Without examining the details of history or of what is now going on, economists project the statistical
patterns of the past into the indefinite future.
Not exact matches
Taking
into account
past patterns of drought and water use, the Columbia study reveals that several major metro areas, including New York City, Washington, D.C., and Los Angeles, are at high risk for water scarcity, along with the Great Plains agricultural belt extending from North and South Dakota down to North Texas.
Furthermore, you need to take
into consideration the user's circumstances such as geographic location, job role,
patterns of past behavior, and time
of day to give context about why the person needs access and what they'll do with it.
All the decisions
of the consequent nature flow from the primordial nature, and though the former does not fit the present actual occasions
into a ready - made
pattern of the temporal
past (as Ford carefully points out: IPQ 13:356), yet «the weaving
of Cod's physical feelings upon his primordial concepts (PR 524) amounts to the emergence
into time, as predicates
of God's propositional feelings,
of the very valuations
of his nontemporal decision.
We need not do anything but acknowledge Him and be grateful I've been struggling with a lot
of issues this
past year — failing to trust in God with all my heart while falling back
into old fearful
patterns and trying too hard lean on my own understanding, mixing myself up along the way with, frankly, too many Bible verses and analysis
of Bible verses.
In this way, «the qualitative energies
of the
past are combined
into a
pattern of qualitative energies in each present occasion.
This is a symbol
of the taking up
into the final reality
of the hopes and strivings and work
of the
past — a structured symbol, in which transcendence has indeed become totally present, but in which form,
pattern, dance, differentiation still have meaning.
Since the real being
of an occasion is the becoming
of a harmonized integration
of the multiplicity, its components stem either immediately from God or from what it prehends; since what it prehends are other occasions, themselves analyzable
into novel and prehended features, it can be suggested that every feature at some time in the present or
past is or was a spontaneous novel
pattern or value immediately created by God.
Topher shows us how easy it is to slip back
into old
patterns of illogic, though he will quite likely demonstrate how no longer useful traits get weeded out
of the gene pool as those few like him fade
into the
past.
But if it was then just dead and gone, you would lose what he earlier insisted on, that there is always a thrust forward
of patterning activity from the
past into the future.
By not acquiescing to the «lure»
of those propositions descriptive
of past patterns only but by imaginatively invoking
into existence other possible predicates, the subject makes the transition from «conformity» to overt «creativity.»
Later occasions merely inherit these
patterns from the
past but do not introduce them; final causation quickly passes over
into efficient causation, and the net result after millions
of years is the unbelievably complicated
patterns of efficient causation which we observe.
In addition, symptoms can overlap, and change as children develop and incorporate their current life experiences
into past patterns of response.
Now in a collaborative effort between the arts and sciences, researchers at Kyoto University and Japan's National Institute
of Polar Research (NIPR) and National Institute
of Japanese Literature (NIJL) have used historical documents to garner better insight
into the
patterns of past solar events.
The theory behind the Paleo diet is to mimic the eating
patterns of the hunter - gatherers
of our
past, before processed foods came
into play.
«Determined to lose the weight without falling
into the
pattern of past diets, I sought out New York — based nutrition counselor Natasha Uspensky, a former opera singer whose approach — enjoying food rather than turning it
into the enemy — made me feel like I might be able to lose weight and keep my boyfriend...»
Turning this daily practice
into a way
of life is what will protect you from going back
into the behaviors and
patterns from the
past.
But if you intuitively look
into some
of the less - than - fun experiences from last year, you will realize that you were, at least partially, reaping the harvest
of past choices,
patterns, and blocks.
I've spent the
past week in Cairns at a conference, and have found myself falling
into the
pattern of browsing my favorite websites to unwind from the busy day full
of sciencing.
Just like pink & red, socks & strappy shoes — prints on print have ventured
past the taboo that was once held in consideration
of wearing two completely different
patterns and has moved
into an arena
of complimentary and complex garment matching.
If you find yourself spending lots
of time and energy seeking dates online but can't seem to get
past the initial couple
of dates without feeling like the grass might be greener «out there» you may have unwittingly fallen
into a
pattern of professional online dating.
This jacket in particular typifies the businessman look
of the nineties: road shouldered and heavily designer influenced with a fanciful dip
into patterns of the
past; Glen plaid proving especially popular, along with dogtooth check.
This includes restoring rules allowing Office for Civil Rights investigators to look at years
of past complaints against districts to determine
patterns of discrimination, hiring more investigators to look
into patterns of disparate impact, and even requiring states such as Maryland to implement stronger rules against overuse
of harsh discipline.
This
pattern consists
of a relatively large bearish candle, followed by a small real - bodied second candle that is either slightly bearish or a doji (since there are rarely gaps in Forex), and then a third candle who's real body pulls
into and closes
past, at least, the halfway point
of the first candle's real body (see the image above).
- the team has been adding weapons one by one because they want the same amount
of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order
of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more
pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 %
of the overall player base are in A or less - about 90 %
of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner
of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way
of speaking: anastrophe - the team tried to express him as an adult man - they made him
into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one
of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front
of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality
of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his
past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel
of the story's real culprit with this music - the probability
of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form
of this - when Salmons are fighting to the death, they can feel the same sense
of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride
of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot
of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner
of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing
Set to launch this spring for PC on Steam, Magnetic: Cage Closed drops players
into the role
of a prisoner serving time for
past crimes in a vast, ever - changing prison with chambers that shift in random
patterns.
Set to launch this spring for PC on Steam, Magnetic drops players
into the role
of a prisoner serving time for
past crimes in a vast, ever - changing prison with chambers that shift in random
patterns.
She uses
past experience, family dysfunction and Jewish heritage as the fuel for her subject matter, transforming a broken
past into a culmination
of paper collage, garment
patterns, sewing pins, thread, text, and prose - personal experiences laid bare and forged directly
into the work.
It means that however inspired or skilled a given creative work, if it contains obvious symmetries or
patterns it risks tumbling
into that lesser category
of mere decoration — a perception which, in light
of the many radical changes that Art has undergone in the
past century or so, is beginning to look patently absurd.»
This new, small but perfectly formed exhibition
of Bridget Riley's work in the National Gallery's Sunley Rooms follows the
pattern that the gallery has developed over the years, with a single artist entering
into a conversation with the great art
of the
past.
The dynamics
of Markus Lüpertz's art showed a similar ambivalence between art - historical allusion and its sublimation
into a jagged abstraction, as though following the Freudian
pattern of penetrating the
past by foregoing all established routes.
The work I have brought together for the Biennial reflects this, whether through complex relationships between linguistic and visual forms; the interface
of digital technologies with more traditional media, and the recorded
past with the lived moment; the development
of two - dimensional scores, scripts, and
patterns into three - or even four - dimensional actions and environments; the challenging
of binary conventions
of gender; or the intricacy
of cosmopolitan, cross-national identities.
Ironically, while some continue to attack this nearly decade - old work, the actual scientific community has moved well beyond the earlier studies, focusing now on the detailed
patterns of modeled and reconstructed climate changes in
past centuries, and insights
into the roles
of external forcing and internal modes
of variability (such as the North Atlantic Oscillation or «NAO» and the «El Nino / Southern Oscillation» or «ENSO») in explaining this
past variability.
This all leads to chronologies that extend many thousands
of years
into the
past, with ring
patterns that are precisely dated to annular resolution.
In selecting his team to carry us forward
into a future in which the weather and climate
patterns of the
past can no longer be assumed to be valid indicators
of future climate conditions affecting the economy and society, we hope the next President will swiftly and skillfully select a set
of strong «climate leaders» with honesty, integrity, and dedication to bringing the best scientific and technological intelligence we can muster to bear on the host
of climate change challenges we face.
The Earth has a synod conjunction with each
of the four major gas planets with a little over a year between impulses, (~ +2 days for Neptune, ~ +4 days for Uranus, ~ +13 days for Saturn, ~ +34 days for Jupiter) these
past almost annual periods could be segmented and applied
into the composite forecast as an adjustment algorithm to further enhance the
pattern match, to increase the accuracy (~ 85 %)
of the inner planet 6558 day
pattern to closer to 95 % with the addition
of the compensation for the outer planet interactive influences.
The stadium wave holds promise in putting
into perspective numerous observations
of climate behavior, such as regional
patterns of decadal variability in drought and hurricane activity, the researchers say, but a complete understanding
of past climate variability and projections
of future climate change requires integrating the stadium - wave signal with external climate forcing from the sun, volcanoes and anthropogenic forcing.
If
past patterns of precipitation variability remain stable in the near term, then it is probable that precipitation and flows in the Salt - Verde watersheds will shift
into wetter conditions within the timeframe examined in this study [66].
And with our weather
patterns becoming stronger and less predictable, the spring showers
of the
past are turning
into extreme storms, leading to sudden downpours, rushing waters, and flooded roads.
«If you want to insist that you understand and can predict climate
into the future — you are nothing but a misguided warrior in the climate wars speaking in a superficial idiom
of science» I have insisted no such thing (nor do I believe it), but I have pointed out that I think
past time slices offer
patterns that may be
of use.
Shifting emergent climate states as the sub-components
of climate — atmosphere, biosphere, cryosphere, hydrosphere and lithosphere — are pushed
past equilibrium by solar, orbital or atmospheric changes and fluctuate wildly before settling
into a new climate
pattern.
Joey Comiso, a NASA sea ice expert, said the continued
pattern of low sea ice extents fits
into the large - scale decline that has unfolded over the
past three decades.
Watching the MPEG movies, I realize that his model is unable to reproduce observed phenomena relevant to my decision: The model cup always breaks
into three model shards, and the model splash
pattern looks unlike any
of the many splash
patterns I have observed in the
past.
And in conjunction with that what we have seen over the
past four to five years is the emergence
of a lot
of new online cloud - based software that really is very handy to use, it's almost intuitive and it provides a great resource for lawyers do e-discovery themselves and that's really in many respects what it is all about because the
pattern in the
past was that technicians are very capable, talented technicians would be asked to collect the information and the process it and to load it
into software and the attorneys had very little to do with that.
I work with individuals to gain insight
into the influence
of not only
past events, but also current
patterns of beliefs, with a goal
of reconciling
past hurts, healing
past trauma, and breaking the cycle
of unhelpful thoughts, beliefs, and reactions.»
We cover topics such as how to get out
of negative relationship
patterns that leave you feeling hurt and alone, how to have open and intimate conversations, how to talk about your
past hurts without getting
into a fight, and helping you understand how emotional intimacy is connected to having a fulfilling sex life.
Though counseling sessions are focused on the present moment and feelings, our therapists and counselors delve
into the
past to identify the root causes
of thought
patterns and behaviors.
Psychodynamic therapy helps you gain insight
into the ways your
past experiences drive your subconscious, and helps you break free
of limiting
patterns of behavior and relationships.
The focus I use begins with looking at
past history and current relationships and
patterns of behaviour that may have become fixed or stuck and working towards finding ways to put these
into words and find ways to change them.»
She believes that by gaining insight
into early relationships and
past life experiences, and how they may be informing current
patterns of thought, feelings, behaviour and relationships, her clients can begin to move forward in building thriving relationships, family and life.