Sentences with phrase «peinture italienne»

He was the professeur de l'atelier de peinture at the Ecole des Beaux - arts de Valenciennes and is presently the Course Leader of the BA Fine Art course at Central Saint Martins, London.
Almost immediately he produced a new series of moveable paintings, including Peinture Changeante and Archipentura, seen as forerunners of kinetic art.
Amsterdam, Stedelijk Museum; Wilhelm - Lehmbruck - Museum der Stadt Duisburg; Gevena, Cabinet des Estampes, Musée d'art et d'histoire and Grenoble, Musée de Peinture et de Sculpture, Willem de Kooning: Beelden en Litho's, March 1976 - September 1977, no.
They issued numerous explanatory treatises and posters in an attempt to explain their actions, and published a regular journal «Peinture / Cahiers Theoretiques.»
OuPeinPo (Ouvroir de Peinture Potentielle)(1980 onwards) Didactic instructional art group founded by Francois Le Lionnais (1901 - 84).
in black and white, and in colour); Musée de Peinture et de Sculpture, Grenoble, September - October 1971 (7); Musée National d'Art Moderne, Paris, November - December 1971 (7); Fundação Calouste Gulbenkian, Galeria de Exposições Temporárias, Lisbon, January - February 1972 (6, repr.)
He has taken part in numerous events and exhibitions including in 2011: MoMA PS1, New York, Drawing now, Le Musée imaginaire de Jean de Loisy, Carroussel at the Louvre; in 2013: Module, at the Palais de Tokyo, in 2014: Le Musée éclaté on the Caen peninsula; Avec et sans peinture, Mac / Val, at Vitry - sur - Seine; La Nuit Blanche, in Paris, and in 2015: Biennale de Lyon and Estonia Biennial.
Dorothy Moss, «Patrick Henry Bruce / Peinture / Nature Morte / c.
School of Visual Arts, New York, NY Idée de la Peinture — Hommage á Martin Barré.
Enjeux et perspectives de la peinture figurative des années 90 à nos jours, Chatou 2012 Liljevalchs Kunsthalle (Ed.)
Mark Moore Gallery, Santa Monica PeinturePeinture, Galerie Samia Saouma, Paris Thinking Print: Books to Billboards, 1980 - 95.
There was no established body to compare with the Académie royale de peinture et de sculpture that Jean - Baptiste Colbert had established in France, and no public exhibitions of recent paintings along the lines of the Paris salons, held every other year.
Note: In French, reverse glass painting is known as «peinture sous verre» and the paintings themselves can be refered to as «Sous Verres.»
· ARCHEUS / POST-MODERN placed Peinture 1989 by Pierre Soulages from 1989 for more than 1 million dollars, in addition to several pieces by George Condo, Jean - Michel Basquiat, David Hockney, and Jonas Wood for undisclosed sums.
Apart from Bacon's Study for Head of Isabel Rawsthorne and George Dyer and Two Men Working in a Field, Yves Klein's Peinture de feu couleur sans titre also had a notable result with $ 8.14 million, as well as Andy Warhol's Five Deaths and Sigmar Polke's Mondlandschaft mit Schilf (Moonlit landscape with reeds)-- they were sold for $ 5.32 million each.
It was an offshoot of the wider Puteaux Group - itself a spin - off from La Societe Normande de Peinture Moderne.
The recipient of numerous honors and prizes, Antoni Tàpies has been awarded the British Arts Council Prize at the International Graphics Exhibition (1974); the Ciutat de Barcelona Prize (1979); the Peace Prize by the United Nations Association in Spain (1984); and the Prix National de Peinture by the French Government (1985); and the Praemium Imperiale by the Artistic Association of Japan (1990).
He put eggshells on furniture in Armoire blanche et table blanche («White cabinet and white table,» 1965), on painted canvas in Untitled (Triptych)(1965 - 66), and in a box labeled as containing exhibition invitations, in Je retrouve à la matière, je retrouve la tradition des primitifs, peinture à l'oeuf, peinture à l'oeuf («I return to matter, I rediscover the tradition of the primitives, painting with egg, painting with egg,» 1966).
Paris, Petit Palais, La Peinture Romantique Anglaise et les Pre-Raphaelites, January - April 1972, no. 52 [not paginated].
Highlights include the monumental canvases Peinture (Écriture rose) and À Galla Placidia; developed adjacently in the studio between 1958 and 1959, the works are major milestones but have never before been exhibited together.
T01868 CANTUS FIRMUS 1972 — 3 Inscribed «Riley 73» on stretcher Cryla on Canvas, 95 × 85 (240.3 × 216) Purchased from the artist through the Rowan Gallery (Grant - in - Aid) 1974 Exh: La Peinture Anglaise Aujourdhui, Musée d'Art Moderne de la Ville de Paris, Paris, February — March 1973 (55); Bridget Riley, Arts Council touring exhibition, April 1973 — January 1974 (64) Lit: Bryan Robertson, «Bridget Riley: Colour as Image», Art in America, LXIII, March — April 1975, pp. 69 — 71; «Bridget Riley in conversation with Robert Kudielka», Catalogue introduction to Bridget Riley, Arts Council touring exhibition, April 1973 — January 1974 Since 1969 an important aspect of Bridget Riley's work has been its concern with the interplay between light and colour.
Her work has been included in prestigious group exhibitions, such as Manifesta 2, Luxembourg, and Prix de la Jeune Peinture Belge, Brussels.
[citation needed] Expanding on this idea, in 1971 he created a six - foot banner, Peinture - Sculpture, to divide the Solomon R. Guggenheim Museum's rotunda in New York.
Initially, «history painting» and «historical painting» were used interchangeably in English, as when Sir Joshua Reynolds in his fourth Discourse uses both indiscriminately to cover «history painting», while saying»... it ought to be called poetical, as in reality it is», reflecting the French term peinture historique, one equivalent of «history painting».
«Peinture - Sculpture», work censored at the «VIth Guggenheim International» exhibition, Guggenheim Museum, New York
He is the winner of numerous awards, including the Prize to Excellency at the VII Grand Prix International de Peinture in Cannes, France; a first prize at the IV Pan American Exhibition in Miami, and a first prize at the Sexta Bienal de San Juan del Grabado Latinoamericano in San Juan, Puerto Rico.
In 1990, New Zealand honored him as a Living Treasure for their 150th anniversary and in 1991 he received the International Award for the Best Artist given in Stuttgart, Germany, followed by the Grand Prix National de Peinture in France, 1992.
FOTO — Peter Klasen, en photo et en peinture + Photos du monde, sur le quai Lunettes Rouges — Martin Parr's «Parrworld `, at the Baltic in Gateshead + video guardian.co.uk — Three current shows, at two major museums and a university art gallery NYT
1989 Contemporary Masters, Bitter — Larkin Gallery, New York, USA American Artists: curated by Donald Kuspit, Kuznetsky Most Exhibition Hall, Moscow, Russia Celebrating 1980 — 89, The Contemporary Arts Center, Cincinnati, USA Les Cents Jours, Centre International d'art Contemporain, Montreal, Canada First Impressions Walker Art Center, Minneapolis, USA; traveled to Laguna Gloria Art Museum, Austin, TX; Baltimore Museum of Art, MD; Neuberger Museum, State University of New York, Purchase, NY, USA The Silent Baroque, Galerie Thaddaeus Ropac, Salzburg, Austria Methods of Abstraction, Gallery Urban, New York, USA Pat Steir / Waves & Waterfalls and Joel Perlman / Recent Bronzes, The Silent Baroque, Gloria Luria Gallery, Bay Harbor, USA Art of Renewal Orchard Gallery, Derry, Ireland Collection Peinture, Fondation Cartier, Jouy - en - Josas, France Artspace, San Francisco, USA Neue Wasserfallbilder, Art Cologne, Germany
Other examples include Alberto Magnelli's trailblazing 1937 «Peinture 336», in which the artist scraped away portions of paints to enhance the texture.
Even before this «revival», Melville's paintings had remained an important part of the Surrealist canon in Britain and had been shown in the Hayward Gallery's 1978 exhibition «Dado and Surrealism Reviewed» and Galleries 1900 - 2000 in Paris's «Les Enfants d'Alice: La Peinture Surrealiste 1930 - 60 en Angleterre» in 1982.
In 2011 Trouvé's work appeared in five group shows such as La peinture autrement at the Marc Chagall Museum in Nice, France and Ping Pong with Isabelle Ferreira at Le 3 Maison St. Honoré in Paris, France.
Niele Toroni's painting Untitled, 1973 follow his steadfast approach to emphasizing the elementary definition of painting, which he refers as Travail - Peinture.
In 2012 Maki Na Kamura also received the Prix Marcel Broodthaers — en peinture.
Constructing the Contemporary Landscape, MOMA, New York, NY The Triumph of Painting, Saatchi Gallery, London, UK La Nouvelle Peinture Allemande, Carré d'Art, Musée contemporain, Nîmes Private / Corporate II.
2006 Colour Aside, Luhring Augustine, New York, NY Dedica 1986 - 2006, Vent» anni della galleria Alfonso Artiaco, PAN / Palazzo della Arti, Naples Idees de la peinture: Hommage a Marin Barre, Galerie Nathalie Obadia, Paris Gods in Exile: Salvador Dalí, Albert Oehlen, et al, Kunsthaus Graz, Germany Make Your Own Life: Artist In and Out of Cologne, Institute of Contemporary Art, Philadelphia The Power Plant, Toronto, Henry Art Gallery, University of Washington, Seattle, Museum of Contemporary Art, Miami Surprise, Surprise, Institute of Contemporary Arts, London Works on Paper, Patrick Painter Inc, Santa Monica, CA, USA Gods in Exile: Salvador Dalí, Albert Oehlen, et al., Kunsthaus Graz, Germany Vous êtes ici (You are here) FRAC, France Grid < > Matrix, Mildred Lane Kemper Art Museum, St Louis Faster!
For her second solo exhibition at Galerie Daniel Buchholz, artist Paulina Olowska (* 1976, Gdansk) refers to Elsa Schiaparelli and in particular to her collection «Attention à la Peinture» from the 1930s.
Is one of eight artists selected for the exhibition The Young Belgian Painters (La Jeune Peinture Belge) at the Galerie de France in Paris where he reveals Still life with basket (Nature morte au panier) and Portrait of my mother (Portrait de ma mère).
1999 Peinture, démarches actuelles, Villa du Parc, Annemasse, France Mixed Bag: Summer Group Show, Schmidt Contemporary Art, St. Louis, USA In Site: Constructing the JCC Collection, Johnson County College, Gallery of Art, Overland Park, USA Abstraction, Galerie Daniel Templon, Paris, France
ANNA SALAMON's (born 1984, Warsaw) recent and forthcoming outputs include «Phase 1: Réseau Peinture», The Ruskin Gallery, Cambridge (2016); contribution on Painting & Time for the Journal of Contemporary Painting published by Intellect (2016); «Time Unknown» research presentation for The 1st PARSE Biennial Research Conference on TIME, Gothenburg, SE (2015); group shows «Ceasura et Vide Supra» hosted by Lewisham ArtHouse for Art Licks Weekend (2015) and «Alignment», Backlit Gallery, Nottingham (2013).
Despite being an outlier in many ways, Peinture cherche le mur A (Painting Looking for the Wall A)(all works 2017), a small painting of a simplified orange flashlight, fittingly illuminated Elodie Seguin's usually less straightforward explorations of form, color, and texture.
GRAFIKAMA (Service Peinture) is an artist residency currently taking place in Nantes, France and features South African street artists Nardstar *, r1.
The cylindrical orange and red shaft emitting a conical gray - white beam — the most overtly representational element in the artist's recent exhibition «Peinture sculpture peinture» — encouraged viewers to seek out figuration and symbolism in other works on view, which might otherwise be mistaken as exemplars of pure Minimalism.
Paris, Léonce Rosenberg, Exposition Francis Picabia: trente ans de peinture, December 1930, no. 11.
Von Beuys bis Zittel: Das Öffentliche in der Kunst, Kunsthaus Zürich, Zürich, Switzerland Christoph Rüttimann - Waschsalon, Aargauer Kunsthaus, Aarau, Switzerland Chut, chutes, Musée des Beaux - Arts, Nîmes, France 2001 Mirror's Edge, Tramway, Glasgow, Scotland Mirror's Edge, Charlottenborg, Copenhagen, Denmark A Small Museum and a Large Library of Contemporary Art, Parkett, New York, USA Collaborations & Editions since 1984, MoMA, New York, USA Economie de moyens, MAC, Marseille, France Jheronimus Bosch, Museum Boijmans Van Beuningen, Rotterdam, the Netherlands Junk, Cinéma La Clef, Paris, France Peinture, vous avez dit peinture?
Kunsthalle Emden; Reggio Emilia, Palazzo Magnani; Giverny, Musée des Impressionnismes, Joan Mitchell: Eine Entdeckung der New York School / La pittura dei Due Mondi / La peinture des Deux Mondes, December 2008 - October 2009, pp. 83 and 124 (Emden, illustrated in color); pp. 162 - 163 (Reggio Emilia and Giverny, illustrated in color).
Galerie Daniel Templon, Paris, Une Peinture Américaine, June 9 — July 12.
His works encompasses video, sculpture, drawings, and photography Plateus has been awarded the prize of La Jeune Peinture Belge in 2003 and has published books with Triangle books, Karma, Les Presses du réel, Manor Grunewald to name a few.
2014Chouteau - Matikian, Hélène, Peinture et document / Painting and document: David Diao, Rennes University Press / University of Strasbourg, France, March 2014 Archer, Michael, Art Since 1960, Thames & Hudson, third edition
In 1925 the Surrealist writer and poet André Breton declared Picasso as «one of ours» in his article Le Surréalisme et la peinture, published in Révolution surréaliste.
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