Sentences with phrase «pencil on canvas painting»

Not exact matches

Yet I changed my tools from brushes, oil paints, and canvas to pencil, paper, and computing power for years and finished physics with a diploma on the topic of many - particle theory, under the supervision of Prof. Nolting at the Humboldt University in Berlin.

From large paintings on canvas to fine pencil drawings that Jessica is known for, the show will also feature a stop - animation film (with music composed by Nick Powell) and a piece using electric ink which brings its own unique aural element.

Within a few years the materiality of oil paint takes on a more central role in his work when he begins to make paintings by depositing small amounts of liquid paint onto his canvases and tilting them this way and that to direct the paint toward the edges of some feint pencil markings.

Her paintings are built up through layers of acrylic paint on canvas, overlaid with mark - making using pencil, pen, ink and thick streams of paint.

Edward Ruscha, Large Trademark with Eight Spotlights, 1962, Oil, house paint, ink, and graphite pencil on canvas

As one can expect to see from Abelow, there is a lot to look at — paintings on canvas and burlap, as well as framed pencil drawings fill out the space in his signature, serial manner.

Her paintings are composed of layers of acrylic on canvas and overlaid with marks made in pencil, pen or ink.

Installation shot showing portfolio on tables and Jeffrey Steele paintings on walls, left: Syntagma Sg IV 117, right: Syntagma Sg 116, both 1991, pencil and oil on canvas, 122 x 122 cm.

Each of his works begins as a pencil sketch, which is then replicated on the canvas, before the application of finely blended acrylic paint.

All were unique and distinctly reflecting the wide variety of artistic approaches of the 21stcentury from paintings on canvas & board (Kawaguchi, Sudran, & Dorsey) to the mixed media work of Mielenhausen & Dworin, the installation by Kubo that filled gallery walls, to the photographs of Moody, Smith and Gaynor and the colored pencil drawings of Borkow.

The show's more than fifty works included important canvases from private and public collections, but the most spectacular inclusions, in many ways, were the works on paper, ranging from intimate pencil studies with little or no color to pastel and crayon - enriched images, as complete as paintings; many of these had rarely — if ever — been exhibited before.

«Mehretu's abstract paintings, which are created with layers of acrylic on canvas followed by marks in pencil, ink and more layers of paint, were already fetching six figures in 2006.

Rather, the space is lit by diffused natural light, which intensifies the intimacy of looking at Martin's painting: the subtle variations of the pencil lines, the thin washes and layers of paint that seem to sit on the surfaces of stretched canvas.

JENNY DAY Nevadab Orogeny, 2014 acrylic, spray paint, paint pen, ink, collage and colored pencil on canvas 48 x 42 inches

JENNY DAY Nearly Somewhere 007, 2015 acrylic, paint pen, colored pencil, spray paint and collage on canvas 36 x 36 inches

JENNY DAY Autumnal Loop, 2014 acrylic, spray paint, paint pen, ink, collage and colored pencil on canvas 48 x 42 inches

JENNY DAY Signal Decay, 2014 acrylic, spray paint, paint pen, ink, collage and colored pencil on canvas 72 x 54 inches

JENNY DAY Nearly Somewhere 003, 2015 acrylic, paint pen, colored pencil, spray paint and collage on canvas 12h x 36w in

Neill creates works on canvas, linen and paper using a variety of mediums, including graphite, colored pencil, charcoal and paint.

At the entrance, the large elaborately textured and tinted, latently Symbolist paintings on paper by Kerstin Brätsch — which suggest masses of rustling silks or feathers — flank a wall of works from which they could not be more different: Joe Bradley's emblems simply outlined in grease pencil on raw canvas, redolent of children's drawings.

Installation from left «Principles in Orthopaedics», 2006 Oil, charcoal, and pen on canvas with metal cabinet, paint transferred to wall 84 x 72 inches + variable dimension of transferred paint ARG # LJ2006 - 003 «The Golden Sea», 2006 Oil, charcoal, pen, and pencil on canvas 80 x 72 inches ARG # LJ2006 - 006 © José Lerma

The Egyptian Hat Trick, 1998, water based enamel paint, spackle, charcoal, pencil and crayon on canvas, 72 x 48 inches

People in front of Maximilian Toth's «White Wash» (2012), graphite, grease pencil, spray paint, oil on canvas, at Fredericks & Freiser gallery / Photo: Hrag Vartanian

Agnes Martin, a small painting on canvas featuring a painted white square and a series of horizontal pencil lines, is a good example of this.

The oil - based house paint, wax crayon, and lead pencil on canvas, measures 79 by 94 3/4 inches.

, acrylic paint and colored pencil on unstretched canvas.

, acrylic paint, colored pencil, thread, and buttons on unstretched canvas.

Kettle's Yard is showing 10 canvases from her last years (she died in 2004 aged 92) alongside one well - known painting of 1965, the Tate's «Morning», and a suite of 30 screenprints titled «On A Clear Day» — all of which represent grids whose original ruled pencil lines are reproduced with illusive accuracy.

His expressionistic mark - making in colored pencil — a prominent feature of the paintings on display — detail the artist's hand across his canvases and lend a noticeably more intimate impression.

Collection: Open World Title: open your heart VI Size: 100.0 H x 100.0 W x 4.0 cm Painting: Mixed media (Acrylic, spray paint, gold colour and spray, neon spray, soft pastel, pencil) on high quality canvas, edges painted, framing not necessary.

Eugene Martin is best known for his imaginative, complex mixed media collages on paper, his often gently humorous pencil and pen and ink drawings, and his paintings on paper and canvas that may incorporate whimsical allusions to animal, machine and structural imagery among areas of «pure», constructed, biomorphic, or disciplined lyrical abstraction.

His large sepia - toned acrylic and silkscreen 1966 portrait of Marlon Brando in a scene from «The Wild One,» Lot 12, sold well over its high estimate of $ 2 million to a private collector for $ 2,642,500 (including the buyer's premium), but a small 1962 casein and pencil on canvas of a Campbell's Chicken With Rice Soup Can painting, Lot 13, that had been estimated at $ 600,000 to $ 800,000 soared to $ 1,652,500 (including the buyer's premium, much to the consternation of the determined underbidder, a woman in a black suit, high heels and wearing large earrings, who immediately got up from her seat and left with her companion after the lot was knocked down.

Her modest tools — pencil, acrylic paint, and canvas, or watercolor on paper — are all she needs.

Bradley has returned to painting after his coy outings with grease pencil on canvas at Canada and painted frames at Mitchell - Innes & Nash.

Mehretu creates large - scale paintings constructed from layers of acrylic paint on canvas overlaid with mark - making using pencil, pen, ink and thick streams of paint.

Pousette - Dart created a number of works in the early 1950s like this one, using pencil and white paint on canvas or board.

Cy Twombly (1928 - 2011) Untitled signed and dated «Cy Twombly 1971» (on the reverse) oil - based house paint, oil paint, wax crayon and lead pencil on canvas 58 1/8 x 77 1/8 in.

Flat geometric bars or grids, often drawn in pencil on 6 - foot square canvases, are washed in thin oil paint.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

There were eight big and nine medium - size dark paintings in Galerie Max Hetzler's Bleibtreustraße location, along with one very large and colorful canvas, a small work on paper executed in colored pencil and crayon, and an artist's book.

Her paintings of the 1960s, which feature square formats, grids, penciled lines drawn on canvas, as well as compositions with subtle variations in shade and hue, marked a crossroads in the history of abstraction.

Taken together, the exhibitions illuminate the ways modern and contemporary artists have embraced creative processes and a variety of materials that move beyond traditional media — such as paint on canvas or charcoal or pencil on paper — to create their art.

• English Sporting Paintings o Henry Thomas Alken (English, 1785 - 1851), four works from the series A Steeplechase at Market Harborough, Leicestershire, ca. 1840 - 50, oil on panel, each 10 × 14»: The First Fence; Taking a Brook; Bad Fall at a Paling Fence; and Coming up to the Finish o Sir Edwin Landseer (English, 1802 — 1873), A Terrier on a Step, oil on canvas, 7 ⅛ × 8 ⅛» o Sir Alfred J. Munnings (English, 1878 — 1959): Study of the Pytchley Bitch, 1928, oil on panel, 16 × 16»; Pilot, one of Freeman's Hunters, Pytchley, Brixworth, 1928, oil on board, 16 × 8 1/4» • European Paintings o Kees van Dongen (Dutch, 1877 - 1968), Haystacks, n.d., (possibly ca. 1904 - 05), oil on canvas, 19 ⅝ x 25 1/2» o Raoul Dufy (French, 1877 - 1953), L'Atelier au bouquet, 1942, oil on canvas, 25 ⅝ × 31 ⅞» o Paul Gauguin (French, 1848 - 1903), Still Life with Bowl, ca. 1889, oil on canvas, 8 x 12 ⅜» o Vincent van Gogh (Dutch, 1835 - 1890), Daisies, Arles, 1888, oil on canvas, 13 x 16 1/2» o Camille Pissarro (French, 1830 - 1903), The «Royal Palace» at the Hermitage, Pontoise, 1879, oil on canvas, 21 ⅜ x 25 ⅞» o Rene Princeteau (French, 1843 - 1914), Le Tilbury, oil on canvas, 15 ⅞ x 22 ⅛» o Georges Seurat (French, 1859 - 1891), Houses and Garden, ca. 1882, oil on canvas, 11 x 18 1/2» o Henri de Toulouse - Lautrec (French, 1864 - 1901), Norfdac, 1881, oil on panel, 9 1/4 x 5 ⅝» • European Drawings o Leon Bakst (Russian, 1866 - 1924), La Chasse, pencil and watercolor on paper, sight: 12 ⅛ x 18 ⅝» o Eugène Boudin (French, 1824 - 1898), recto: Deux Bretonnes en costume, verso: untitled graphite and watercolor sketch, 10 1/2 x 8 ⅛» o Alexandre - Gabriel Decamps (French, 1803 - 1860), Studies of Hounds, black chalk on grey paper, 6 3/4 x 10 ⅞» o Georges Seurat, Enfant à l'echarpe, black conte crayon, sight: 6 1/2 x 4» o Henri de Toulouse - Lautrec, Le depart, pen and ink and pencil, sight: 6 x 9 3/4»

Acrylic, latex house paint, spray paint, fabric paint, pencil, string, arrow, ping pong ball and staples on cut unprimed canvas

Acrylic, latex house paint, spray paint, fabric paint, pencil, string and staples on cut unprimed canvas

Oil, spray paint, oil stick, acrylic, pencil on canvas.

Cy Twombly (1928 - 2011) Sunset oil based house paint, wax crayon, colored pencil and lead pencil on canvas 55 3/4 x 70 7/8 in.

T03191 Oil on canvas, 914 x 911 mm (36 x 35 7/8 in) Inscribed by the artist in pencil on back «CHANCE, ORDER, CHANGE 12 (RED, GREEN, BLUE, MAUVE) 1980 Kenneth Martin» on upper stretcher Purchased from the Waddington Galleries, London (Grant - in Aid) 1980 Exhibited: Kenneth Martin: Late Paintings, Serpentine Gallery, London, June - August 1985 (not in catalogue) Forty Years of Modern Art, Tate Gallery, London, February - April 1986 (no number, reproduced in colour) Kenneth und Mary Martin, Josef Albers Museum, Bottrop, March - April 1989 (60) Literature: Tate Gallery Acquisitions 1980 - 2, London 1984, p.176 - 7, reproduced The series of Chance, Order, Change compositions to which Chance, Order, Change 12 (Four Colours) 1980 and the closely related Chance, Order, Change 6 (Black) 1978 - 9 (Tate T03190) belong was begun by Kenneth Martin in 1976 and continued until his death in 1984.

Cy Twombly (1928 - 2011) Untitled signed «Cy Twombly» (upper right); inscribed and dated «Bolsena July 10» (upper center) oil - based house paint, wax crayon and lead pencil on canvas 79 x 94 1/4 in.

This exhibition features two dozen paintings, including modular color - field paintings, grease - pencil drawings on canvas, and densely layered expressionistic abstract canvases that record the detritus and spontaneity of the studio environment.