The projector spits a series of computer - generated black - and - white
patterns against an object, and software algorithms analyze the deformation of those patterns to construct a three - dimensional model.
Not exact matches
Using the
patterns appearing on
objects such as a towel or a quilt as models, and tweaking them subtly but crucially in the transition from decorative source to painting, White's gesture of appropriation is set
against a meticulous process of adaptation.
Later works include exuberantly satirical works of the 1960s, many featuring the vaguely autobiographical figure described by critic and artist Anne Doran as a «nattily dressed and deeply ridiculous Everyman in mad pursuit of liberty, poetry, and sex»; the pornography - inspired «X-Rated Paintings» of the early 1970s; the «Noun» paintings of the same period (each depicting a single everyday
object against a bright,
patterned background); the schematic, figurative canvases made in homage to Copley's Surrealist idol Francis Picabia; and the story cycles and morality tales from the 1980s and 90s, including a painting from the installation project The Tomb of the Unknown Whore.
It requires us to seek to «move... from anger into an interpretation of that which one is
against, whereby associations or connections are made between the
object of the anger and broader
patterns or structures.»