Sentences with phrase «people getting into film»

Come for the occasional sneak peeks behind the scenes on the new Star Wars, stay for the inspirational stories of young people getting into film production!

Not exact matches

When I am about to walk into a situation like that in front of 90,000 people and being filmed for TV, my nerves get on the edge because there are so many things that can happen that I can't control.

The moment the film got into the people who believed that cell towers and mobile phone transmissions made them ill; I just shook my head — really didn't need the «crazies» showing up in this brilliant piece of work.

So it turns out that it doesn't matter that all the promo material on the film — TV ads, trailers, everything — reveals the story's twist — Lincoln and Jordan and all their fellow citizens aren't survivors of a global disaster but rich people's insurance policies — because all that happens after the secret is revealed is that Bay can finally get down to doing what he loves to do: Stomp and crash and burn and destroy as Lincoln and Jordan escape into the real world — just 20 minutes into our future — and must be recaptured.

Between the unlikely things people would say knowing full well the camera is rolling and the lousy emo warbler music, we get a film that takes a serious subject and turns it into easily - dismissed after - school special.

I feel as though this film is a genius picture on many levels, due to its manipulative styles and ways of getting people into the theatre.

Throwing Tom Cruise into the middle of explosions and out the window of the world's tallest building will tend to get people excited for the early IMAX release of the fourth Mission: Impossible film.

Rather than collecting a bunch of funny people together on a set and just letting them riff, the film establishes coherent characters and drops them into a twisty mystery plot that's tightly crafted enough to generate some real narrative momentum while never getting too bogged down in its own plot that it forgets to be funny.

The story gets too ridiculous at this point to even be satirical or reasonably credible, it is just bad film - making; but, it does try in its unclear and scrambled way to blame the media and the rich people who control it, for not being risk takers and offering fresh arguments into the political fray.

Having never been much of a fan of genre labels, the idea that this film should be judged differently because it has female stars irks me a bit, but if that gets more people into theatre seats and away from the junk that typically qualifies as «entertainment for women,» I'll happily embrace it.

Unless you're one of those people that is taken completely by surprise when you see a flock of birds in a film and they end up pooping on someone, usually as the punctuation to a scene to embarrass or get revenge, this is scraping mighty low in the gag department to turn this into a comedy.

Whatever it takes to get more Studio Ghibli films into this country and in front of people of all ages, I'm down with it.

As one gets into the film, however, the title takes on added significance as it becomes clear that although the weather may have been glorious, there was not a glorious unanimity of purpose among all the British people towards the onrushing conflict with Hitler's Germany.

So while the film's opening act probably got people like this guy extremely excited, the movie falls apart the deeper the characters descend into the titular pyramid.

The film starts off with some awkward, painfully lame flashback scenes of Kyle's childhood and transitions into an opening act that is loaded with full - on patriotism that sees him go to war to get back at the people who brought suffering to our doorstep in the events of 9/11 (he was already enlisted, but if we believe the film that decision was also motivated by seeing news footage of American lives being taken), but one of the most interesting surprises is how balanced it eventually becomes and how we see the way that Kyle's actions negatively impact others and how even he begins to question his commitment to the cause, despite the fact that he would never vocalize it.

What a tedious film.Over acting, wobbly plot, dialogue at times pure drivel and a laughable ending.It really was poor.The film goes straight into a Cul de Sac and can not get out.Way too much nudity from the metro sexual looking Tilda Swinton.Her androgynous body quite turned my stomach.A redeeming feature was the glorious sunshine and powerful light of Italy.The film meanders, wobbles and finally falls down.Older people like Swinton and Fiennes should really keep their pants on at all times.It is acutely embarrassing when the oldies need to do so much nudity (l suspect it is to appease their insecurity that they might not be physically desirable anymore) Horrible attempt at film making

Before the film's release, The A.V. Club spoke with Rudd about getting into character, his off - screen relationships with his onscreen siblings, and the similarities between Our Idiot Brother and the one movie from his past people are always eager to discuss.

This is a film that definitely improves as it goes along — the beginning is treacle - y slow and it's quite hard to get into the story, something which isn't helped by the fact that Petit doesn't seem like a particularly nice man; focussed, passionate & dedicated yes but a little lacking in the people skills department.

And then the camera gets closer and closer until, as you say, it goes into her POV and switches the film's POV from third person to first person.

«I wanted to help new people develop their skills so that films of a personal nature would get into the marketplace.»

The heyday for American film criticism was the»70s because I think the people that got into it at that point were really inspired by the likes of Andrew Sarris and Pauline Kael, both of whom became famous and established the importance of film critics as a cultural force.

The photo above shows the crowd of people waiting to get into the new Woody Allen film, as taken from the top of the red carpet stairs.

It's too long, descends into a riot of silliness towards the end and sometimes takes the easy road of making people laugh by just getting everyone to shout a lot but it's still one of the funniest films of 2013.

Do you see that as an obstacle to getting the film into larger markets or do you think this is a film that people are prepared to see?

some people are being picky and trying to pass themselves of as a know it all film critic... if you went into this movie with your brain in anything higher than 1st gear you are a fool, i went looking for a bit of action and a salute to a cult classic and i got what i wanted @ 25 «if anybody thinks either Topher Grace or Adrien Brody could stand - up to a Predator seriously needs to consider suicide.»

Oftentimes a critic's impassioned praise for a smaller, independent film is not enough to get people into the seats, and therefore the movie's impact is mostly missed.

You're looking to your left and you're seeing the people who made the films that got you into the game in the first place.

Mazursky also put a lot of himself into the film as writer - director, and literally puts himself in as Simms» mother, although most people may not quite get the joke if they don't recognize Mazursky (apparently Mazursky cast himself at last second when he couldn't find a suitable actress for the part in time).

Here, Thor is one of the funniest people in the movie, always leaning into the strangeness of his surroundings, and Waititi mostly gets away with putting his voice into Thor's mouth because A) Hemsworth is this character, so we can buy anything he does; and B) No previous film had defined Thor enough.

People have criticised this film, saying that it's hard to get into and difficult to empathise with but I couldn't agree less.

Even more than whatever networking and / or friendly conversations happen between people in party situations, it's the experience of being able to share our thoughts and feelings about a movie right afterward — talk about, work through it, maybe even get into (hopefully) friendly disagreements over it — that, for me, are the most memorable experiences a film festival can offer.

In the first film, Rocky (Jane Levy), Alex and Money are three Detroit thieves who get their kicks by breaking into the houses of wealthy people.

While the plot itself is reminiscent of many dinosaur films since the 1920s, even throwing in an exploding volcano for good measure, it takes a bit to get into as we're thrust into a situation where one group of people is attempting to hijack another group of people.

XX Year: 2017 Directors: Roxanne Benjamin, Annie Clark, Karyn Kusama, Jovanka Vuckovic, Sofia Carrillo It's important that the scariest segment in XX, Magnet Releasing's women - helmed horror anthology film, is also its most elementary: Young people trek out into the wilderness for fun and recreation, young people incur the wrath of hostile forces, young people get dead, easy as you please.

In fact, by the end of the film, the mystery of Jodorowsky's project to us wasn't how he managed to get so many people to tumble into the tornado with him.

Industry professionals who have worked on BAFTA winning and high profile films, TV programmes and games such as Les Misérables, CBBC's Show Me What You're Made Of and Batman: Arkham Knight will give first hand insights into how young people can get their talent noticed, the skills required to forge a successful career and the training opportunities available.

The film industry can reach out to include the use of very interactive books which include the very rich contain you get when you make a film and effectively drive people into the box offices.»

Nightly events include special panels with big - name people from the film industry, which are a great chance to get a peek into «movie - making magic» and see some really major stars.

Nightly events include special panels with big - name people from the film industry, a great chance to get a peek into movie - making magic, and see some really major stars.

A lot of people say I am too harsh when it comes to the Michael Bay films but after the first one, it just kept getting farther and farther away from the franchise I grew up on into a poorly put together film with sophomoric level comedy forced into it.

It was about creating an intimacy within the space to experience and watch the film, inviting people into bed like sculptures and duvets to get wrapped up in.

If you'd like to support a worthy documentary, which will help bring permaculture to more people and potentially convince a wider audience of the importance of this regenerative discipline, a pledge of $ 25 will get you a digital download of the film, and a pledge of $ 45 will get you a signed copy of the DVD (which also includes 3 hours of footage from site visits that didn't make it into the film).

(We'll get into all that in a later piece, once more people have seen the film.)

I'd seen this film a long time ago but when I saw it again this time, I had a much better appreciation of the Aboriginal way of being and the thing that really struck me in this film was there was a section of the film where they were going to do this aeroplane song and dance corroboree and they were getting ready for it and you know there are all these Elders and you know very wise and respected Elders you know making their costumes they were gonna wear, talking about how it was gonna be and in amongst all these people there's little children you know of one 1 or 2 or 3 years old who were just crawling around and you know watching and listening, trying on their head - dresses and they were completely welcomed into that adult community, there was no sense of, you know this is grown up business, you kids go off and play which is very much the western model.