Sentences with word «peintre»

«Cher Peintre,» Gingeras notes, «stakes the claim that figurative painting is not necessarily a «return to order,» a regressive retreat into traditional forms of mimetic representation.»
Dominique Lévy is also presenting Le peintre au chapeau (1965) by Pablo Picasso.
1994 - Introduced to madame Bernadette Chirac on the occasion of the exhibition at the «Mairie du XII arrondissement Salon des Peintres et Sculpteurs Contemporains».
Capogrossi was featured in several major exhibitions of Italian artists in the 1930s, including Exposition des peintres romains in Paris in 1933 and the Quadriennale of Rome in 1935; following the latter, critics recognized him as one of the major figures in the renewal of Roman painting.
The artist's 1964 «Le Peintre au Travail» lithograph on paper sold for 2 million pounds ($ 3.2 million) at Dickinson's booth.
Artiste Peintre at the Hotel du Département de l'Eure in Évreux, France and Journal d'une iconophage at the Galerie Premier Regard in Paris during June.
On the occasion of the exhibition Gosse de Peintre presented at the Fondation Cartier pour l'art contemporain in 2010, Takeshi Kitano collected a series of paintings in a coloring book.
Featuring David Alpher's Between Twilights: Sevens Songs of Poems of Marsden Hartley and Francis Poulenc's song cycle Le travail du peintre inspired by Picasso, Chagall, Braque, Gris, Klee, Miró, and Villon, performed among the Lehman Loeb's exhibit of works by Hartley and artists referred to in the Poulenc cycle.
During the latter part of 1873, Monet, Pierre - Auguste Renoir, Camille Pissarro, and Alfred Sisley organized the Société anonyme des artistes peintres, sculpteurs et graveurs (Anonymous Society of Painters, Sculptors, and Engravers) to exhibit their artworks independently.
[12] Impressionist artists formed a group, Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs («Association of Painters, Sculptors, and Engravers») which, despite internal tensions, mounted a series of independent exhibitions.
Study for Human... + $ 2,582,500 — Pablo Picasso, La Peintre et son modele
Pierre Bonnard (French, 1867 - 1947) Les peintres graveurs Galerie Vollard, 1896 (Bouvet, 38).
Peintre en bâtiment (2017 - 2018) artist Jean Glibert painted large areas of colour in the building's residual spaces and passageways, and on pivotal points and structural elements which lend architectural tension to the Centre for Fine Arts.
BECAUSE I WAS A PAINTER (Parce que j' etais peintre) Cinema Guild Reviewed by: Harvey Karten for CompuServe ShowBiz.
(See «Gasiorowski: He who has a name is no artist, he who is an artist has no name: interview with Michel Enrici» in Gasiorowski XXe Peintre.)
1980 Ils se disent peintres, ils se disent photographes, Nuridsany Michel, in ARC Musée d'art moderne de la ville de Paris.
Group exhibitions include the VI Biennial in Sao Paulo, 7 Peintres Surrealistes Cubains at Galerie Maya in Brussels, Artistes Latino ‑ Americains de Paris at the Musée d'Art Moderne de la Ville de Paris, the First Surrealist Exhibition in Sao Paulo, and Le Fantastique Contemporaine at the Galerie de L'Université in Paris.
Miguel González Padura (Miguel Padura)(b. Havana, 1957): Among other exhibitions, Padura has participated in Outside Cuba, Les Plus Grands Peintres Latins d'Amérique at the Centre Culturel Paul Dumais in Tonneins, France; Cuban Artists in North America / Artistes Cubains en Amérique du Nord at the National Library of Canada; ¡ Mira!
Other such standouts include «Paris - Beirut» (1948), with its lyrical juxtaposition of landmarks and signifiers, and «Les Peintres Célèbres» (1948), a bold depiction of four female figures, the titular «famous artists,» nude and at work.
Ils Sont Peintres (They are Painters) considers paintings that have avoided the figurative, narrative, Neo-Expressionist trends that have defined the medium in recent years.
A French art critic called Sanjuan: le peintre des rouges» because of his use of the color red in many of his paintings.
Sotheby's Inclu: — Juan Muñoz, «Conversation V 1/1 «Est. 2,360,402 — 3,540,602 EUR — Barceló, «Le peintre vu....
Yet from the mini-survey of his often klutzy - looking figurative paintings on view in «Cher Peintre,» I sensed a full - tilt Kippenberger retrospective might be in the offing at the Pompidou, and Gingeras has said, in fact, she would like to do such a show.
Limited edition of the catalog of the exhibition Beat Takeshi Kitano, Gosse de peintre presented in 2010 at the Fondation Cartier pour l'art contemporain in Paris.
Unexpectedly, the figure who is lying down here is the fiddler from Vitebsk, who has finally climbed down from the roof in Chagall's 1979 painting Le Peintre au Chevalet à Saint - Paul.
Left to right: «Le peintre au chapeau» by Pablo Picasso, 1965.
In December 1873, Monet, Renoir, Pissarro, Sisley, Cézanne, Berthe Morisot, Edgar Degas and several other artists founded the Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs («Cooperative and Anonymous Association of Painters, Sculptors, and Engravers») to exhibit their artworks independently.
Six peintres américains: Arshile Gorky, Franz Kline, Willem de Kooning, Barnett Newman, Jackson Pollock, Mark Rothko.
Feldman, Anita, «Ed Clark: A Complex Identity,» Feature article from Studio Museum Retrospective Catalogue, 1980 Schmidt - Campbell, Mary, «Catalogue of Ed Clark's first museum retrospective, 1980 Kingsley, April, «Edward Clark's Luminous Expanses,» American Rag, 1980 Schneider, Pierre, «Trois Americains peintres et noirs,» L'Express, 1980
28 September - 7 October: Richter is included in Prospect 73: Maler, Painters, Peintres at Kunsthalle Düsseldorf along with Palermo, Polke and other German painters
Saint - Paul de Vence, Fondation Maeght, La Sculptures des Peintres, July - October 1997 (another example exhibited).
He went on to study literature at the University of Nice and attended the School of Decorative Arts run by François Bret, co-founder of the Peintre de Vingt Ans group, in the same city.
And the closest thing to irony comes when Cane stencils his name repeatedly, along with his identity as artiste and peintre, both right - side up and upside - down.
In 2009, the Museum für Moderne Kunst in Frankfurt mounted «Bernard Buffet: Maler, Painter, Peintre,» a major exhibition of Buffet's work, curated by the highly respected state museum director, Udo Kittelmann.
The rather narrower painting proposition of «Cher Peintre» is enunciated cogently by Gingeras, a young curator at the Pompidou, in her catalogue essay.
Bernard Buffet, for instance, has long been held up as the lowest common denominator in French painting, but, as the current exhibition «Cher Peintre: Painting the Figure since Late Picabia» reveals, a lineup of Buffet's anguished stick figures and sloe - eyed gamines can look quite marvelous in the company of Elizabeth Peyton and John Currin.
[/ pq] Thus were Picabia's conventions of truncated anatomies, vintage bathing beauties and eternalized vacation cultures refracted through «Cher Peintre
[pq] Vintage subjects and outmoded styles play an implicit, somewhat uncharted role in «Cher Peintre» — a number of its works evoke the old - fashioned look of Picabia's 1940s paintings.
In fact, Gingeras writes that all of the artists in «Cher Peintre» would defend the «dissident» nature of their work.
Pablo Picasso, Le peintre et son modèle (The Painter and his Model), 1963; Le peintre et son modèle II (The Painter and his Model II), 1963.
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