Sentences with phrase «people at art fairs»

[Concerning foot traffic], for me, meeting people at art fairs and nurturing relationships with different collectors, curators, and advisors has been the driving factor in selling works.

A glimpse of Leonardo DiCaprio, Uma Thurman and Spike Jonze thrilled the celebrity hounds; the presence of Donna Karan, Marc Jacobs, Raf Simons and Calvin Klein underscored art as fashion; Eli Broad led off the big collectors, and star artists were represented by Eric Fischl, who prowled the aisles with his camera, documenting the fair itself as a big installation as he snapped pictures for his upcoming show on people at art fairs.

Looking at real art, meeting people at art fairs, exhibitions, parties, conferences of like - minded individuals: These meetings can't be beat.

Not exact matches

After meeting El Glaoui at Art x Lagos fair, «it seemed like a great opportunity to give our artists some reach and exposure, and bring them to a different group of people who would interpret the work differently as well,» said Abdullahi Umar, a cofounder and director of the gallery.

During the VIP opening of Art Basel yesterday afternoon, the booth of Zurich gallery RaebervonStenglin had a pretty solid crowd in it that was standing still — a fairly strange sight at an art fair, where one more typically sees people running from... Read MArt Basel yesterday afternoon, the booth of Zurich gallery RaebervonStenglin had a pretty solid crowd in it that was standing still — a fairly strange sight at an art fair, where one more typically sees people running from... Read Mart fair, where one more typically sees people running from... Read More

Another solo show followed at London's blue - chip Lisson Gallery, giving her commercial traction and a major presence at art fairs, where people are regularly stopped in their tracks by her radiant abstractions.

In a move that has annoyed those people who take art fairs extremely seriously, Larry Gagosian decided to devote his entire booth at Frieze New York to Richard Prince's Instagram paintings, ``

In a move that has annoyed those people who take art fairs extremely seriously, Larry Gagosian decided to devote his entire booth at Frieze New York to Richard Prince's Instagram paintings, «New Portraits.»

Recent exhibitions include a two - person show at Frieze Art Fair, London (2011) and solo exhibitions at the Third Line, Dubai (2010), Vilcek Foundation, New York (2008), and Art Projects International, New York (2008).

Invitation and collaboration are also at the heart of Gander's fugitive art — whether he's exchanging fictionalised newspaper obituaries with an artist - friend or taking pictures of people looking at pictures at an art fair — although arguably every solipsistic action he takes merely holds up yet another mirror to his ceaselessly voracious mind.

Attendance at FIAC was down to 71,717 people from 74,567 last year, making the event the fifth most attended art fair in 2015, according to a report to be published in November by Skate's, a New York - based art market researcher.

Group exhibitions include Basel Art Fair 31, 2000; Millennium Warm up, New York, 1999; and Quiet, an artificial society of people living under surveillance at 353 Broadway, New York, 1999.

In an interview, Victoria Siddall, the director of Frieze Masters, talked about the ambitions of the fair: «I want people to come away energized and excited by a feeling that they just saw some extraordinary masterpieces they would never expect to see at an art fair.»

There isn't a better place than the fair to look at people and art — and to be looked at in return.

Giacometti is a new favorite of Russian collectors like billionaire business magnate Roman Abramovich, but a person familiar with the matter said that Mr. Abramovich wasn't the buyer of «Walking Man I.» Mr. Abramovich caused a stir at the Swiss art fair Art Basel two summers ago when he bought one of the artist's 1956 bronze figures of a woman from New York gallery Jan Krugiart fair Art Basel two summers ago when he bought one of the artist's 1956 bronze figures of a woman from New York gallery Jan KrugiArt Basel two summers ago when he bought one of the artist's 1956 bronze figures of a woman from New York gallery Jan Krugier.

No matter where you were strolling today at London's Frieze Art Fair, a group of 10 young people wearing bright pink hats always seemed to walk by, performing James Lee Byars's 10 in a Hat (c. 1969/2012) piece.

Invitation and collaboration are also at the heart of Gander's fugitive art — whether he's exchanging fictionalized newspaper obituaries with an artist - friend or taking pictures of people looking at pictures at an art fair — although arguably every solipsistic action he takes merely holds up yet another mirror to his ceaselessly voracious mind.

In 2012, the fair drew around 50,000 people with overall attendance placed at 70,000 for the five - day art fair, according to Art Basart fair, according to Art BasArt Basel.

The fair recorded record attendance figures with people queuing for up to two hours to get a last peek at London's biggest and best art fair.

«You wouldn't believe how intimidated people are at art fairs,» said Iwona Blazwick, director of London's Whitechapel Gallery, which founded Allied Editions, a consortium of art nonprofits.

When people think «art world,» some conjure images of the white walls of Chelsea galleries, the thud of an auctioneer's gavel at Sotheby's or Christie's, or the cacophony of chattering voices heard at art fairs.

Considering the critical recognition and popular acclaim of last year's LACMA exhibition of another rigorous minimalist, John McLaughlin, one could hope that the art market's obsession with brand names is a passing malaise and that solo presentations at art fairs will increasingly lead to one - person museum shows, not just the other way around.

Ray Cha, the show's curator as well as co-creator of the queer nerd zine, FAQNP, and managing editor of Queer Zines, sourced many of these images from people he met and food zines he encountered at the New York Art Book Fair one year.

According to Printed Matter, which runs the fair, a total of 35,000 people visited the event at MoMA PS1 in Queens, New York, last week, to enjoy loud music, beer, art installations, and books.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapseat the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has CollapseAT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

We look to these cultural partners, along with the stellar international and U.S. artists and galleries represented at the fair, to provoke, surprise, and delight creative people throughout the Bay Area and Silicon Valley: Fine Arts Museums of S.F. (Artpoint); Creativity Explored; LISA; MACLA; SFADA; SJICA; Stanford Art Spaces; tmoro projects; UC Davis Art Studio; ZERO1; Shipyard Trust For The Arts (STAR); Djerassi Residents Artist Program; Leonardo; San Jose Museum of Art.

Well over 5,000 people were in attendance at the fair's final installment this past weekend at the historic Barnsdall Art Park.

2007 An Atlas of Events, curated by António Pinto Ribeiro, Debra Singer and Esra Sarigedik Öktem, Calouste Gulbenkian Foundation, Lisbon, Portugal The History of a decade that has not yet been named, Lyon Biennial 2007, Lyon, France Introvert, Extrovert, Makes No Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence, France NeoIntegrity, curated by Keith Mayerson, Derek Eller Gallery, New York, NY Summer Group Show, Richard Telles Fine Art, Los Angeles, CA Dump: Postmodern Sculpture in the Dissolved Field, The National Museum of Art, Architecture and Design, Oslo, Norway Painting as Fact — Fact as Fiction, organized by Bob Nickas, de Pury & Luxembourg, Zürich, Switzerland A Fair Show: Slang and Cool Orthodoxy, Galleria Massimo De Carlo, Milan, Italy Freelance Stenographer, a collaborative performance and video project by Kelley Walker and Seth Price, The Kitchen, New York, NY Op Ed World, Galerie Frank Elbaz, Paris, France The Melvins, curated by Bob Nickas, The Mandrake, Los Angeles, CA Compulsive, presented by Jalouse at Palais de Tokyo, Paris, France, originated at IAP Art, Miami, Florida Art in America: 300 Years of Innovation, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art; presented at the National Museum of China, Beijing, China travelling to the Shanghai Musuem, Shanghai, China Altered States, curated by Nicolas Bourriaud and Paolo Falcone, Fuori Uso 06, Pescara, Italy, travelling to WAX — ex MEO, Budapest, Hungary; travelling to Galeria Noua and MNAC National Museum of Contemporary Art, Bucharest, Romania Uncertain States of America: American Art in the 3rd Millenium, (GuytonWalker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw For the People of Paris, Sutton Lane — Paris, Paris, France

Geary presents solo, two - person, and group exhibitions, and seeks to raise artist profiles and exposure through placement in museum collections and exhibitions, and through presentations at art fairs.

Following our two - person presentation at London's Frieze Art Fair this past October, the gallery had asked Hundley to consider creating a body of work specifically for Art Brussels.

They put rocket fuel under my previously sleepy career: I've had multiple one - person shows at Zürcher Gallery both in New York and Paris and have been in many group shows and art fairs internationally; I won a Pommery Stand Prize at the Frieze Art Fair; and my work is now in collections spanning the globe, including the Blanton Museum and the Metropolitan Museum of Aart fairs internationally; I won a Pommery Stand Prize at the Frieze Art Fair; and my work is now in collections spanning the globe, including the Blanton Museum and the Metropolitan Museum of AArt Fair; and my work is now in collections spanning the globe, including the Blanton Museum and the Metropolitan Museum of ArtArt!

Ever Gold [Projects] presents a two - person booth at the Art Los Angeles Contemporary art fair, of new works from Petra Cortright and Petra ColliArt Los Angeles Contemporary art fair, of new works from Petra Cortright and Petra Colliart fair, of new works from Petra Cortright and Petra Collins.

, W Magazine 2016 Rachel Stern's SPRING / BREAK Slideshow, Art F City 2016 Spring / Break Kicks Off Armory Arts Week With A Long Line & A Kissing Closet, Gothamist 2016 5 things you can't miss at spring / break, nyc's buzziest art fair, i - D 2016 The Not - So - Hidden Messages of Armory Week, W Magazine 2016 Anti-Armory: Scenes from Spring / Break, W Magazine 2016 Why are people still shocked by female sexualiArt F City 2016 Spring / Break Kicks Off Armory Arts Week With A Long Line & A Kissing Closet, Gothamist 2016 5 things you can't miss at spring / break, nyc's buzziest art fair, i - D 2016 The Not - So - Hidden Messages of Armory Week, W Magazine 2016 Anti-Armory: Scenes from Spring / Break, W Magazine 2016 Why are people still shocked by female sexualiart fair, i - D 2016 The Not - So - Hidden Messages of Armory Week, W Magazine 2016 Anti-Armory: Scenes from Spring / Break, W Magazine 2016 Why are people still shocked by female sexuality?

She is an artist who makes extensive use of homemade props and costumes and might be known to some as the artist who had people dressed up as blubbery seals at the Frieze art fair in 2010; or for a 2003 performance piece in which she recast Return of the Jedi gangster Jabba the Hutt as a cocktail - loving smooth guy.

Kate has shown work in Palazzo Pio in Rome, Italy, Roll - up Gallery, ArtBeats, StArtup Fair in San Francisco, and most recently in her two - person show «I've got you, babe» at Pro Arts Gallery in Oakland.

While mounting significant one - person shows of artists such as Cady Noland and Jessica Diamond (both largely represented in the exhibition), he would simultaneously engage in counterintuitive behavior, at least for the art market, like showing up at an international art fair only to display the unpacked crates of his gallery's artists.

267 galleries from 31 countries exhibited at the art fair, with 73,000 people visiting over the five days.

May 1, 2014 — May 1, 2015 American Abstract Artists 75th Anniversary Print Portfolio Exhibitions in Colleges and Museums, 2012 - 2015 Painting Center, «Wit», Curated by Joanne Freeman, New York, NY, 2013 Sideshow Gallery, Brooklyn, NY, 2013 - 2008 (Annual Exhibition) Paris CONCRET, «American Abstract Artists International», Paris, France, 2012 Parc Floral De Paris, «Le Salon des Realties Nouvelles», Invitational, Paris, France, 2012 The Ice Box, Crane Arts, «Abstraction to the Power of Infinity», Curated by Janet Kurnatowski, Philadelphia, PA, 2011 OK Harris Gallery, «American Abstract Artists 75 Anniversary», New York, NY, 2011 Galerie oqbo Deutche Kunstlerbund, «75th Anniversary American Abstract Artists International», Berlin, Germany, 2011 Herbert F. Johnson Museum of Art, Cornell University, «75h Anniversary of the American Abstract Artists», Ithaca, NY, 2011 Sideshow Gallery, «Material Matters»: American Abstract Artists, Curated by Kat Griefen, Director AIR Gallery, Brooklyn, NY, 2007 Florence Lynch Gallery, «Material Sign» (four person exhibition), Curated by Stephen Westfall New York, NY, 2006 RB Stevenson Gallery, «New Year Gallery Selections», San Diego, CA, 2003 2002, 2000 Art Resources Transfer, «A Conversation Exhibition», New York, NY, 2003 The Affordable Art Fair, «Rosenberg + Kaufman Fine Art», Pier 92, New York, NY, 2002 Klein Art Works, «Blotto» (four person exhibition), Chicago, Ill, 2000 Condesa Lawler Gallery, «Abstract Index», New York, New York, 1999 Art Initiatives, «Dealer's Choice», New York, NY, 1999 Allan Stone Gallery, New York, NY, 1992, 1985 The Gallery at Hastings - on - Hudson, «The Legacy of the Abstract Expressionists», Hastings - on - Hudson, 1990 0scarsson Siegeltuch Gallery, New York, NY, 1987, 1985 Goldie Paley Gallery, Moore College, Philadelphia, PA, 1986 Ruggiero Henis Gallery, «Mixed Media», a sculpture exhibition Curated by Fredericke Taylor, New York, NY, 1989 John Davis Gallery, New York, NY, 1988 San Francisco Art Institute, «Four Painters», San Francisco, CA, 1981 «Art Today USA II» (organized by David Galloway, Teheran, Iran, 1976 Newport Harbor Art Museum, «Market Street Program», Los Angeles, CA, 1973 San Francisco Art Institute, «Drawing Invitational», San Francisco, CA, 1973

Exhibiting a single work is a risk at an art fair, but «putting on an exhibition and meeting other significant art world people is key», he says.

2013 Wingding 3rd Anniversary Exhibition, LVL3, Chicago, IL 2013 Fractal Semblance, Roots and Culture, Chicago, IL 2012 NADA Miami, Rawson Projects, Miami, FL 2012 Fictitious Truths curated by Kara Rooney, Rooster Gallery, New York, NY 2012 Anderson, Murphy, Nielsen, New Capital Projects, Chicago, IL 2012 People Who Work Here curated by Rawson Projects, David Zwirner gallery, New York, NY 2012 First Love, curated by Angela Bryant O'Connor gallery, Dominican University, River Forest, IL 2011 Color: Fully Engaged, curated by Jamilee Polson, A & D gallery, Columbia College, Chicago, IL 2011 Juried Auction, NURTUREart hosted by the Chelsea Art Museum, New York, NY 2010 Feeble Intimacy, LVL3, Chicago, IL 2010 MinimumixaM curated by Nicholas Cueva, Dan Gunn, and Heather Mekkelson Twelve Galleries Quarterly # 1 hosted by Pentagon Gallery, Chicago, IL 2009 Ship in a Bottle, Sullivan Galleries, School of the Art Institute of Chicago, Chicago, IL 2008 Liz Nielsen at Accomplice Projects, Art Basel Miami / Bridge Fair, Miami, FL 2007 Awesome in Giftshop project space, Gescheidle Gallery Chicago, IL 2007 Word of Mouth presented by Diet Gallery, Art Basel Miami / Bridge Fair Miami, FL 2005 Art Chicago, Lisa Boyle Gallery, Chicago, IL 2005 Art Basel Miami / Aqua Art, Lisa Boyle Gallery, Miami, FL 2005 Genderosity, 4 - F Gallery, Los Angeles, CA 2005 Art Chicago / NOVA Young Art Fair, Project Rooms: (The Mothership Installation), Chicago, IL 2004 Who's doing Self - Portraiture in 2004?

There were few art fairs or biennials at which to see emerging work and even so, people just did not travel as much.

Team is pleased to present a two - person exhibition of new works by New York - based artists Marc Hundley and Ross Knight at the 2012 Frieze Art Fair.

Selected Group Exhibitions, & Art Fairs 2018 Black Box Projects, 2 person exhibition, London Winter Song at NextLevel gallery, Paris Lights, Camera, Action, curated by Haley Finnegan at Kunstraum in Brooklyn Sitting Still at BravinLee programs 2017 «Painters and Photographers» at Providence College, Rhode Island, curated by Jamilee Polson PARIS PHOTO with NextLevel Galerie Art Market Budapest with Horizont Galeria, Budapest, Hungary Rubber Factory, NY, «Women In Colour: Women and Color Photography» curated by Ellen Carey Aspen Art Museum, Art Crush, courtesy of SOCO gallery Double Vision, Artists Who Instagram, at LabSpace, Hillsdale, NY Mountain Gallery, Brooklyn, «Along a River of Sapphire Pools» NextLevel Galerie «Full Bloom II», Paris, France 2016 PULSE Miami with Danziger Gallery UNTITLED Miami with SOCO Gallery PARIS PHOTO with NextLevel Galerie, Paris, France Davidson College Gallery, North Carolina Pallas Projects, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Dublin, Ireland New Photography Exhibition at BAM, curated by Holly Shen David Shelton Gallery: Summerzcool Curated by Austin Eddy and Benjamin Edmiston, Houston, Texas Sirius Art Center, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Cobh, Ireland Spring Break Art Show curated by Kelly Schroer, NY, NY, Kristen Lorello gallery, Geometric Cabinet, NY, NY EddysRoom, Solo Show, Brooklyn, NY 2015 Silver Projects, Double Vision, Brooklyn, NY BRIC Art Center, Handmade Abstract, Brooklyn, NY, Zolla / Lieberman gallery, Hot Slice, Chicago, IL Danziger Gallery, Wonderful Lies, NY, NY Ameringer, McEnery, Yohe, Black and White, NY, NY, Danziger Gallery, Project Room, NY, NY Material Art Fair with LVL3, Mexico City 2014 Paris Photo with Laurence Miller Gallery Westport Arts Center, curated by Julia Mechtler and Elizabeth Koehn, Westport, CT Expo Chicago with Laurence Miller Gallery, Chicago, IL New Capital, Real Time, Future, Experience, Chicago, IL Spring Break Art show, NY, NY La Montagne Gallery, Black and White, Boston, MA

Gander has set up a little studio just inside the entrance to the fair, where he is printing up and mounting a series of black - and - white portraits to line the corridor: rather than mugshots of the famous, these are images of people looking past the camera at art that interests them.

We talked about Kuo's early exposure to Fort Thunder as a student at RISD, how wild and elegant color is, My Chemical Romance making good on their promises as a band, the lineage of emo, the best time of day to paint, getting into self - publishing, the new Obama portrait, anxiety and jokes, literally biting your tongue, how Peter Halley has made the same painting for decades and why that's the one of the most audacious radical painting moves out there, Kuo's band HEX MESSAGE, why Bart Simpson is still on every single thing in the zine tent at the New York Art Book Fair, Jeremy Lin and bootleg merch beef, Kuo's two - person exhibition «It Gets Beta» with Scott Reeder in 2015, avoiding knuckleheads so you can enjoy watching sports, being the last generation who for some reason is still afraid of selling out, his own roundball podcast Cookies, and embracing the simulation.

2014 New Prints Summer 2014, International Print Center New York, New York, NY Emily Cucalon & Marianne Dages, Free Library of Philadelphia, PA (Two - Person) Picture Books, Power Plant Gallery, Duke University, Durham, NC Light of the Moon, Arrowmont School of Arts and Crafts, Gatlinburg, TN It's About Time, Coburn Gallery at Colorado College, Colorado Springs, CO The Printed Page, Abecedarian Gallery, Denver, CO Printed Matter's LA Art Book Fair, The Geffen Contemporary At MOCA, Los Angeles, CA R / W: Reading and Writing Visual Experience, Hicks Art Center Gallery, Newtown, PA Featured Artist Project: SP Weather Portfolios, The Center for Book Arts, New York, NY Due North, Icebox Project Space, Philadelphia, at Colorado College, Colorado Springs, CO The Printed Page, Abecedarian Gallery, Denver, CO Printed Matter's LA Art Book Fair, The Geffen Contemporary At MOCA, Los Angeles, CA R / W: Reading and Writing Visual Experience, Hicks Art Center Gallery, Newtown, PA Featured Artist Project: SP Weather Portfolios, The Center for Book Arts, New York, NY Due North, Icebox Project Space, Philadelphia, At MOCA, Los Angeles, CA R / W: Reading and Writing Visual Experience, Hicks Art Center Gallery, Newtown, PA Featured Artist Project: SP Weather Portfolios, The Center for Book Arts, New York, NY Due North, Icebox Project Space, Philadelphia, PA

As part of the 2011 exhibition Nothing Beside Remains curated by LAND (Los Angeles Nomadic Division) in Marfa, Texas, Thomson produced a magazine called People based on the aesthetic of typical tabloids, featuring snapshots of art patrons at an array of galleries, museums and art fairs.

Tate Britain's press department must really enjoy having to explain annually that the prize is not awarded on the installation at the Tate (it's for any show they've done over that year), but it's unavoidable that the public — or, at least, those members of the public not used to the art fair / biennial Wurlitzer (i.e, the sort of people who use the word «public» as though it doesn't apply to them)-- won't follow that the thing you're looking at isn't the thing that wins.

The wealthy people who buy art at the fair often have plenty more to spend.

The case confirms that where the disciplinary process has the potential to effectively end a person's career within a given field or at least have a «substantial influence or effect» on a secondary set of disciplinary proceedings (eg a fitness to practice hearing), Art 6 is engaged (see All's fair).