Sentences with phrase «pencil on paper left»

Mark Grotjahn Untitled (Solid Cream Butterfly Drawing in Two Parts), 2009 Color pencil on paper Left: 20 x 15 11/16 in; 50.8 x 39.8 cm Right: 19 15/16 x 15 15/16 in; 50.6 x 40.5 cm

Not exact matches

Oh the insane things that pop into my head in the middle of the night and make me get up from my warm bed and leave my wife to scrawl in pencil on a blank sheet of paper in the pitch blackness the silliest images that seem to perplex and plague me just so I can hopefully bring a smile to your face and maybe occasionally make us think a little bit world without end.

When you write or draw with a pencil, the graphite (the «lead» of the pencil) slides off in thin layers to leave a trail — the line on the paper.

They have probably described things such as the blinds that are ajar, the smudges of marker on the whiteboard, the smell of a lunch left in the coatroom too long, books stacked every which way in the bookshelf, the faded curtains, a sheet of crumpled paper that missed its trashcan target, or the pencil shavings on the floor beneath the pencil sharpener.

* Derwent studio pencils * Colourless blending or burnishing pencil * Navy blue Windsor Universal paper * Fine pencil eraser with brush tip * White carbon trace down paper: this is so I can transfer my drawing to the paper surface (you may also use a white pencil to sketch with, but be aware of not pressing too hard and creating indentations in the paper surface, or by leaving eraser marks on the surface if needing to correct your structure).

1905, Japan Defeats Russia, Empire, graphite and colored pencil on paper, 16.06» x 21.875» (left), 8.25» x 10.75» (right), 2015.

Jay Heikes: The Devil Has Left My Building, 2015; pencil and ink on paper; 51 1/8 x 85 in.; courtesy of the artist and Marianne Boesky Gallery, New York and Aspen.

Installation of, from left: ink on paper, lithograph, metal sculpture, and two ink - and - pencil on paper drawings

Gouache, acrylic paint, metal leaf on assorted handmade papers with graphite, colored pencil, mica and archival digital prints

Mark Starling January, 2018 Dye, black pepper, salt, oil pastel, 24k gold leaf, colored pencil, acrylic paint, Formica, adhesive and walnut on cotton rag paper 30.75 x 23.5 inches

Sarah Cain Duet, 2008 Doilies, scarf, beads, color pencil, latex, gouache, watercolor, silver leaf, and ink on paper 59 x 47.5 inches (149.9 x 120.7 cm)

Color Grano lithograph on paper 36 x 28 inches Edition of 99 Signed and dated «99» by Jeff Koons in pencil lower right recto Numbered by the artist lower left recto Pristine condition, Unframed

Color screenprint on Kurotani Hosho paper 24 x 19 inches Edition of 50 Signed & dated in pencil «J Johns 79 - 81» lower right Numbered in pencil lower left Printed By Kenjiro Nonaka, Hiroshi Kawanishi, Takeshi Shimada Published by Jasper Johns and Simca Print Artists, Inc., 1981

Intaglio from 10 copper plates on Barcham Green paper 15 1/2 x 12 1/2 inches Edition of 100 with 20 artists proofs Signed & Dated in Pencil «J Johns 75» lower right Numbered in Pencil by the Artist lower left Literature Richard Field, The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisonne, ULAE, New York, 1994, Catalogue Reference ULAE 155, n.p., another impression reproduced in black and white.

Color screenprint on 100 % rag paper 12 x 9 inches Edition of 300 Numbered by the Artist in pencil lower left recto Signed «Louise Nevelson» in Pencil lower right Stamped in black on verso» © Copyright 1973 By Louise Nevelson Printed At Styria Studio» Printer Styria Studio Publisher Experiments in Art & Techpencil lower left recto Signed «Louise Nevelson» in Pencil lower right Stamped in black on verso» © Copyright 1973 By Louise Nevelson Printed At Styria Studio» Printer Styria Studio Publisher Experiments in Art & TechPencil lower right Stamped in black on verso» © Copyright 1973 By Louise Nevelson Printed At Styria Studio» Printer Styria Studio Publisher Experiments in Art & Technology

Mark MANDERS Untitled Drawing (Left Leg) 2008 pencil on paper 27 3/4 x 21 1/2 inches; 70.5 x 54.6 cm (framed) 25 1/2 x 19 2/3 inches; 65 x 50 cm (unframed)

No Title (This left was), 2012 Pen, ink, colored pencil, acrylic, gouache and collage on paper Courtesy Venus Over Manhattan, New York

Lithograph on 100 % rag paper 9 1/2 x 9 1/4 inches Edition of 300 Signed and Dated «Serra 1973» in pencil bottom right recto Numbered in pencil bottom left recto Verso stamped in black» © Copyright 1973 By Richard Serra Printed At Styria Studio» Printer Styria Studio Publisher Experiments in Art & Technology

Color screenprint on Kurotani Hosho paper from 16 screens 22 1/4 x 18 1/4 inches Edition of 100 with 10 artist's proofs Signed and dated in pencil «J Johns» 79» lower right Numbered in pencil by the artist from the edition of 100 lower left Printed by Kenjiro Nonaka, Hiroshi Kawanishi, Takeshi Shimada Published by Jasper Johns and Simca Print Artists, Inc., 1979

Color intaglio (spitbite, aquatint) on Magnan Pescia soft white paper 21 x 16 inches 11 3/4 x 8 inches (image size) Edition of 30 with 8 artist's proofs Signed and dated in pencil «Jasper Johns» 12» lower right, numbered lower left Printed by Doug Bennett and John Lund Published by LeRoy Neiman Center for Print Studies, Columbia University

Bruce Nauman Untitled (Study for Left or Standing, Standing or Left Standing at The Modern Art Museum of Fort Worth), 1998 graphite and colored pencil on paper 26 1/4 x 39 3/4 inches (66,7 x 101 cm) sheet 29 x 42 3/8 inches (73,7 x 107,6 cm) frame SW 99143

In the medium - scale drawings on view, the artist uses ink, gold leaf, crayon, pastel and pencil on paper to explore historical depictions of wings and flying, while her large - scale collages employ mapping to smartly reinterpret aesthetic and literary themes from the past.

LEFT: Toyin Ojih Odutola, Hunting Season (Mother and Daughter), 2016, Charcoal, pastel and pencil on paper, 59 x 70 1⁄2 inches (paper) 66 x 76 1⁄2 x 2 1⁄2 inches (framed) Courtesy the artist and Jack Shainman Gallery, New York.

LEFT: Toyin Ojih Odutola, Casual Full Dress, 2016, Charcoal, pastel and pencil on paper 62 x 42 inches (paper) 66 3⁄4 x 47 5⁄8 x 2 1⁄4 inches (framed) Courtesy the artist and Jack Shainman Gallery, New York.

Gouache, acrylic paint, metal leaf on assorted handmade papers with graphite, colored pencil and archival digital prints

HELEN FRANKENTHALER Tahiti (H. 168) mixograph in colors, 1989, on handmade paper, signed and dated in pencil, numbered 18/45 (there were also 11 artist's proofs), published by Mixografía Los Angeles, the full sheet, one short tear at the lower left sheet edge, otherwise apparently in very good condition, not examined out of the frame S. 32 x 54 in.

Helen Frankenthaler Monoprint XIII - The Clearing 1991 Unique proof printed from edition blocks on white Richard B. Tullis II handmade paper Published and printed by Garner Tullis, New York Signed and dated in pencil lower right sheet; inscribed «XIII» lower left sheet; signed and dated in pencil verso; inscribed «GT / HF 6 - 91 XIII Block A» in pencil verso; inscribed «Monoprint XIII» in pencil verso; inscribed «28 - May» in pencil verso Image (irreg.)

Challenging the idea of what is cherished in nature by celebrating the beauty of the overlooked and the imperfect, the exhibition, titled Spring Microcosm, ran from March 6 to April 6, and featured exquisitely rendered colored pencil on paper drawings of broken branches, peeling sycamore bark, bug - eaten leaves and flower buds.

Helen Frankenthaler Causeway (Doctors of the World Collection) 2001 Color etching and aquatint on paper # 18 of 100 Published by John Szoke Editions, New York Signed and dated with edition in pencil lower right sheet; printer blind stamp lower left Image: 21.5» x 31.5»; Sheet: 28» x 37.5»; Frame: 32.125» x 42.5»

Helen Frankenthaler (b. 1928) Sky Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle edge to left and right, apparently in very good condition, not examined out of the frame L. 545 x 385 mm., S. 759 x 571 mm.

Acrylic, gouache, graphite, colored pencil, metal leaf, archival digital prints, horsehair, and false eyelashes on assorted handmade papers.

Helen Frankenthaler (b. 1928) paris review offset lithograph printed in colors, 1966, signed in pencil, and countersigned in pencil, upper left, numbered 58/150, on smooth wove paper, with full margins, in good condition, 700 x 505 mm.

HELEN FRANKENTHALER Soho Dreams etching, aquatint and drypoint in colors, 1986, on wove paper, signed and dated» 87» in pencil, numbered 64/71 (there were also 8 artist's proofs), with the 2RC Editions blindstamp, with full margins, a very soft crease at the bottom left margin corner, a few foxmarks on the reverse, otherwise in excellent condition, framed S. 25 1/2 x 30 3/4 in.

Adolph Gottlieb (AMERICAN, 1903 - 1974) James P. Johnson Love signed and dated «Adolph Gottlieb 49» (lower left) watercolor and pencil on paper 10 x 12 in.

Inkjet print, watercolour and pencil on paper, 39.5 x 30 cm (left image), 29.5 x 21 cm (right image) Courtesy the Domus Collection Photographer: Norberto Puzzolo Exhibition views Museum Haus...

The last word is unclear, but appears to be «Noyabr», that is «November» Pencil on tracing paper with serrated left edge, irregular, 13 x 9 (33 x 23) Presented by the artist 1977 Exh: Naum Gabo, Stedelijk Museum, Amsterdam, April - June 1965 (t7); Kunsthalle, Mannheim, June - August 1965 (54); Wilhelm - Lehmbruck - Museum, Duisburg, August - October 1965 (54); Kunsthaus, Zurich, October - December 1965 (54); Den inre och den yttre Rymden, Moderna Museet, Stockholm, January - February 1966 (114); Naum Gabo, Tate Gallery, March - April 1966 (73) as «First Sketch for the Monument of Physics and Mathematics»; Naum Gabo: The Constructive Process, November 1976 - January 1977 (16)

Euclid Ave. Vista, 1916 Pencil on paper, mounted to paper 6 x 4 3/4 inches signed with monogram and dated lower left

#II.4, 1964, Offset lithograph on white wove paper, 17.25 X 21.5 in., Edition of 300, Pencil signed, numbered and dated upper left

Materials Bi-fold doors Wallpaper (1 to 2 rolls, depending on the size and number of bifold doors) Measuring tape Pencil Metal ruler or carpenter square Utility knife Spray paint (optional) Wallpaper paste and brush Plastic float Screwdriver (optional) How - to 1 Measure the doors and cut your paper to size using a utility knife and metal ruler or carpenter square as your guide, leaving a 2» allowance on the top and bottom.

Use a pencil to trace several paper leaves on a variety of double - sided, patterned scrapbook papers.