Sentences with phrase «people in films deal»

This assembly uses film clips to explore the reasons for a variety of cultural celebrations, and how young people in films deal with celebrations linked to religious and cultural rites of passage.

Not exact matches

The many causes of the housing crisis in Vancouver and how people are dealing with it are explored in the documentary, Vancouver: No Fixed Address, which had its world premiere at the Hot Docs film festival in Toronto.

Some people deal with this urge by cheating (which can lead to extreme emotional torment), some with consensual swinging (which requires an understanding partner and a resilient relationship), some through outright suppression (which usually results in bitter subconscious resentment), and some watch adult films.

not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course, people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue

The Long and the Short and the Tall (released as Jungle Fighters in the USA and Canada) is a 1961 British war film directed by Leslie Norman, which stars «Short man syndrome» is a condition in which a person has to deal with a feeling of inadequacy which can come from a lack of height — or a perceived lack

One day, David is mistaken for a well - known film director, and discovers people, especially women, seem a great deal more friendly toward him when they think he works in the movies.

Unlike many films dealing with the pending Apocalypse, which are often told in the horror genre with the visual horrors of the end of days, «Seeking a Friend for the End of the World» rightfully took a different perspective by focusing on people's natural reactions.

Ultraviolent super-mercenary Deadpool (Ryan Reynolds) references a film that many people will recognize — that's kind of his whole deal — in Deadpool 2.

Because Fault in Our Stars deals with heavier issues, it should leave a stronger impression on people than Boone's first outing as director; if handled well, the film could be a moving tear - jerker - if not, this one could easily feel cloying and / or manipulative.

Although the title suggests the possibility of an exercise in the pre-digested, pre-fab cynicism which seems to be a staple of contemporary American cinema, this action film focuses on its people as much as its action, and a good deal of its power comes from the way its sharply etched characters develop in various convincingly observed milieux.

The film deals with what it means to be a person of color in today's world, but it plays out within the confines of a fictional East African country called Wakanda.

Not For Conservative Anti-Mexican White People In Arizona Or People Who Dislike Major Stabbings: The fleshed - out theme of illegal immigration and the corporate / political exploitation of that issue, dealt with in a gut - level exploitation film style, is kind of brillianIn Arizona Or People Who Dislike Major Stabbings: The fleshed - out theme of illegal immigration and the corporate / political exploitation of that issue, dealt with in a gut - level exploitation film style, is kind of brillianin a gut - level exploitation film style, is kind of brilliant.

Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...

THE DVD Anchor Bay's 2 - disc DVD release of Near Dark is not only gorgeous in every technical aspect, but something that gives a great deal of comfort and hope to cinephiles everywhere: we're in good hands when people who recognize the artistry and importance of this little film are given the means and the opportunity to produce something definitive.

This exercise in buck - passing could have lent a good deal of character tension to the film; but if your best idea for a hard - hitting piece of accusatory dialogue (Architect to Builder) is «What do they call it when you kill people?»

Disney has bought LucasFilms for over $ 4 billion, and every aspect of the deal has been written up and taken apart in specialised film press and large mainstream media, with many people speculating who might be directing the new films.

Jia's films often deal with politics in China, specifically the country's newfound materialism after the Cultural Revolution, as well as the threat that government and giant corporations pose to the lifestyles of regular, working - class people.

It's a classic of double - dealing show business people, all caught up in the roles they play onstage and off, with some of the best dialogue and ensemble performances ever put on film.

On the subject of difficult material in his films, Haneke declares, «The ideal is for the scene to be such that people look away because they can't deal with it.»

It seems strange, especially once you've seen the film, that it's taken Malick this long to deal in detail with aboriginal peoples and the idea that has grown around their popular representation that they are extensions and manifestations of the natural world.

A rental dispute sets the film in motion: a family that can't pay its debt feels humiliated by the man on the hill, who stubbornly refuses to understand why (he doesn't get involved, he hires people to deal with such things).

Our theory is that people actually want both (which is why we try to balance the fun and the serious here in film conversations) and the celebrities that are best equipped to actually deal with tonight's mood are probably the celebrities who are inherently «fun» but can also turn deadly serious without feeling like a buzzkill.

Davies» films have always supplied strong female roles (think Gena Rowlands in «The Neon Bible,» Gillian Anderson in «The House of Mirth» and Rachel Weisz in «The Deep Blue Sea») and this story, which followed an ordinary farm girl in the 1910s with a dream of being a teacher, who begins to assert her independence in the face of cruelties dealt by people ranging from her abusive father (Peter Mullan) to the initially sweet young man (Kevin Guthrie) who falls in love with her marries her, only to come back from the horrors of World War I irrevocably changed.

A great deal of this happens through the distribution of screener discs for major films, which are sent to people who belong to major voting bodies (guilds and critics» circles, plus Academy voters) to aid them in being able to watch everything and fill out their ballots.

Margot Robbie's new movie I, Tonya deals with one of the most famous incidents in the history of sports, but the person who was the target of said incident hasn't gotten around to seeing the film yet.

«In South Africa,» actor Sharlto Copley says in the film's production notes, «we have to deal with issues that generally people around the world try to sweep under the rug.&raquIn South Africa,» actor Sharlto Copley says in the film's production notes, «we have to deal with issues that generally people around the world try to sweep under the rug.&raquin the film's production notes, «we have to deal with issues that generally people around the world try to sweep under the rug.»

Some people have called us «film school in a box,» but this is the real deal.

In this respect he's as selfish and self - centred as Shiner or Fletcher, but Perry's film becomes about how a strenuously blunt artist deals with having his trust betrayed by the one person he believes to be on the same philosophical and ideological level of integrity.

His mise en scène is very sober, with deliberate pacing, no music, and muted cinematography in blue and gray hues, with things moving in and out of frame, in and out of focus... In a not so specific way, this made me think of M. Night Shyamalan's visual style; the fact that the film is about how people deal with grief, like many of the «Sixth Sense» director's films, only furthered this impressioin blue and gray hues, with things moving in and out of frame, in and out of focus... In a not so specific way, this made me think of M. Night Shyamalan's visual style; the fact that the film is about how people deal with grief, like many of the «Sixth Sense» director's films, only furthered this impressioin and out of frame, in and out of focus... In a not so specific way, this made me think of M. Night Shyamalan's visual style; the fact that the film is about how people deal with grief, like many of the «Sixth Sense» director's films, only furthered this impressioin and out of focus... In a not so specific way, this made me think of M. Night Shyamalan's visual style; the fact that the film is about how people deal with grief, like many of the «Sixth Sense» director's films, only furthered this impressioIn a not so specific way, this made me think of M. Night Shyamalan's visual style; the fact that the film is about how people deal with grief, like many of the «Sixth Sense» director's films, only furthered this impression.

Even before it hit screens, The Ridiculous 6, Adam Sandler's first film in his four - movie deal with Netflix came under considerable controversy as many of the Native American actors cast in the film walked off the set, objecting to the film's outdated stereotypes and offensive jokes at the expense of their people.

The decision in Vinod Chopra Films Private Limited et al. v. John Doe 2010 FC 387 by Hughes, J. concerns a review of a «rolling» Anton Piller order granted by the Federal Court of Canada in a copyright infringement case to an Indian film production company and its Canadian licensee against various un-named persons who (according to the claim) «deal in counterfeit video recordings.»

The many causes of the crisis and how people are dealing with it are explored in the documentary, Vancouver: No Fixed Address, which had its world premiere at the Hot Docs film festival in Toronto in May.