red background provides contrast on the sofa pillows.

Not exact matches

A stunning silk dress in a yellow, red and green flower and leave pattern on an off white background.

This lightweight cotton fabric features a luxurious floral pattern on a scarlet red background.

This lightweight cotton fabric features a graceful floral pattern in blue, green, pink, red colors on a white background.

This worsted wool suiting fabric features a contrasting check pattern on a watermelon red background.

This lightweight cotton fabric features a graceful floral pattern in blue, white, pink, red colors on a black background.

Thick and soft, it features a red / white / black check pattern on a grey background.

Its stark black tree pattern and the message «Merry F*ckin Christmas» on a red background show that you are not here for precious traditions or holiday songs.

With the sports package this is also reflected in the black instrument cluster with its filigree chequered flag pattern used as a background: its luminous red needles are located at the «six o'clock position» when at rest and spring into action when the engine is turned on to create a very striking effect.

Thomas's late works, with reduced palettes of one, two or three colors, echo mosaics, as in the vibrant red «Scarlet Sage Dancing in a Whirling Dervish,» or loose patterns, like the irregular blue - black shapes on the white background of «Hydrangeas Spring Song.»

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

Behind him in the second floor hallway (with the second floor front window in the background) is a balding man with medium length beard with some missing teeth, in a beige shirt, greenish undershirt holding the little girl in red shirt and blue pants, who was located on the couch with square patterns the previous night.