Sentences with phrase «penciled portrait from»

The Commander of Lagos state Rapid Response Squad, RRS, Assistant Commissioner of Police, Olatunji Disu has received hyper - realistic penciled portrait from Nigeria's leading Pencil...

Not exact matches

- includes elements from the movies, spin - off shows and comics - over 100 new characters in addition to returning heroes and villains from the last Lego Marvel game - hubs include Barton farm from Age of Ultron - play the climactic Battle for New York - Hulk can now charge up his jump - Hawkeye now has more trick arrows - each character portrait now includes a meter on the rim - executing a finishing move on an enemy takes up about one - third of your power - once filled, you can trigger a team - up move that wipes out many of the enemies in the vicinity - each duo has two different moves, depending on who triggered - when playing as Iron Man, switching up suits pulls players into the suit - each armor set has a different animation - the Mark I calls in Stan Lee to weld it on - the Mark V entombis Tony from its portable briefcase storage - Stanbuster suit includes a typewriter, lamp, and pencil cannon

Learn how to draw with coloured pencils, from the absolute basics to landscapes, still life, portraits and more.

A self - portrait and a portrait of an elderly woman, both clothed and on seven - foot tall canvases from 1983, plus a number of intense, graphite pencil - on - paper portraits display skills that few young artists today are bothering to acquire.

Highlights from Michelle Grabner's crowd - pleasing selection include Dawoud Bey's presidential portrait photography (Barack Obama, 2008), Karl Haendel's Theme Time Drawings, pencil drawings of various subjects arranged in shaped frames across a massive section of wall, and works by Donelle Woolford, the fictional young black female artist «created» by Joe Scanlan and played by various actors whose Joke Painting (detumescence)(2013) investigates the notion of authenticity.

She continued to incorporate historical material in subsequent works, most famously using midcentury advertisements for African - American beauty products from Ebony magazine and other publications of the period, abstracting portraits of models with yellow Plasticine, oil paint, pencil marks and incisions.

A pencil portrait of Norman Rosenthal, Exhibitions Secretary at the Royal Academy of Arts from 1977 to 2008.

His large sepia - toned acrylic and silkscreen 1966 portrait of Marlon Brando in a scene from «The Wild One,» Lot 12, sold well over its high estimate of $ 2 million to a private collector for $ 2,642,500 (including the buyer's premium), but a small 1962 casein and pencil on canvas of a Campbell's Chicken With Rice Soup Can painting, Lot 13, that had been estimated at $ 600,000 to $ 800,000 soared to $ 1,652,500 (including the buyer's premium, much to the consternation of the determined underbidder, a woman in a black suit, high heels and wearing large earrings, who immediately got up from her seat and left with her companion after the lot was knocked down.

The works on view are a series of recent charcoal, pastel, pencil, and chalk drawings, ranging from wall - sized flower «portraits» to sketchbook - scale, intricate compositions.

From Stephen Fry and Tracey Emin's modest wooden pencils, to James Dyson's slickly designed mechanical gadget, Dave Eggers» labyrinthine nibbed tool and Paul Smith's jewel - like object worth # 3,000, each weird and wonderful pencil featured in the book becomes an accurate portrait of its owner, demonstrating that in the digital age the pencil is no longer just a simple work tool, but a much - loved totem of creativity.

Agnes Martin's now familiar paintings of pencil grids and subtle bands of color are the culmination of a personal search for artistic identity that led her from traditional still lifes and portraits to landscape paintings of the New Mexican desert through variations on Abstract Expressionism.

«He works with a mix of ink, colored pencil, paint and lacquer to create each artwork that can vary from anthropomorphic animals playing instruments to portraits of men and women inspired by Weimar - era German expressionism.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Gaines subsequently tested the limits of representation by dropping the formulas to map tree growth, leaf accumulation, and kinetic motion with pencil - marked gridworks abstracted from portraits («Faces: Men and Women,» 1978) and photos of household objects («Shadows,» 1980), trees («Walnut Tree Orchard,» 1975 — 2014; «Falling Leaves,» 1978 — 79; and the flourescent acrylic paint and sheet series «Numbers and Trees,» 1986 — 89), even timed three - second intervals tracking the graceful turns of the iconic postmodernist choreographer and dancer Trisha Brown («Motion: Trisha Brown Dance,» 1980 — 81).

This show, Ms. Tyson's 10th solo outing with the gallery since 1995, presents an overview of her dynamic works on paper from 2002 to 2016 — ranging from penciled sketchbook studies and life - size ink drawings to colorful portraits that are painted on glass and then pressed on to paper to achieve a more gestural, emotional representation of her troubled figures.

Featured Images: Andy Warhol — Dame Elizabeth Taylor, 1967 — From the National Portrait Gallery collection © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London (detail); Andy Warhol — Joan Collins, 1985 — © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London (detail); William Morris — Self portrait, 1856 — Pencil drawing, Courtesy of V & A and Dr R Campbell Thompson (Portrait Gallery collection © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London (detail); Andy Warhol — Joan Collins, 1985 — © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London (detail); William Morris — Self portrait, 1856 — Pencil drawing, Courtesy of V & A and Dr R Campbell Thompson (portrait, 1856 — Pencil drawing, Courtesy of V & A and Dr R Campbell Thompson (detail).

Helmut Newton Self Portrait with Wife and Models, Paris, 1981 Gelatin silver print Signed, titled, date and annotated For Craig Krull in pencil on recto with Copyright Helmut Newton Monte Carlo Reproduction Prohibited stamps on verso Image: 11.125 x 11.125 inches; Sheet: 16.5 x 12 inches; Framed Provenance: Acquired directly from Helmut Newton c. 1994 by Craig Krull Estimate: $ 25,000 / $ 30,000 Courtesy of SANTA MONICA AUCTIONS

Among these is Turner's tender portrait of a woman sleeping - believed to be Booth - naked from the waist up, drawn in pencil and watercolor sometime between 1830 and 1835.

On view are four interconnected bodies of work: A Wrestling Place series — depicting two Herculean figures mid-tussle against a barren panorama; Self - Examination paintings — a wrestler's intimately folded body represented within a tensely cropped picture plane; the Wrestler suite — individual portraits of the brawling protagonists standing in profile, facing away from the viewer and exposing scuffed, bruised backs against otherworldly blue backdrops; and The Golden Age — scenes rendered in pencil on gessoed linen.

«Her collage paintings (acrylic, colored pencils, charcoal, transfers) are realistic and highly personal — domestic interiors with family and friends, remembered scenes from her Nigerian childhood, portraits, and still lifes.»

Works included: Roy Lichtenstein «Still Life with Picasso», 1973 Screenprint Edition of 90, 30 AP 30 x 22 inches Ellsworth Kelly «Study for «Red Orange Panel»», 1978 Pencil and collage on paper 30 x 27 3/4 inches Robert Smithson «Photomarkers, (Six Stops on a Section)», 1968 Photographs mounted with Plexi glass 24 x 24 inches SR1968 - 001 Constantin Brancusi «Brancusi dans l'atelier, autoportrait», 1915 Vintage gelatin silver print 9 x 6 3/4 inches Constantin Brancusi «Self Portrait», 1922 Vintage gelatin silver print 11 1/4 x 9 inches Andy Warhol «Self Portrait», 1966 Silkscreen ink and synthetic polymer paint on canvas 22 x 22 inches Andy Warhol «Buddhas», 1983 Graphite on paper 31 3/4 x 24 inches Courtesy of the Andy Warhol Foundation WA1983 - 001 Donald Judd «Untitled», 1966 - 7 Galvanized iron painted red (lacquer) 5 x 40 x 8 inches Courtesy Paula Cooper, New York JD1966 - 001 Weegee «The Critic», 1943 Vintage gelatin silver print 11 x 14 inches WE1943 - 001 Weegee «The Flower Seller», 1941 Vintage gelatin silver print 13 3/4 x 10 3/4 inches WE1941 - 001 Weegee «Mayor LaGuardia at 123rd Street Police Station With Officials on Night of Riot», 1947 Vintage gelatin silver print 10 3/4 x 14 inches WE2004 - 014 Weegee «Victory Celebration», 1945 Vintage ferrotyped silver print 11 x 14 inches WE1945 - 001 Weegee «Children's Performance, at the Palace Theater», 1940 Vintage gelatin silver print 10 1/4 x 13 1/4 inches WE2004 - 015 Weegee «Mother and Daughter, Tenement Fire, Harlem» [I cried when I took this picture], 1942 Vintage gelatin silver print 10 1/4 x 13 3/8 inches WE2004 - 012 Carleton Watkins «Mt. Broderick, Nevada Fall, 700 feet, Yosemite 1861», 1861 Albumen print from wet collodion negative 15 3/4 x 20 1/2 inches WAC1861 - 001 vitrine at gallery center - all works by George Ohr

Executed in oil paint, watercolour, ink or pencil, her small but intense portraits may be inspired by photographs in the media, but often and increasingly they are drawn from life.