I had no idea how colored
pencil painting works before watching this.
Not exact matches
All you need is some paper and your child's favorite art supplies: crayons,
paints, colored
pencils, glue, glitter — whatever your child enjoys
working with.
Although most of his fellow courtroom artists used
pencils, pastels and sketch pads — the typical tools of the trade, Robbins employed canvas and acrylic
paint for his
work.
1) Tone
Paint Brushes Use
pencils, coloured
pencils, hot or cold colours or watercolour to
work within the sections of the
paint brushes.
Draw in
pencil and then, optionally,
work over the top in pastel or
paint.
This resource pack is huge and contains everything you need to teach the 10 week scheme including: 1) Lesson by lesson scheme of
work 2) Week by week homework task to complement and extend the class task fully editable 3) Printable sheets for each task showing learning objective and success criteria referenced to grades 4) Exemplar for each task Acrylic
painting, coloured
pencil, tonal study, photoshop drop fill etc 5) Extension tasks with video links for video tutorials
All manipulatives (22in x 34in
Work Mat, Wooden Tray, 100 unit cubes, 27 ten rods, 27 hundred flats, 17 1000 cubes (1 plastic, 16 oak tag), Foam Ball, Balance, Mirror, Ruler, Crayons, 2 Dice, 108 Color - Coded Number Cards in partitioned wood tray (3 each of 1 -9,10-90,100-900,1000-9000), 108 Number Tiles (27 each of 1, 10, 100, 1000), 14 Operator Cards, Dominoes, Probability Bag with Tie, Geared Clock, 1 1 - cup Measuring Cup, 1 2 - cup Measuring Cup, 64
Painted Wooden Geometric Shapes (Diamond, Circle, Heart, Square, Rectangle, Trapezoid, Parallelogram in assorted colors), plastic coins, and
pencil)
Gallerie Silo: Opening reception for
Works on Paper, a collection of charcoal,
pencil, pastel, oil
paint and ink sketches and doodles journaling artist Michael Armour's growth over the past few years.
I
work in all types of media from oil
paint to coloured
pencil and use programs such as GIMP and Photoshop to create the more distinctive effects of my drawn
work.
He
works a bit in
pencil, ink, and digital
paint to create his
work and hopes that, in the end, the result is a perfect marriage of these mediums.
We're going to
work dark to light with our coloured
pencil painting.
The most comprehensive exhibition of Chris Ofili's
work to date, featuring over 40
paintings as well as
pencil drawings and watercolours, is to go on display at the Tate Britain from 27 January 2010
Within a few years the materiality of oil
paint takes on a more central role in his
work when he begins to make
paintings by depositing small amounts of liquid
paint onto his canvases and tilting them this way and that to direct the
paint toward the edges of some feint
pencil markings.
The surfaces of these wooden
works are variously inscribed with watercolor, enamel, and acrylic
paint, lacquer, oil, colored
pencil, and graphite — materials that they share with the drawings that trace the evolution of individual pieces.
Painting landscapes as well as still life in oil helps me to capture the light and color of the location which I then use in my studio for future colored
pencil work.
Spanning acrylic and oil
paintings, gouache and paper collages, patchworks made from fabrics and
paint, silkscreens, and colored
pencil drawings, this show brings together an expansive group of two - dimensional
works to explore the relationship between
painting and drawing.
He
pencilled the straight line, then
worked the
paint very carefully.
He mainly
works with micron pens,
pencils, and extremely fine
paint brushes on paper.
Highlights from Michelle Grabner's crowd - pleasing selection include Dawoud Bey's presidential portrait photography (Barack Obama, 2008), Karl Haendel's Theme Time Drawings,
pencil drawings of various subjects arranged in shaped frames across a massive section of wall, and
works by Donelle Woolford, the fictional young black female artist «created» by Joe Scanlan and played by various actors whose Joke
Painting (detumescence)(2013) investigates the notion of authenticity.
She graduated from Umeå Academy of Fine Arts in 1997 and she
works with both
painting and drawing, mostly watercolour, ink,
pencil or crayon on paper.
Using a medium often derided for its lack of sophistication, Mazzoni creates superbly detailed
works with only colored
pencils; drawings made with Faber Castells that could rival the
painted chiaroscuro techniques of the old masters.
Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized
Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of
Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The
Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave
Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to
Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY
Each of his
works begins as a
pencil sketch, which is then replicated on the canvas, before the application of finely blended acrylic
paint.
All were unique and distinctly reflecting the wide variety of artistic approaches of the 21stcentury from
paintings on canvas & board (Kawaguchi, Sudran, & Dorsey) to the mixed media
work of Mielenhausen & Dworin, the installation by Kubo that filled gallery walls, to the photographs of Moody, Smith and Gaynor and the colored
pencil drawings of Borkow.
The finished
works are delicate, highly detailed
paintings on paper incorporating images and texts rendered in ink,
pencil, watercolor, rubber - stamping and collage.
The show's more than fifty
works included important canvases from private and public collections, but the most spectacular inclusions, in many ways, were the
works on paper, ranging from intimate
pencil studies with little or no color to pastel and crayon - enriched images, as complete as
paintings; many of these had rarely — if ever — been exhibited before.
Astute at locating and engaging the dynamic fountainhead of artistic practice relevant to time and place, in one installation, Ferrer nurtures a powerful tributary of faces rendered on paper bags in crayon,
pencil,
paint and collage: an extant, sui generis body of
work that the artist has cultivated since 1972.
Tuesday - Saturday, 10 am - 6 pm Eye of the Beholder, an exhibition of
works on paper and small
paintings by Paul Thek includes a
pencil triptych executed in 1970 while he was living and
working in Amsterdam.
The
works on paper range in material from graphite
pencil and watercolor to india ink imprints, wax crayon, gouache, butterfly - wing collages, incised scratchboards, and
paint with gum arabic.
Paints,
pencil, and ink marker mix together freely and compliment each other in my art
works.
Featured are 50 pieces which make up two complementary bodies of
work: recent
paintings (most from 2008 to 2009) and drawings (created from 1979 to 1982 made on different types of paper and diverse media, including
pencil, ink, watercolor, acrylic and oil chalk).
Akunyili Crosby's
works are multilayered both in their materials (she uses
paint, charcoal,
pencils, fabric, paper transfers, and collage) and in their meaning — she explores questions of cultural identity, relationships, and geography through portraiture, interior space, and objects.
Basquiat considered drawing a key means of expression in its own right and no less significant an art form than
painting; his
works on paper are notable for their remarkable range, incorporating oilstick, crayon, acrylic, pen,
pencil and watercolour.
In my 3D
work I combine
pencil lines with pre-designed Lucite ovals that have been manipulated with paper and
paint and are suspended away from the traditional picture plane.»
I
worked on that series for a while, and then I was struck my these makeup tutorials, this idea that if you're making
paintings [of them], the
painting is kind of
painting itself because it's using
pencils, it's using brushes and pigment.
Neill creates
works on canvas, linen and paper using a variety of mediums, including graphite, colored
pencil, charcoal and
paint.
Hoseini's small - scale
works of ink, acrylic, and
pencil on panel extend architecturally into the exhibition space through site - specific wall
paintings.
Structured chronologically, the exhibition consists of
works on paper from various stages of the artist's career, beginning with summary
pencil scrawls of the early 1950s, when Twombly was a student at Black Mountain College in North Carolina, and ending with three
works from 2008 filled almost to bursting with blood - red spirals of acrylic
paint.
Kinder's drawings /
paintings - there are elements of both mediums in each
work - employ raw pigment, acrylic,
pencil and crayon to express the radiant vitality of the natural forces that inspire him.
The resulting sculptures, which she
worked into by hand, sometimes adding a lick of white
paint or a shade of coloured
pencil, are of a human - scale and could equally be age - worn human figures or gnarled tree trunks — again, the human and the natural is a juxtaposition Carey enjoys exploiting.
The marks colored in
pencil were leftover from earlier
work, while the
painted marks were new.
When he returned to New York in the 1950s, much of the
work Kelly made, at first, as he found his way more fully into his own language, was in the form not of
paintings but of drawings —
works on paper in ink,
pencil and gouache, which he created as a way of
working out where he wanted to go on a larger scale.
AF: A lot of your
paintings have an unfinished quality to them, you can see
pencil lines, or there are areas with no
paint on them, how does that
work into your aesthetic?
At the entrance, the large elaborately textured and tinted, latently Symbolist
paintings on paper by Kerstin Brätsch — which suggest masses of rustling silks or feathers — flank a wall of
works from which they could not be more different: Joe Bradley's emblems simply outlined in grease
pencil on raw canvas, redolent of children's drawings.
The show features 19 pairs of
works, each one a
painting and a smaller, corresponding
work on paper in ink,
pencil and gouache.
Working in
pencil upon a thick layer of still - wet
paint, the artist traces a sequence of rhythmic, graphic loops, ploughing grooves and furrows into a monochromatic field.
Whether
working with
paint or
pencil, Augusto Di Stefano uses stark, deliberate marks to register boundaries that are as psychological as they are physical.
The resulting
works in colour and black and white photographs, ink and
pencil drawings and
paintings in watercolour and oils create a fascinatingly obsessive and emotional study of one woman: the model Kristen McMenamy.
The exhibition featured 50 figurative
works and landscapes that used a wide range of materials and media including
pencil, ink, oil stick, and charcoal, drawings, prints, and
paintings.
He
worked mainly in acrylic
paints but also used charcoal and
pencil for many of his series of art
work.