Sentences with phrase «pencil on paper works»

Platter thinks of these pencil on paper works as «Nomadic Murals», as Le Corbusier considered tapestries.

Artists such as Clare E. Rojas, Chris Johanson, Shara Hughes, and David X. Levine — a self - taught artist whose colored pencil on paper works are among the most hard - won objects that I have ever come across - all have very different aesthetic points of view, but all construct images that draw energy from the space in between knowing and naivete.

It encompasses a series of just under twenty new oil and acrylic on canvas and gouache and colored pencil on paper works.

Working with pencil is one thing, but to create large - scale, massive pencil on paper works as Adonna Khare creates is just stunning.

Other highlights from the exhibition include Michelle Ramin's figurative, watercolor and colored - pencil on paper works and Joo Lee Kang's animalia works of ink on paper drawings, wallpaper installation and large - scale sculpture.

Not exact matches

The restrictions on work with special papers and ink may be overcome in part by pairing the patient with someone willing to type letters written in pencil and to make any necessary photocopies.

Sam works in watercolors, gouache, color pencils and graphite pencil on board, paper, slates and stone.

Lauren Warner, Founder and Editor [See all «From the Editor» posts] Beth Berry, Revolution from Home [«The Perfection Trap»] Amber Dusick, Crappy Pictures [«Making Time for Free Time»] Heather Flett, Rookie Moms [«Choose the One Thing»] Elke Govertsen, Mamalode magazine [«We Need Each Other»] Meagan Francis, The Happiest Mom [«Write Your Own Story»] Nici Holt Cline, Dig this Chick [«Dead Ends Don't Exist»] Devon Corneal, The Huffington Post [«You Are Stronger than You Think»] Melanie Blodgett, You are My Fave [«The Truth About Making Friends»] Allison Slater Tate, AllisonSlaterTate.com [«Enjoy the Ride»] Katie Stratton, Katie's Pencil Box [«We Are What We Eat»] Lisa - Jo Baker, Tales From a Gypsy Mama [«Mom Sets the Mood»] Shannan Martin, Flower Patch Farm Girl [«Find Your Delicious»] Tracy Morrison, Sellabit Mum [«Real Life Goes On Here»] Amy Lupold Bair, Resourceful Mommy [«Choose Happy»] KJ Dell» Antonia, New York Times Motherlode [«Do What You're Doing»] Anna Luther, My Life and Kids [«Fake Farts Make All the Difference»] Bridget Hunt, It's a Hunt Life [«Our Own Worst Enemies»] Judy Gruen, Mirth and Meaning [«Don't Forget Your Vitamin L»] Shannon Schreiber, The Scribble Pad [«When Mom is Afraid»] Rivka Caroline, Frazzled to Focused [«From Frazzled to Focused»] Pilar Guzman, Editor - in - Chief of Martha Stewart Living [«The Hard Work of Being Good»] Molly Balint, Mommy Coddle [«I Want to Be a «Yes»»] Melanie Shankle, The Big Mama Blog [«Not Enough Time (Or Toilet Paper)»] Lindsay Boever, My Child I Love You [«They Will Love What You Love»] Mary Ostyn, Owlhaven [«A Family That Plays Together»] Lindsey Mead, A Design So Vast [«Feeling Hurt?

Pencils and paper have given way to the more amorphous cloud - based computing, kids are presenting more with Prezi than on poster boards, and work can be turned in online instead of in - hand.

Then there is a lot of detective work that can be done with pencil and paper: measures, asking questions, a clinical interview and it is putting the person's story together to get to the bottom of what is going on.

But Spielberg has no new tricks up his sleeve and we are well - acquainted with how his old story - telling tricks work: the tight shots of secret late night phone calls, sweeping shots of reporters running through the newsroom, the rolling of a pencil on a desk, echoed later and inevitably by a montage of papers rolling triumphantly off presses and landing in bundles on the streets.

Typically, the school day might also include teacher instruction to small groups or one - on - one, plus collaborative projects and individual paper - and - pencil work.

Technology is an obvious partner because whether it's on a CD - ROM, floppies, or an old - fashioned technology like video cameras or even overheads, the student is bringing together visual, three - dimensional, and paper - and - pencil work.

The new system, which requires test - takers to sit at computer terminals and answer questions electronically, is likely to revolutionize the whole standardized - testing field, making current paper - and - pencil methods obsolete, those working on the idea believe.

Public school teachers often reach into their own pocketbooks to buy essentials like pencils and copy paper for overcrowded classrooms, nevermind having the financial support to take 95 sixth graders on a bus to a local farm for project work.

One group works with the teacher, the second works online and the last works individually or in pairs on assignments with old - school books, pencil and paper.

Gallerie Silo: Opening reception for Works on Paper, a collection of charcoal, pencil, pastel, oil paint and ink sketches and doodles journaling artist Michael Armour's growth over the past few years.

Chief Creative Officer, Art Director, Lead Artist & Animator Kyler is a 2D and 3D animator who has worked in a huge variety of mediums: from hand - drawn pencil on paper, to stop motion puppet, to CGI and 3D.

I try to apply a sensitive pressure to the pencil and use a spare piece of A4 paper to rest my drawing hand on, moving this around the paper as I draw to protect my work.

Her working materials have expanded from pen and ink into a rich visual palette to include marker pen, India and acrylic ink, watercolour, charcoal, pastel, lithography crayon, coloured pencil and wood stain on paper, board and wood panel.

Look for a new sculptural installation of 100 vertical forms assembled from wooden shapes and 40 works on paper produced with everything from coffee and markers to colored pencils.

He mainly works with micron pens, pencils, and extremely fine paint brushes on paper.

looks at thirty - six artists, and their work runs to almost anything but pen or pencil on paper.

This fluid abstract work on paper is intuitively made with a coloured pencil and acrylic.

She graduated from Umeå Academy of Fine Arts in 1997 and she works with both painting and drawing, mostly watercolour, ink, pencil or crayon on paper.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Works by Joseph Grazi include Garden Sculptures 1 & 2, juxtaposing taxidermied bats and dried butterflies on wood, as well as several works of pencil on paper, including «Garden Party», «Lions» and «Shrine.&rWorks by Joseph Grazi include Garden Sculptures 1 & 2, juxtaposing taxidermied bats and dried butterflies on wood, as well as several works of pencil on paper, including «Garden Party», «Lions» and «Shrine.&rworks of pencil on paper, including «Garden Party», «Lions» and «Shrine.»

The finished works are delicate, highly detailed paintings on paper incorporating images and texts rendered in ink, pencil, watercolor, rubber - stamping and collage.

The show's more than fifty works included important canvases from private and public collections, but the most spectacular inclusions, in many ways, were the works on paper, ranging from intimate pencil studies with little or no color to pastel and crayon - enriched images, as complete as paintings; many of these had rarely — if ever — been exhibited before.

Astute at locating and engaging the dynamic fountainhead of artistic practice relevant to time and place, in one installation, Ferrer nurtures a powerful tributary of faces rendered on paper bags in crayon, pencil, paint and collage: an extant, sui generis body of work that the artist has cultivated since 1972.

For her first solo exhibition in Europe, NJIDEKA AKUNYILI CROSBY is presenting a new body of work, including «Super Blue Omo,» 2016 (acrylic, transfers, coloured pencils, collage on paper).

Tuesday - Saturday, 10 am - 6 pm Eye of the Beholder, an exhibition of works on paper and small paintings by Paul Thek includes a pencil triptych executed in 1970 while he was living and working in Amsterdam.

The works on paper range in material from graphite pencil and watercolor to india ink imprints, wax crayon, gouache, butterfly - wing collages, incised scratchboards, and paint with gum arabic.

Featured are 50 pieces which make up two complementary bodies of work: recent paintings (most from 2008 to 2009) and drawings (created from 1979 to 1982 made on different types of paper and diverse media, including pencil, ink, watercolor, acrylic and oil chalk).

A portrait by Warhol — a work of pencil on paper executed in 1977 — was a gift to Philip Johnson that same year.

Basquiat considered drawing a key means of expression in its own right and no less significant an art form than painting; his works on paper are notable for their remarkable range, incorporating oilstick, crayon, acrylic, pen, pencil and watercolour.

While the large numbers of pencil drawings, watercolors, pastels, and other works on paper by Clyfford Still provide ample evidence that his style underwent a dramatic evolution, this exhibition reveals how Still's interests and the content of his art appear remarkably stable.

Beside these personal pieces of the 1970s, 1980s and 1990s are two untitled works in pencil on paper of 1916 by Kazimir Malevich — part of David Whitney's personal collection and an obvious link to both men's appreciation of the earliest stages of Modern art in the 20th Century.

Three Works: Frederick H. McDuff (American, 1931 - 2011), April, signed «Frederick McDuff» in pencil l.r., numbered» 39/200» l.l., lithograph on paper; American School, 20th Century, Spring Brook, More...

lehmann maupin presents an exhibition featuring the range of the artist's works on paper, including illustrations using pencil, pen, ink, watercolor and thread as well as his large - scale rubbings.

* 2015 Pets We Love Exhibition, G25N on - line Gallery * 2015 New Members Exhibition, Pasadena Society of Artists, Towns Burr Art Gallery, Burbank, California * 2015 Artist's Choice Exhibition, Pasadena Society of Artists at the Blinn House, Pasadena, California * 2015 All Womens Exhibition, Light Space and Time on - line Gallery, first place award * 2015 Works on Paper, 1 of 5 featured artists at Saga Fine Art Gallery, Monrovia, California * 2015 Water: Precious and Alluring, juried art exhibit at La Galeria Gitana, San Fernando, California * 2015 Pasadena Society of Artists, Artists Choice Exhibition 2015, Creative Arts Center Gallery, Burbank, California * 2014 Small Works Show, juried show at Segil Fine Art Gallery, Monrovia, California * 2014 Highway 2: The Journey and The Destination, juried show at Towns Burr Gallery, Burbank, California * 2014 Animal, juried on - line exhibition, Colors of Humanity Art Gallery, Pennsylvania * 2014 Home Sweet Home, juried show at Segil Fine Art Gallery, Monrovia, California * 2014 Pencil Art Society International Open Juried Exhibition, Quebec Canada * 2014 Animal, juried on - line exhibition, Linus Galleries, Pasadena, California * 2014 Juried Open, juried show at Topanga Canyon Gallery, Topanga Canyon, California * 2013 Holiday Art Show, juried show at Carter Sexton Gallery, North Hollywood, California * 2013 California Open, juried show at TAG Gallery, Santa Monica, California * 2013 Angeles Crest Art Guild Spring Show, Modest Fly Art Gallery, Tujunga, California * 2013 Nature, juried competition, Light Space and Time online art gallery, received third place award * 2013 Juried Open, juried show at Topanga Canyon Gallery, Topanga Canyon, California.

Works on view range from Adonna Khare's massive 40 - foot - long carbon pencil drawing Elephants (2012), to Andy Warhol's colorful Endangered Species prints to a rare collection of sketches by modern dance choreographer and innovator Merce Cunningham, among others, several of which are works on paper and thus rarely on exhWorks on view range from Adonna Khare's massive 40 - foot - long carbon pencil drawing Elephants (2012), to Andy Warhol's colorful Endangered Species prints to a rare collection of sketches by modern dance choreographer and innovator Merce Cunningham, among others, several of which are works on paper and thus rarely on exhworks on paper and thus rarely on exhibit.

Neill creates works on canvas, linen and paper using a variety of mediums, including graphite, colored pencil, charcoal and paint.

Structured chronologically, the exhibition consists of works on paper from various stages of the artist's career, beginning with summary pencil scrawls of the early 1950s, when Twombly was a student at Black Mountain College in North Carolina, and ending with three works from 2008 filled almost to bursting with blood - red spirals of acrylic paint.

Her work ranges from installations to watercolors, and she draws her inspirations from locations; a key example is Manchester CMYK 01/14, a riotous 2014 pencil and watercolor on paper done in Manchester, England.

When he returned to New York in the 1950s, much of the work Kelly made, at first, as he found his way more fully into his own language, was in the form not of paintings but of drawings — works on paper in ink, pencil and gouache, which he created as a way of working out where he wanted to go on a larger scale.

At the entrance, the large elaborately textured and tinted, latently Symbolist paintings on paper by Kerstin Brätsch — which suggest masses of rustling silks or feathers — flank a wall of works from which they could not be more different: Joe Bradley's emblems simply outlined in grease pencil on raw canvas, redolent of children's drawings.

The works in the exhibition see the artist testing out pastels, graphite, charcoal, conté, pencil, ballpoint pen, and enamel on surfaces ranging from Chemex coffee filter paper and plexiglass to anodized aluminum and matte Mylar panel.

The show features 19 pairs of works, each one a painting and a smaller, corresponding work on paper in ink, pencil and gouache.

«Veneer» is an original oil pastel, ballpoint pen, color pencil, and graphite on arches paper work by Lauren Rinaldi.