Between 1972 and 1979, the all - important
pencil grid in Barré's work is almost always laid out at a diagonal, while the paintings themselves are never tilted, emphasizing the fact that his grid, in contrast to Stella's, is never limited by the format of the stretcher.
Not exact matches
With a
pencil, draw a
grid of 1 3/4 -
in.
Artist analysis through written tasks Develop skills through drawing activities Develop skills through
grid technique drawing Enlargement activity Explore skills
in graphite
pencil / coloured
pencil / watercolours.
In the paper - and -
pencil version, you'd have to draw your own
grid to keep track of all your deductions, but Amazon's made this game much simpler to play by creating their own detailed interface.
Beneath the hues, one can spot a
grid drawn
in pencil, a hallmark feature of this artist's works since the early 1990s, when he used this device to transfer images from photographs.
Back then Ryman could daub a canvas, leave it or a
pencil grid half exposed, switch to plastic or paper, mix
in color, and incise his name and date into the paint.
This selection of paintings from the 1970s shows a range of Minimalist - inspired experimentations with abstraction: hazy, striped plexiglas paintings by Thomas Chimes (1921 - 2009), a Day - Glo round - edged canvas by Ralph Humphrey (1932 - 1990), atmospheric
grid - based oil paintings by Warren Rohrer (1927 - 1995), subtly - lined acrylic monochromes by Sean Scully (b. 1945), and a
pencil drawing by Sol LeWitt (1928 - 2007), are seen
in relation to more recent paintings by Lee Ufan (b. 1936) and Pat Steir (b. 1940), who continue to explore the legacies of line and gesture
in abstract painting today.
It present works
in different media and formats that used found objects and geometric shapes, before she began making her visionary
pencilled grids on large, square canvases.
Lewis, the youngest artist
in the exhibition, also divides his compositions but with a strong line, using
pencil and graphite powder to create sooty surfaces reminiscent of the grit of the city, while maintaining a connection to the modernist
grid.
Up close, one can see a
pencil grid, evidence of the artist's thought process
in what looks most disordered and spontaneous.
Echoing the compositional elements of vertical and horizontal lines that were characteristic of Martin's work, the Dear Agnes series is comprised of hundreds of
pencil grid drawings
in seemingly endless permutations.
Martin is most often associated with Minimalism, because of her use of
pencil grids and spare bands of muted color, but she spoke rapturously of the natural landscape and the emotive and expressive power of art
in a very un-Minimalist way.
Kettle's Yard is showing 10 canvases from her last years (she died
in 2004 aged 92) alongside one well - known painting of 1965, the Tate's «Morning», and a suite of 30 screenprints titled «On A Clear Day» — all of which represent
grids whose original ruled
pencil lines are reproduced with illusive accuracy.
Not to be outdone, MoMA has recently included her
in a group exhibition about female artists and postwar abstraction, and her gallery, David Zwirner, has published a handsome facsimile edition of a late - period Notebook, eighty - odd pages of neatly
penciled triangles and
grids on green - tinted graph paper.
LeWitt is best known for his large - scale «Wall Drawings,» rigorous arrays of designs, shapes,
grids, and colors rendered
in pencil and paint
in coherence with strict instructions and diagrams to be followed
in executing the work.
The dense
grid in the 6ft square «Morning» has the effect of a sheet of graph paper, with the paint used as an overall wash to fog but not conceal the close
pencil lines.
Her development of a
grid in the late 1950s wherein she gently inscribed
penciled lines over subtle fields of color marked a turning point
in the history of abstract painting and established the geometric and spatial language that she continued to refine over the ensuing decades.
Through a series of hand - drawn
pencil lines, filled
in with delicate layers of color, like Mondrian, she successfully clustered together the most basic and crucial possibilities for the
grid as juncture between the sacred and the secular, flattening this polarity (and antagonism) and creating a new way to contain both
in harmonious balance.
A second part of the show occupies the entire southeast wall of the gallery consisting of a
pencil - line
grid divided into eleven sets of 20 squares each and contains the fingerprints of eleven sets of twins
in the Chicagoland area.
Throughout the 1950s and «60s, she developed a signature
grid - pattern method consisting of horizontal and vertical lines hand drawn
in pencil on large square canvases that, at first glance, seem to appear blank.
Flat geometric bars or
grids, often drawn
in pencil on 6 - foot square canvases, are washed
in thin oil paint.
Using one copy, take a tracing -
in pencil and
grid up the image by drawing a diagonal line to each corner.
Her paintings of the 1960s, which feature square formats,
grids,
penciled lines drawn on canvas, as well as compositions with subtle variations
in shade and hue, marked a crossroads
in the history of abstraction.
The main design was drawn over the paint
in black
pencil, probably with the aid of a ruler; sections of the resulting
grid were filled
in with strong colours - red, black, blue, grey - and a pale grey was washed over some areas.
(There are a few of Albers's preparatory studies
in the show; drawn with gray
pencil on tan paper covered with a salmon - pink
grid, they're arguably more beautiful than the finished glass works.)
In the early 1970s Barré returned to using brushes, embedding each composition in layers of transparent washes with subtle colors traversed by a penciled grid, often laid out on a diagonal, implying a much larger, potentially infinite compositio
In the early 1970s Barré returned to using brushes, embedding each composition
in layers of transparent washes with subtle colors traversed by a penciled grid, often laid out on a diagonal, implying a much larger, potentially infinite compositio
in layers of transparent washes with subtle colors traversed by a
penciled grid, often laid out on a diagonal, implying a much larger, potentially infinite composition.
The yellow, white, gray and raw canvas
grid painting, Untitled (1975, acrylic,
pencil and matte medium on canvas, 60 x 60 inches), will be on view
in the exhibition.
First, either
grids are drawn
in graphite or colored
pencil or forms are painted;
in time, these underlying depictions may be reinforced by other girds or painted forms laid over them or co-opted, altered or erased entirely.
Her paintings of the 1960s, which are distinguished by square formats,
grids,
penciled lines drawn on canvas, and compositions with subtle variations
in shade and hue, marked a crossroads
in the history of abstraction.
Although made with materials traditionally used
in design and drawing — the hand - drawn
pencil grid remains visible
in the final image — these works are clearly paintings intended to test the boundaries of the medium.
Her development of a
grid in the late 1950s wherein she gently inscribed
penciled lines over subtle fields of color marked a turning point
in the history of abstract painting and established the geometric and spati
By the time she painted The Tree
in 1964 — the painting that Martin calls her first
grid, the lines and dots of these earlier paintings had became large
pencilled lattices, stringently and arduously worked.
In L.B.
Pencil Drawing # 2, 1979, Tworkov relied instead on geometry, dividing the plane into a
grid and incising various shapes onto the two - dimensional surface.
In Berthot's case, he uses underpainting and glazing to build his surfaces, as well as an isometric - orthographic grid (visible in many of his exquisite pencil drawings), in order to locate the tonality, mark, or lin
In Berthot's case, he uses underpainting and glazing to build his surfaces, as well as an isometric - orthographic
grid (visible
in many of his exquisite pencil drawings), in order to locate the tonality, mark, or lin
in many of his exquisite
pencil drawings),
in order to locate the tonality, mark, or lin
in order to locate the tonality, mark, or line.
The suppliers provide microfinancing, and since
grid power for small homes is costly
in less developed countries, it
pencils out.
The UK
grid operator last week outlined plans to overhaul this service market and has proposed to combine both the EFR and FFR tenders into one, broader auction
pencilled in for March 2018.