Sentences with phrase «pencil on paper first»

Sketch your designs in pencil on paper first.

Not exact matches

I took the great advice of Carla Johnson, chief experience officer at Type - A Communications, and put down my pencil (yes, I like to do my first drafts with a sharp pencil and crisp paper on a clipboard and subsequent drafts on my laptop) and observed the things around me.

You can also do it in pencil first, or trace it on with a graphite paper, and then going over it if hand lettering isn't your jam.

I highly recommend practicing on a piece of paper first, or drawing an outline in pencil that you can trace over.

In a foundational and influential study, [i] Duckworth reported that West Point cadets who scored higher on a paper - and - pencil grit scale were more likely to complete the challenging Beast Barracks program in their first two weeks than those who scored lower.

First, students take a computer adaptive assessment, which bases follow - up questions on a student's answers in real time and gives a more accurate picture of a student's progress than the paper and pencil test.

The 2017 NAEP was the first time a majority of students across the nation took the test on a computer, instead of with pencil and paper.

For her first solo exhibition in Europe, NJIDEKA AKUNYILI CROSBY is presenting a new body of work, including «Super Blue Omo,» 2016 (acrylic, transfers, coloured pencils, collage on paper).

* 2015 Pets We Love Exhibition, G25N on - line Gallery * 2015 New Members Exhibition, Pasadena Society of Artists, Towns Burr Art Gallery, Burbank, California * 2015 Artist's Choice Exhibition, Pasadena Society of Artists at the Blinn House, Pasadena, California * 2015 All Womens Exhibition, Light Space and Time on - line Gallery, first place award * 2015 Works on Paper, 1 of 5 featured artists at Saga Fine Art Gallery, Monrovia, California * 2015 Water: Precious and Alluring, juried art exhibit at La Galeria Gitana, San Fernando, California * 2015 Pasadena Society of Artists, Artists Choice Exhibition 2015, Creative Arts Center Gallery, Burbank, California * 2014 Small Works Show, juried show at Segil Fine Art Gallery, Monrovia, California * 2014 Highway 2: The Journey and The Destination, juried show at Towns Burr Gallery, Burbank, California * 2014 Animal, juried on - line exhibition, Colors of Humanity Art Gallery, Pennsylvania * 2014 Home Sweet Home, juried show at Segil Fine Art Gallery, Monrovia, California * 2014 Pencil Art Society International Open Juried Exhibition, Quebec Canada * 2014 Animal, juried on - line exhibition, Linus Galleries, Pasadena, California * 2014 Juried Open, juried show at Topanga Canyon Gallery, Topanga Canyon, California * 2013 Holiday Art Show, juried show at Carter Sexton Gallery, North Hollywood, California * 2013 California Open, juried show at TAG Gallery, Santa Monica, California * 2013 Angeles Crest Art Guild Spring Show, Modest Fly Art Gallery, Tujunga, California * 2013 Nature, juried competition, Light Space and Time online art gallery, received third place award * 2013 Juried Open, juried show at Topanga Canyon Gallery, Topanga Canyon, California.

When he returned to New York in the 1950s, much of the work Kelly made, at first, as he found his way more fully into his own language, was in the form not of paintings but of drawings — works on paper in ink, pencil and gouache, which he created as a way of working out where he wanted to go on a larger scale.

Alan Saret, Sana Whirl Will, 1983 Colored pencil on paper November 9, 2007 — February 7, 2008 Alan Saret: Gang Drawings marks the first major museum exhibition of Saret's work in 17 years.

This will be the artists» first exhibition at the gallery, showing a series of new pencil line drawings made on greasy kitchen paper as well as drawings of the «104 Village» unbuilt project.

Images of the ocean first appeared in Celmins» work in 1968, with a series of graphite pencil on paper drawings that experimented with variations in the density and tone of graphite.

Exhibition Checklist Main Gallery (clockwise from front desk) Untitled, 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 16 Untitled (Roadmap), 2004 charcoal, pastel on paper mounted on canvas 60 x 80 inches ECp 18 Untitled (Paper Airplanes), 2004 charcoal, pastel on paper mounted on canvas 60 x 80 inches ECp 19 Untitled (Snow White and the Seven Dwarfs), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 17 Misadventures of the Liberating Savages, 2004 acrylic, waterbased oil, pencil, collage, ink transfers on amate paper 8 x 116 inches ECd 43 Side Gallery Untitled (Untitled), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 15 Untitled (Liberty), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp14 Poor George (After PG), First Row: Poor George (After PG) # 12, 2004 ink on paper 14 x 16 inches ECd 38 Poor George (After PG) # 3, 2004 ink on paper 14 x 16 inches ECd 24 Poor George (After PG) # 15, 2004 ink on paper 14 x 16 inches ECd 41 Poor George (After PG) # 16, 2004 ink on paper 14 x 16 inches ECd 42 Poor George (After PG), Second Row: Poor George (After PG) # 14, 2004 ink on paper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper mounted on canvas 60 x 60 inches ECp 16 Untitled (Roadmap), 2004 charcoal, pastel on paper mounted on canvas 60 x 80 inches ECp 18 Untitled (Paper Airplanes), 2004 charcoal, pastel on paper mounted on canvas 60 x 80 inches ECp 19 Untitled (Snow White and the Seven Dwarfs), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 17 Misadventures of the Liberating Savages, 2004 acrylic, waterbased oil, pencil, collage, ink transfers on amate paper 8 x 116 inches ECd 43 Side Gallery Untitled (Untitled), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 15 Untitled (Liberty), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp14 Poor George (After PG), First Row: Poor George (After PG) # 12, 2004 ink on paper 14 x 16 inches ECd 38 Poor George (After PG) # 3, 2004 ink on paper 14 x 16 inches ECd 24 Poor George (After PG) # 15, 2004 ink on paper 14 x 16 inches ECd 41 Poor George (After PG) # 16, 2004 ink on paper 14 x 16 inches ECd 42 Poor George (After PG), Second Row: Poor George (After PG) # 14, 2004 ink on paper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper mounted on canvas 60 x 80 inches ECp 18 Untitled (Paper Airplanes), 2004 charcoal, pastel on paper mounted on canvas 60 x 80 inches ECp 19 Untitled (Snow White and the Seven Dwarfs), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 17 Misadventures of the Liberating Savages, 2004 acrylic, waterbased oil, pencil, collage, ink transfers on amate paper 8 x 116 inches ECd 43 Side Gallery Untitled (Untitled), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 15 Untitled (Liberty), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp14 Poor George (After PG), First Row: Poor George (After PG) # 12, 2004 ink on paper 14 x 16 inches ECd 38 Poor George (After PG) # 3, 2004 ink on paper 14 x 16 inches ECd 24 Poor George (After PG) # 15, 2004 ink on paper 14 x 16 inches ECd 41 Poor George (After PG) # 16, 2004 ink on paper 14 x 16 inches ECd 42 Poor George (After PG), Second Row: Poor George (After PG) # 14, 2004 ink on paper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches EPaper Airplanes), 2004 charcoal, pastel on paper mounted on canvas 60 x 80 inches ECp 19 Untitled (Snow White and the Seven Dwarfs), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 17 Misadventures of the Liberating Savages, 2004 acrylic, waterbased oil, pencil, collage, ink transfers on amate paper 8 x 116 inches ECd 43 Side Gallery Untitled (Untitled), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 15 Untitled (Liberty), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp14 Poor George (After PG), First Row: Poor George (After PG) # 12, 2004 ink on paper 14 x 16 inches ECd 38 Poor George (After PG) # 3, 2004 ink on paper 14 x 16 inches ECd 24 Poor George (After PG) # 15, 2004 ink on paper 14 x 16 inches ECd 41 Poor George (After PG) # 16, 2004 ink on paper 14 x 16 inches ECd 42 Poor George (After PG), Second Row: Poor George (After PG) # 14, 2004 ink on paper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper mounted on canvas 60 x 80 inches ECp 19 Untitled (Snow White and the Seven Dwarfs), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 17 Misadventures of the Liberating Savages, 2004 acrylic, waterbased oil, pencil, collage, ink transfers on amate paper 8 x 116 inches ECd 43 Side Gallery Untitled (Untitled), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 15 Untitled (Liberty), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp14 Poor George (After PG), First Row: Poor George (After PG) # 12, 2004 ink on paper 14 x 16 inches ECd 38 Poor George (After PG) # 3, 2004 ink on paper 14 x 16 inches ECd 24 Poor George (After PG) # 15, 2004 ink on paper 14 x 16 inches ECd 41 Poor George (After PG) # 16, 2004 ink on paper 14 x 16 inches ECd 42 Poor George (After PG), Second Row: Poor George (After PG) # 14, 2004 ink on paper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper mounted on canvas 60 x 60 inches ECp 17 Misadventures of the Liberating Savages, 2004 acrylic, waterbased oil, pencil, collage, ink transfers on amate paper 8 x 116 inches ECd 43 Side Gallery Untitled (Untitled), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 15 Untitled (Liberty), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp14 Poor George (After PG), First Row: Poor George (After PG) # 12, 2004 ink on paper 14 x 16 inches ECd 38 Poor George (After PG) # 3, 2004 ink on paper 14 x 16 inches ECd 24 Poor George (After PG) # 15, 2004 ink on paper 14 x 16 inches ECd 41 Poor George (After PG) # 16, 2004 ink on paper 14 x 16 inches ECd 42 Poor George (After PG), Second Row: Poor George (After PG) # 14, 2004 ink on paper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper 8 x 116 inches ECd 43 Side Gallery Untitled (Untitled), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 15 Untitled (Liberty), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp14 Poor George (After PG), First Row: Poor George (After PG) # 12, 2004 ink on paper 14 x 16 inches ECd 38 Poor George (After PG) # 3, 2004 ink on paper 14 x 16 inches ECd 24 Poor George (After PG) # 15, 2004 ink on paper 14 x 16 inches ECd 41 Poor George (After PG) # 16, 2004 ink on paper 14 x 16 inches ECd 42 Poor George (After PG), Second Row: Poor George (After PG) # 14, 2004 ink on paper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper mounted on canvas 60 x 60 inches ECp 15 Untitled (Liberty), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp14 Poor George (After PG), First Row: Poor George (After PG) # 12, 2004 ink on paper 14 x 16 inches ECd 38 Poor George (After PG) # 3, 2004 ink on paper 14 x 16 inches ECd 24 Poor George (After PG) # 15, 2004 ink on paper 14 x 16 inches ECd 41 Poor George (After PG) # 16, 2004 ink on paper 14 x 16 inches ECd 42 Poor George (After PG), Second Row: Poor George (After PG) # 14, 2004 ink on paper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper mounted on canvas 60 x 60 inches ECp14 Poor George (After PG), First Row: Poor George (After PG) # 12, 2004 ink on paper 14 x 16 inches ECd 38 Poor George (After PG) # 3, 2004 ink on paper 14 x 16 inches ECd 24 Poor George (After PG) # 15, 2004 ink on paper 14 x 16 inches ECd 41 Poor George (After PG) # 16, 2004 ink on paper 14 x 16 inches ECd 42 Poor George (After PG), Second Row: Poor George (After PG) # 14, 2004 ink on paper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper 14 x 16 inches ECd 38 Poor George (After PG) # 3, 2004 ink on paper 14 x 16 inches ECd 24 Poor George (After PG) # 15, 2004 ink on paper 14 x 16 inches ECd 41 Poor George (After PG) # 16, 2004 ink on paper 14 x 16 inches ECd 42 Poor George (After PG), Second Row: Poor George (After PG) # 14, 2004 ink on paper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper 14 x 16 inches ECd 24 Poor George (After PG) # 15, 2004 ink on paper 14 x 16 inches ECd 41 Poor George (After PG) # 16, 2004 ink on paper 14 x 16 inches ECd 42 Poor George (After PG), Second Row: Poor George (After PG) # 14, 2004 ink on paper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper 14 x 16 inches ECd 41 Poor George (After PG) # 16, 2004 ink on paper 14 x 16 inches ECd 42 Poor George (After PG), Second Row: Poor George (After PG) # 14, 2004 ink on paper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper 14 x 16 inches ECd 42 Poor George (After PG), Second Row: Poor George (After PG) # 14, 2004 ink on paper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches Epaper 14 x 16 inches ECd 36

• English Sporting Paintings o Henry Thomas Alken (English, 1785 - 1851), four works from the series A Steeplechase at Market Harborough, Leicestershire, ca. 1840 - 50, oil on panel, each 10 × 14»: The First Fence; Taking a Brook; Bad Fall at a Paling Fence; and Coming up to the Finish o Sir Edwin Landseer (English, 1802 — 1873), A Terrier on a Step, oil on canvas, 7 ⅛ × 8 ⅛» o Sir Alfred J. Munnings (English, 1878 — 1959): Study of the Pytchley Bitch, 1928, oil on panel, 16 × 16»; Pilot, one of Freeman's Hunters, Pytchley, Brixworth, 1928, oil on board, 16 × 8 1/4» • European Paintings o Kees van Dongen (Dutch, 1877 - 1968), Haystacks, n.d., (possibly ca. 1904 - 05), oil on canvas, 19 ⅝ x 25 1/2» o Raoul Dufy (French, 1877 - 1953), L'Atelier au bouquet, 1942, oil on canvas, 25 ⅝ × 31 ⅞» o Paul Gauguin (French, 1848 - 1903), Still Life with Bowl, ca. 1889, oil on canvas, 8 x 12 ⅜» o Vincent van Gogh (Dutch, 1835 - 1890), Daisies, Arles, 1888, oil on canvas, 13 x 16 1/2» o Camille Pissarro (French, 1830 - 1903), The «Royal Palace» at the Hermitage, Pontoise, 1879, oil on canvas, 21 ⅜ x 25 ⅞» o Rene Princeteau (French, 1843 - 1914), Le Tilbury, oil on canvas, 15 ⅞ x 22 ⅛» o Georges Seurat (French, 1859 - 1891), Houses and Garden, ca. 1882, oil on canvas, 11 x 18 1/2» o Henri de Toulouse - Lautrec (French, 1864 - 1901), Norfdac, 1881, oil on panel, 9 1/4 x 5 ⅝» • European Drawings o Leon Bakst (Russian, 1866 - 1924), La Chasse, pencil and watercolor on paper, sight: 12 ⅛ x 18 ⅝» o Eugène Boudin (French, 1824 - 1898), recto: Deux Bretonnes en costume, verso: untitled graphite and watercolor sketch, 10 1/2 x 8 ⅛» o Alexandre - Gabriel Decamps (French, 1803 - 1860), Studies of Hounds, black chalk on grey paper, 6 3/4 x 10 ⅞» o Georges Seurat, Enfant à l'echarpe, black conte crayon, sight: 6 1/2 x 4» o Henri de Toulouse - Lautrec, Le depart, pen and ink and pencil, sight: 6 x 9 3/4»

My work is hand drawn, first with pencil on paper and then in Photo Shop.

Since his childhood, when he first put pencil to paper, Brooklyn - born Harvey Dinnerstein has focused on capturing the world around him — his world — his landscape: New York City.

His first joke, written in pencil on paper, said, «I went to see a psychiatrist.

The last word is unclear, but appears to be «Noyabr», that is «November» Pencil on tracing paper with serrated left edge, irregular, 13 x 9 (33 x 23) Presented by the artist 1977 Exh: Naum Gabo, Stedelijk Museum, Amsterdam, April - June 1965 (t7); Kunsthalle, Mannheim, June - August 1965 (54); Wilhelm - Lehmbruck - Museum, Duisburg, August - October 1965 (54); Kunsthaus, Zurich, October - December 1965 (54); Den inre och den yttre Rymden, Moderna Museet, Stockholm, January - February 1966 (114); Naum Gabo, Tate Gallery, March - April 1966 (73) as «First Sketch for the Monument of Physics and Mathematics»; Naum Gabo: The Constructive Process, November 1976 - January 1977 (16)

Wassily Kandinsky - Kandinsky's first abstract watercolor, 1910, Watercolor and Indian ink and pencil on paper, 19.5 × 25.5 in, (49.6 × 64.8 cm), Paris, Centre Georges Pompidou

These works show LeWitt's wide range of mediums, from an early pencil on paper schematic rendering of cubes, done only a year after his first gallery exhibition, to folded works from the early 1970s, to late gouaches that explore the artist's ideas of abstraction.

First, I certainly don't claim that the formula I'm using is original to the world, although I can honestly say that I first wrote it down (with pencil and paper no less) while doing a bit of independent noodling on Ron Baker's book Implementing Value PriFirst, I certainly don't claim that the formula I'm using is original to the world, although I can honestly say that I first wrote it down (with pencil and paper no less) while doing a bit of independent noodling on Ron Baker's book Implementing Value Prifirst wrote it down (with pencil and paper no less) while doing a bit of independent noodling on Ron Baker's book Implementing Value Pricing.

And yes, like it says in the Volkers» article, you first need to take paper and pencil and figure out the value of each end you need to consummate based on your personal goals.

I first drew out my saying on paper then I use the trace method, where I pressed the pencil into the lettering which then made an impression in the wood.