Sentences with phrase «pencil on a sheet of paper»

There is no lag at all, and you feel like you're actually drawing with a real pencil on a sheet of paper.

Not exact matches

Oh the insane things that pop into my head in the middle of the night and make me get up from my warm bed and leave my wife to scrawl in pencil on a blank sheet of paper in the pitch blackness the silliest images that seem to perplex and plague me just so I can hopefully bring a smile to your face and maybe occasionally make us think a little bit world without end.

Draw the design you want to have on the surface of the cake with a pencil on parchment paper that fits a half - sheet baking pan.

Procedure • Bring a sheet of paper, a pen or pencil and your field guide (or access to an online resource) to one of the bird - observation places you decided on.

They have probably described things such as the blinds that are ajar, the smudges of marker on the whiteboard, the smell of a lunch left in the coatroom too long, books stacked every which way in the bookshelf, the faded curtains, a sheet of crumpled paper that missed its trashcan target, or the pencil shavings on the floor beneath the pencil sharpener.

You may even pull out a sheet of paper and a pencil and start scribbling figures down (please, no writing on glass).

Using pencil, crayon, and chalk pastel on giant sheets of paper, Truong creates portraits with great detail.

Adrian Piper The Barbie Doll Drawings, 1967 India ink, radiography, and / or pencil on paper Suite of 35 drawings; each sheet measures 8 1/2 x 5 1/2 inches (21.5 x 14 cm) © 2016 Adrian Piper

Robert Smithson - Untitled (Three Spiral Jetty Drawings), Pencil on three sheets of graph paper, 11 x 8 1/2 in, 1970, MoMA Collection, © Robert Smithson

HELEN FRANKENTHALER Guadalupe (H. 164) mixograph in colors, 1989, on white handmade paper, signed and dated in pencil, numbered 50/74 (there were also 16 artist's proofs), published by Mixografía, Los Angeles, the full sheet, apparently in very good condition, not examined out of the frame S. 69 x 45 in.

HELEN FRANKENTHALER Madame Butterfly woodcut in colors, 2000, on three sheets of wove paper, signed in pencil, numbered 31/33 (there were also 14 artist's proofs), published by Tyler Graphics, LTD., Mount Kisco, New York, the full sheets, each sheet hinged in places at the reverse of the sheet to the support (with associated soft rippling), otherwise apparently in very good condition, not examined out of the frame Overall: 41 x 79 in.

TALES OF GENJI V Color woodcut, 1998, on rust TGL handmade paper, signed and numbered 11/36 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York and with their blindstamp, the full sheet, framed.

Helen Frankenthaler Gateway 1988 Etching, relief and aquatint in colors with hand - stenciled margins, on three panels of TGL Handmade paper, the full sheets, all S. 68 3/4 x 29 1/2 in (174.6 x 74.9 cm) signed and numbered 29/30 in pencil on the right panel (there were also 10 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York (with their blindstamp), in very good condition, framed.

HELEN FRANKENTHALER Flirt screenprint in colors, 1995, on wove paper, signed in pencil, numbered 67/125 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, hinged to the support in places at the reverse of the sheet edges, otherwise in very good condition, framed S. 26 3/4 x 39 1/2 in.

HELEN FRANKENTHALER (1928 - 2011) Bilbao lithograph in colors, on wove paper, 1998, signed and dated in pencil, numbered 72/150, published by Art of This Century, New York, the full sheet, in very good condition, framed Sheet: 35 1/2 x 47 1/sheet, in very good condition, framed Sheet: 35 1/2 x 47 1/Sheet: 35 1/2 x 47 1/4 in.

Michael Scoggins, Dog Fight, 2003, marker, colored pencil on 67 x 51 inch sheets of folded archival paper.

HELEN FRANKENTHALER (B. 1928) Sanguine Mood (Harrison 33) pochoir and screenprint in colors, 1971, on J.B. Green Hayle Mill English handmade paper, signed and dated in pencil, numbered 2/75 (there were also 5 artist's proofs), published by the Women's Board Commission, San Francisco Museum of Art, the full sheet, in excellent condition, framed S. 22 3/4 x 18 in.

Helen Frankenthaler (American, 1928 - 2011), «Geisha,» 2003, Ukiyo - e woodcut in 23 colors on Torinko paper, pencil signed and dated lower right, edition 39/50, published by Pace Editions, Inc. (New York, NY), gallery label (Lillian Kornbluth Arts, Santa Barbara, California) affixed verso, image / sheet: 38 «h x 26 «w, overall (framed): 42 «h x 30 «w. Provenance: Estate of Lillian Kornbluth (Paterson, New Jersey / Santa Barbara, California)

Helen Frankenthaler Four Pochoirs portfolio 1970 The complete set of four pochoirs in colors, on Arches Imperial Rough watercolor paper, the full sheets, 32 x 23 in (81.3 x 58.4 cm) all signed, dated «9/30/70», «10/19/70», «10/28/70» and «11/14/70» and numbered 50/50 in pencil (there were also 6 or 7 artist's proofs), coordinated by Rosa Esman, published by Abrams Original Editions, New York (with their inkstamp on the reverse), all in very good condition, all contained in original pink fabric - covered portfolio with green ties (occasional scattered foxing).

HELEN FRANKENTHALER (1928 - 2011) Tales of Genji VI, from Tales of Genji woodcut and pochoir in colors, 1998, on TGL handmade paper, signed in pencil, numbered 10/35 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, in very good condition, framed Sheet: 47 x 42 in.

Tony Lewis's minimal black - and - white drawings feature snippets of text and organic forms, painstakingly hand - drawn in pencil and graphite powder on large sheets of paper.

Woodcut and screenprint on 3 - ply Supra 100 paper; from the numbered edition of 45, plus 14 APs, 1RTP, 1 PPII, 3 GEL, 1C, 6SP Signed, numbered and dated in pencil on recto, Gemini blindstamp on recto; Published by Gemini G.E.L., Los Angeles, CA Catalogue Raisonné # 1365; Image: 57.5 x 79 inches; Sheet: 63 x 88 inches; Framed: 65.5 x 91 inches; Estimate: $ 30,000 / $ 40,000

At that time in my practice, I would simply pick up a pencil and start making marks on sheets of paper, in many ways, like I was possessed or in some kind of a trance.

Bruce Nauman Untitled (Study for Left or Standing, Standing or Left Standing at The Modern Art Museum of Fort Worth), 1998 graphite and colored pencil on paper 26 1/4 x 39 3/4 inches (66,7 x 101 cm) sheet 29 x 42 3/8 inches (73,7 x 107,6 cm) frame SW 99143

Johns makes his drawings in ink, charcoal, watercolor, acrylic paint, pastel, and / or graphite pencil, among other media, on many different kinds of paper, as well as sheets of plastic.

Tracey Emin (b. 1963) Birds 2012 lithograph in blue, 2011, on wove paper, signed, dated and titled in pencil, numbered 233/300 (there were also thirty artist's proofs), published by Counter Editions, London, apparently in very good condition, unexamined out of the frame Image 645 x 490 mm., Sheet 760 x 601 mm.

HELEN FRANKENTHALER Tahiti (H. 168) mixograph in colors, 1989, on handmade paper, signed and dated in pencil, numbered 18/45 (there were also 11 artist's proofs), published by Mixografía Los Angeles, the full sheet, one short tear at the lower left sheet edge, otherwise apparently in very good condition, not examined out of the frame S. 32 x 54 in.

HELEN FRANKENTHALER (1928 - 2011) Tales of Genji III, from Tales of Genji woodcut and pochoir in colors, 1998, on TGL handmade paper, signed in pencil, numbered 33/36 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, in very good condition, framed Sheet: 46 5/8 x 41 5/sheet, in very good condition, framed Sheet: 46 5/8 x 41 5/Sheet: 46 5/8 x 41 5/8 in.

Helen Frankenthaler Causeway (Doctors of the World Collection) 2001 Color etching and aquatint on paper # 18 of 100 Published by John Szoke Editions, New York Signed and dated with edition in pencil lower right sheet; printer blind stamp lower left Image: 21.5» x 31.5»; Sheet: 28» x 37.5»; Frame: 32.125» x 42.5&rsheet; printer blind stamp lower left Image: 21.5» x 31.5»; Sheet: 28» x 37.5»; Frame: 32.125» x 42.5&rSheet: 28» x 37.5»; Frame: 32.125» x 42.5»

(lot of 5) Robert Motherwell (American, 1915 - 1991), London Series II: Untitled, 1971, (Blue / Pale Blue), 59/150, (Blue / Tan), 23/150, (Blue / White), proof, (Orange / Pink), 107/150, (Yellow / Black), 128/150, all screenprints on J.B. Green mould - made Double Elephant paper, each pencil signed lower right, overall (sheet / each): 28.25 «h x 41 «w. Provenace: Triton Museum of Art (Santa Clara, CA) Read more

Helen Frankenthaler, Cedar Hill (Harrison 121) Woodcut printed in colors, 1983, signed in pencil, dated and numbered 11/75 (total edition includes 18 artist's proofs), on handmade Mingei Momo paper, with the blindstamp of the publisher Crown Point Press, framed Sheet 512 by 631 mm 20 1/8 by 24 7/8 in

Drawing with pencil on large sheets of paper to show rippled water disappear into infinity, her work looks deceivingly like a photograph.

Helen Frankenthaler (b. 1928) Sky Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle edge to left and right, apparently in very good condition, not examined out of the frame L. 545 x 385 mm., S. 759 x 571 mm.

HELEN FRANKENTHALER Flirt screenprint in colors, 1995, on wove paper, signed in pencil, numbered 6/136 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, hinges at the reverse of the upper sheet corners with very soft associated creasing, otherwise in excellent condition, framed S. 27 x 39 9/16 in.

Helen Frankenthaler, Freefall (H. 233) Woodcut printed in colors, on hand - dyed TGL handmade paper, 1993, signed in pencil, dated and numbered 8/30 (total edition includes 12 artist's proofs), with the blindstamp of the publisher, Tyler Graphics, Ltd., the full sheet, printed to the edges, in good condition, framed * (not examined out of frame) Sheet 1970 by 1535 mm 77 1/2 by 60 3sheet, printed to the edges, in good condition, framed * (not examined out of frame) Sheet 1970 by 1535 mm 77 1/2 by 60 3Sheet 1970 by 1535 mm 77 1/2 by 60 3/8 in

(lot of 5) Robert Motherwell (American, 1915 - 1991), London Series II: Untitled, 1971, (Blue / Pale Blue), 59/150, (Blue / Tan), 23/150, (Blue / White), proof, (Orange / Pink), 107/150, (Yellow / Black), 128/150, all screenprints on J.B. Green mould - made Double Elephant paper, each pencil signed lower right, overall (sheet / each): 28.25 «h x 41 «w. Provenace: Triton Museum of Art (Santa Clara, CA)

HELEN FRANKENTHALER Sirocco (H. 167) mixograph in colors, 1989, on handmade paper, signed and dated in pencil, numbered 20/52 (there were also 11 artist's proofs), published by Mixografia, Los Angeles, the full sheet, apparently in very good condition, not examined out of the frame S. 37 3/8 x 35 in.

HELEN FRANKENTHALER Solar Imp screenprint in colors, 2001, on Somerset rag paper, signed in pencil, numbered 53/126 (there were also 18 artist's proofs), published by The Lincoln Center / List Poster and Print Program, New York, the full sheet, apparently in excellent condition, not examined out of the frame S. 39 1/4 x 29 7/8 in.

Helen Frankenthaler, East and Beyond (Harrison 41) Woodcut printed in colors, 1973, signed in pencil, dated» 73 -»74 and inscribed «Trial proof with Orange 2/2», a proof aside from the numbered edition of 18, on Nepalese handmade paper, with the publisher's blindstamp, ULAE, West Islip, NY, framed 600 by 457 mm 23 5/8 by 18 in Sheet approx. 785 by 548 mm 30 7/8 by 21 5/8 in

Helen Frankenthaler (b. 1928) Skywriting screenprint in colors, 1997, on wove paper, signed in pencil, numbered 98/100, printed by Brand X Editions, the full sheet, apparently in excellent conditionnot examined out of the frame, framed S. 30 x 40 in.

Helen Frankenthaler, Contentment Island Screenprint in colors, 2004, signed in pencil, dated and inscribed «PP 7/9», a printer's proof aside from the numbered edition of 118, on BFK Rives paper, printed by Brand X Editions and with their ink stamp on the verso, published by The Dalton School, framed Sheet 854 by 765 mm 37 1/2 by 30 in

HELEN FRANKENTHALER Essence Mulberry (H. 57) woodcut in colors, 1977, the colors fresh, on buff Maniai Gampi handmade, signed and dated in pencil, numbered 21/46, published by Tyler Graphics Ltd., Bedford Village, New York, with their blindstamp, the full sheet printed to three sides, soft rippling throughout (characteristic of this paper) stronger along the upper edge, several vertical hairline fissures in the center of the image (common to this edition), soft crimping at the extreme lower edge of the sheet, otherwise in very good condition S. 39 1/2 x 18 3/4 in.

Helen Frankenthaler, Tales of Genji VI Woodcut printed in colors, with pochoir, 1998, signed in pencil and inscribed «AP 7/14», an artist's proof, aside from the numbered edition of 35, on tan TGL handmade paper, framed Sheet 1194 by 1067 mm 47 by 42 in

HELEN FRANKENTHALER (b. 1928) Tahiti (Harrison 168) mixograph in colors, 1989, on wove paper, signed and dated in pencil, numbered 41/45 (there were also 11 artist's proofs), published by Mixografia, the full sheet, apparently in excellent condition, unexamined out of the frame, framed S. 32 x 54in.

Helen Frankenthaler, Page from a Book II and III Two etchings with aquatint printed in colors, 1997, each signed in pencil and dated, numbered 40/60 and 6/60 respectively (total edition includes 16 artist's proofs), on TGL handmade paper, with the blindstamp of the publisher, Tyler Graphics, Ltd., with full margins, in good condition, framed (2 prints) Each sheet 257 by 629 mm 10 1/8 by 24 3/4 in

HELEN FRANKENTHALER Grey Fireworks screenprint in colors, 2000, on wove paper, signed in pencil, numbered 71/108 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, apparently in excellent condition, not examined out of the frame S. 26 x 46 1/8 in.

Helen Frankenthaler (1928 - 2011) Flirt screenprint in colours, 1995, on wove paper, signed in pencil, inscribed P.P. 6/9 a printer's proof aside from the standard edition of 126 (there were also ten artist's proofs), co-published by the Lincoln Centre and List Poster and Print Program, New York, with the artist's copyright inkstamp verso, printed to the edges of the full sheet, in good condition, framed Image and Sheet: 686 x 100sheet, in good condition, framed Image and Sheet: 686 x 100Sheet: 686 x 1003 mm.

HELEN FRANKENTHALER William Carlos Williams, Valentine for Mr. Wonderful, Mount Kisco, New York, Tyler Graphics, Ltd., 1995 the complete set of seven aquatints with embossing in colors, hors - texte, text and colophon / justification, on TGL handmade, signed and dated on the justification in pencil, copy 34 of 35 (there were also 10 artist's proofs), with full margins or the full sheet, loose (as issued), in excellent condition, original paper wrappers with aquatint and embossing in colors on the front, burgundy cloth - covered portfolio box with gilt - embossed title, artist and publisher's names on the front.

Among what else is on view, the best may be a work of pencil on paper, which includes wax that drips haphazardly down the sheet.

• Track record of instructing students about basic sketching and contouring techniques • Well versed in evaluating students» work, charting their progress, grading assignments and guiding them regarding their weaknesses appropriately • Hands - on experience in curriculum development, lesson planning and implementation with aid of modern and effective AV aids and instructional strategies • Expert in instructing students about working in various modes including pastels, oil colors, water colors, fabric paints, charcoal and pencil • Adept at creating and maintaining a highly stimulating, inspiring and multicultural classroom environment • Proven ability to introduce novel forms of art and inculcate the same in the curriculum effectively • Demonstrated ability to enhance creativity among students by encouraging innovation, novelty and originality in their pieces of art • Familiar with various kinds of pixel sheets, sketching paper and art material, fully capable of determining age specific art material and techniques, suitable for assigned level and grades of children • Known for initiating, designing and implementing various art contests at the school to encourage a general appreciation for art among students • Competent at identifying course goals and fulfilling the same in collaboration with students, teachers and parents • Proven skills in lesson planning, curriculum implementation, technique instruction, practice facilitation and assignment communication • Profound knowledge of various advanced level 3D effect art techniques • Strong classroom management, organization and discipline control skills • Profound ability to devise innovative learning and instructional techniques to facilitate effective transfer of skill and knowledge • Proficient in use of computer to aid art work, familiar with various graphic designing and drawing enhancement software