Framed color woodcut, «Cameo,» 1980, by Helen Frankenthaler (American, 1928 - 2011), pencil signed lower right,
pencil numbered edition of 51, published by Tyler Graphics, paper: 42.1 «h x 31.9 «w, overall: 45.25 «h x 35.25 «w. Catalogue Reference: Harrison, 75
Not exact matches
Initialed in
pencil and
numbered from the AP
edition of XV aside from the
edition of 50, on BFK Rives paper, published by James Kirkman, London, and Brooke Alexander, New York Reference: Hartley 30 The sitter is the artist's daughter Bella Freud
Gelatin silver print, 7 3/8 x 11 inches (190 x 278 mm), printed 1985, signed, titled, dated and
numbered 3 from the
edition of 25 in
pencil on verso of print,
pencil annotated with title and
edition on the back mat.
Lithograph, linocut, and screenprint in colors with hand - coloring and collage, on wove paper, 1984, signed and dated in
pencil, from the
numbered edition of 60 (there were also 10 ar...
Gelatin silver print, 4 5/8 x 6 3/8 inches (115 x 160 mm), pri... Gelatin silver print, 4 5/8 x 6 3/8 inches (115 x 160 mm), printed 1984, signed, titled, dated and
numbered 2 from the
edition of 20 in
pencil on verso of print,
pencil annotated with title and
edition on the back mat; Together with [Sand Creatures: Couple] 75 GL - 25.
Gelatin silver print, 6 3/8 x 4 5/8 inches (160 x 117 mm... Gelatin silver print, 6 3/8 x 4 5/8 inches (160 x 117 mm), printed 1980, signed, titled, dated and
numbered 3 from the
edition of 20 in
pencil on verso of print,
pencil annotated with title and
edition on the back mat; Together with [Sand Creatures: Man on Towel] 71 HL - 24A.
Gelatin silver print, 17 x 12 1/8 inches (427 x 308 mm), signed, titled, dated and
numbered 1 from the
edition of 25 in
pencil on verso of print,
pencil annotated in another hand with title and
edition on the back mat.
Signed in
pencil by the artist, dated and
numbered, from the
edition of 49 + 12 AP...
Signed in
pencil and
numbered, from the
edition of 60 measuring 32.5 x 23.5 in.
, is hand - signed, dated and
numbered in
pencil, from the
edition of 48.
Signed, titled, dated, inscribed, and
numbered «John Coplans... 1984 / SP2848 / 5 / 6
EDITION» in
pencil on the mount verso More...
Signed in
pencil and
numbered, from the
edition of 30.
4 - color lithograph on Rives BFK paper 21 1/2 x 17 inches
Edition of 62 signed and dated in
pencil,
numbered from the
edition of 62 Literature Edward Foster, Robert Rauschenberg: Prints 1948/1970, Minneapolis Institute of Arts, Catalogue
Number 52.
Set of four etchings with aquatint in colors on Somerset paper 26 1/4 x 19 1/4 inches each Edition of 73 Each signed & dated in
pencil «J Johns» 87» lower right Each
numbered in
pencil lower right Printed by John Lund, Hitoshi Kido, Craig Zammiello, Keith Brintzenhofe Published by Universal Limited Art
Editions, 1987, with their blindstamp
(64.1 x 77.8 cm) signed, dated «87» and
numbered AP II / VIII in
pencil (an artist's proof, the
edition was 71), published by 2RC Edizion d'Arte, Rome, unframed.
HELEN FRANKENTHALER Reflections II, IV, and VIII three lithographs in colors, 1995, on Lana mould - made, all signed and dated in
pencil, two annotated «P.P. I» and one
numbered 15/30 (the
editions were 30 plus 10 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, Reflections II with a small handling crease in the lower margin, two with a few spots of stray printing ink in the margins, otherwise all in very good condition, framed various sizes (3)
HELEN FRANKENTHALER (b. 1928) Frankenthaler Deep Sun (Harrison 119) etching and aquatint in colors, 1983, on White St. Armand handmade, signed and dated in
pencil,
numbered «A.P. 13/16» (the
edition was 54), with the Tyler Graphics blindstamp, with full margins, in very good condition, framed S. 30 x 39 in.
HELEN FRANKENTHALER Madame de Pompadour (H. 170) lithograph in colors, 1985 - 90, on Arches Cover, signed and dated in
pencil,
numbered «AP 11/14» (the
edition was 60), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, in excellent condition, framed S. 43 1/4 x 29 1/4 in.
Helen Frankenthaler Yellow Span 1968 Aquatint in colors, on Richard de Bas Auvergne à la main paper, with full margins, I. 13 3/4 x 18 5/8 in (34.9 x 47.3 cm) S. 19 3/4 x 26 in (50.2 x 66 cm) signed, dated «68» and
numbered 30/75 in
pencil (there were no recorded artist's proofs), published by Universal Limited Art
Editions, West Islip (with their blindstamp), unframed.
Pencil signed and
numbered from the limited
edition of 225.
Helen Frankenthaler Four Pochoirs portfolio 1970 The complete set of four pochoirs in colors, on Arches Imperial Rough watercolor paper, the full sheets, 32 x 23 in (81.3 x 58.4 cm) all signed, dated «9/30/70», «10/19/70», «10/28/70» and «11/14/70» and
numbered 50/50 in
pencil (there were also 6 or 7 artist's proofs), coordinated by Rosa Esman, published by Abrams Original
Editions, New York (with their inkstamp on the reverse), all in very good condition, all contained in original pink fabric - covered portfolio with green ties (occasional scattered foxing).
HELEN FRANKENTHALER Flirting with Stone (H. 171) lithograph in colors, 1985 - 90, on Arches Cover, signed and dated in
pencil,
numbered «P.P. I» (the
edition was 60 plus 14 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame L. 36 3/4 x 26 3/4 in.
HELEN FRANKENTHALER (american b. 1928) «ORANGE DOWNPOUR» from «four pochoirs» 1970, signed and dated in
pencil,
numbered 15/50 (there were also 7 artist's proofs in Roman numerals), the full sheet; Abrams Original
Editions, New York, publisher.
(78.1 x 55.9 cm) signed, dated «10/19/70» and
numbered 17/50 in
pencil (there were also 6 artist's proofs), published by Abrams Original
Editions, New York, minor soiling at center upper sheet, adhesive remains in places on the reverse, otherwise in very good condition, unframed.
HELEN FRANKENTHALER (B. 1928) A Little Zen, from Four Pochoirs (Harrison 29) pochoir and screenprint in colors, 1970, on Arches Imperial Rough, signed and dated in
pencil,
numbered 9/50 (there were also 7 artist's proofs), published by Abrams Original
Editions, New York, the full sheet, the paper slightly toned, soft rippling throughout, a few small stains in places, pale time staining, otherwise in very good condition, framed S. 22 x 30 1/2 in.
HELEN FRANKENTHALER Reflections VI lithograph in colors, 1995, on Lana mould - made, signed and dated in
pencil,
numbered «P.P. I» (the
edition was 30 plus 10 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame L. 16 3/4 x 13 3/4 in.
HELEN FRANKENTHALER (B. 1928) A Page from a Book II; and III two etchings with aquatint in colors, 1997, on TGL handmade, both signed and dated in
pencil,
numbered «AP 13/16» and «AP 16/16» respectively (the
editions were 30 for both), both with the Tyler Graphics, Ltd. blindstamps, Mount Kisco, New York, both with full margins, traces of extremely minor surface soiling at the margin edges, otherwise both apparently in excellent condition, one examined out of the frame both P. approx. 4 x 17 5/8 in.
Color screenprint on Kurotani Hosho paper from 16 screens 22 1/4 x 18 1/4 inches
Edition of 100 with 10 artist's proofs Signed and dated in
pencil «J Johns» 79» lower right
Numbered in
pencil by the artist from the
edition of 100 lower left Printed by Kenjiro Nonaka, Hiroshi Kawanishi, Takeshi Shimada Published by Jasper Johns and Simca Print Artists, Inc., 1979
Woodcut and screenprint on 4 - ply Paper Technologies, Inc. museum board; From the Interior Series; From and
edition of 60; Signed,
numbered and dated in
pencil on recto; Blind stamp on right recto; Gemini stamp on verso; Published and printed by Gemini G.E.L., Los Angeles, CA; Illustrated in: Gemini catalogue raisonne, no. 1501; The Prints of Roy Lichtenstein, A Catalogue Raisonne, 1948 - 1993, No. 249, Pg 230; Image: 51.75 x 65.625 inches; Framed; Estimate: $ 44,000 / $ 55,000
Woodcut and screenprint on 3 - ply Supra 100 paper; from the
numbered edition of 45, plus 14 APs, 1RTP, 1 PPII, 3 GEL, 1C, 6SP Signed,
numbered and dated in
pencil on recto, Gemini blindstamp on recto; Published by Gemini G.E.L., Los Angeles, CA Catalogue Raisonné # 1365; Image: 57.5 x 79 inches; Sheet: 63 x 88 inches; Framed: 65.5 x 91 inches; Estimate: $ 30,000 / $ 40,000
Robert Heinecken Untitled (Connie Chung), 1985 Jetgoraph proof From the
numbered edition of 70 Signed,
numbered, dated and annotated «Jetograph proof» in
pencil on recto Image: 23 x 28.5 inches; Sheet: 24 x 29.5 inches; Framed: 29 x 34 inches Estimate: $ 2,500 / $ 3,500
Phiip Guston Curtain, 1979 - 80 Lithograph From the
numbered edition of 50 Signed,
numbered and dated in
pencil on recto Published by GEMINI GEL, original receipt included Sheet: 31 x 40.5 inches; Framed: 33 x 43 inches Estimate: $ 5,000 / $ 7,000
Francis Bacon Study for a Bullfight no. 1, 1971 Lithograph on Arches Signed in felt tip pen on recto, signature faded,
numbered in
pencil From the
numbered edition of 150 Published by the Musée du Grand Palais Image: 50 x 45 inches; Sheet: 62.5 x 47 inches; Framed: 69 x 53 inches Estimate: $ 60,000 / $ 80,000
of 25); Signed,
numbered and dated in
pencil on recto; Published by
Editions Alecto, London; Sheet: Each 24.5 x 33 inches; Framed: Each 27 x 36 inches; Estimate: $ 14,000 / $ 18,000
From Mirrors of the Mind; Lithograph and silkscreen with embossing
Numbered AP 9/30; from an edition of 100; Signed and numbered in pencil on recto; Published by Multiple
Numbered AP 9/30; from an
edition of 100; Signed and
numbered in pencil on recto; Published by Multiple
numbered in
pencil on recto; Published by Multiples, Inc..
Dec. 1995, 1995 Digital inkjet print From the
numbered edition of 45 Signed,
numbered and dated in
pencil on recto Image: 32.5 x 41.5 inches; Sheet: 34.5 x 43 inches; Framed: 37 x 46 inches Provenance: Richard Gray Gallery, Chicago, IL, tag on verso Estimate: $ 4,000 / $ 5,000
Robert Longo Angel's Wing, 2005 Archival pigment print From the
numbered edition of 30 Signed,
numbered and dated in
pencil on recto Image: 36 x 61 inches; Framed: 42.5 x 69 inches Estimate: $ 12,000 / $ 15,000
Each signed in
pencil and
numbered from the
edition of 200.
Cibachrome, 16 x 20 inches (405 x 508 mm), signed, dated, and
numbered 1 from the
edition of five in
pencil on verso, with the Marian Goodman Gallery label on back mat.
Gelatin silver print, 8 7/8 x 6 inches (228 x 150 mm), printed 1984, signed, titled, dated and
numbered 5 from the
edition of 30 in
pencil on verso of print,
pencil annotated in another hand with title and
edition on the back mat.
T02235 TURNING FORM 1959 Inscribed on base of bronze in punched letters and
numbers «D.A.M. / 59/2» and in
pencil on underside of wooden base «Turning Form / Size 56» 1959 / Denis Mitchell / No 2/3» Bronze, 56 × 7 × 11 9/16 (142.2 × 17.8 × 29.3) on wooden base 8 1/4 (21) high Bequeathed by Miss E. M. Hodgkins 1977 Prov: Bought by Miss Hodgkins from the Penwith Gallery, 1959 Exh: Summer Exhibition, Penwith Gallery, St Ives, 1959 (75) «Turning Form» was sand cast in solid bronze by Holman's Foundry, St Just, in an
edition of three plus one for the artist.
Tracey Emin (b. 1963) Birds 2012 lithograph in blue, 2011, on wove paper, signed, dated and titled in
pencil,
numbered 233/300 (there were also thirty artist's proofs), published by Counter
Editions, London, apparently in very good condition, unexamined out of the frame Image 645 x 490 mm., Sheet 760 x 601 mm.
Screenprint in colours, 2003 Signed and dated in
pencil,
numbered from the
edition of 45.
Abstract original short run silkscreen, «Color Works 1» by former Cranbrook Academy of Art student B.E. Signed and
numbered in
pencil,
edition 7/50.
Limited -
edition of 300 and
numbered lower left Hand - signed «Max» in colored
pencil lower right Framed dimensions: ~ 30 high x 40 wide inches
Signed by the artist in
pencil, dated, and
numbered from the
edition of 200 + 25 AP measuring 30 1/4...
HELEN FRANKENTHALER (b. 1928) Passeggiata Romana (Williams College 46) etching and aquatint in colors, 1973, on Fabriano Rosaspina handmade, signed and dated in
pencil,
numbered 7/32 (there were also 3 artist's proofs), with the 2RC
Editions blindstamps, with full margins, in excellent condition, framed P. 19 1/2 x 27 5/8 in.
HELEN FRANKENTHALER Soho Dreams; and Spring Veil (H. 124; and 125) two aquatints with drypoint (Soho Dreams also with etching) in colors, 1987, on Magnani and Fabriano, both signed and dated in
pencil,
numbered «AP IV / VIII» and «AP IV / XIII» respectively (apart from the
editions of 71 and 51 respectively; Harrison calls for Spring Veil to have 8 artist's proofs), with the 2RC Edizioni d'Arte blindstamps, both with full margins, Soho Dreams with a few soft handling creases, Spring Veil with minor staining mainly on the reverse, otherwise both in good condition (2)
(130.2 x 94.6 cm) signed, dated» 87» and
numbered 2/20 in
pencil (there were also 6 artist's proofs), published by
Editions Polígrafa, Barcelona, in very good condition, framed.
HELEN FRANKENTHALER (1928 - 2011) Causeway, from Doctors of the World Collection etching and aquatint in colors, 2001, on wove paper, signed and dated in
pencil,
numbered 5/100, published by John Szoke
Editions, New York, with full margins, in very good condition Image: 21 5/8 x 31 1/2 in.