Not exact matches
not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a
film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course,
people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close
in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the
old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue
Emma's work is inspired by the
people she meets
in her everyday life,
old photos, vintage clothes,
old films, travel, 1950s illustration, 1930s jazz and sausage dogs.
You Were Meant for Me is a 1948 musical
film, released by 20th Century Fox, directed by Lloyd Bacon, starring Dan Dailey and Jeanne Crain as a bandleader Dotard definition, a
person, especially an
old person, exhibiting a decline
in mental faculties; a weak - minded or foolish
old person.
In fact, anytime I see a
film with
people inside a building — whether it's a log carbin, a fortress, a castle, a school, etc. — being charged by terrifying outside forces, I hold on to the arms of my theater seat for dear life, just as I did as a child watching that
old John Ford flick.
Given that this
film is over 50 years
old, I can forgive many aspects of it (such as dialogue, special effects, visual effects, etc) that would cause many
people to regard this as a complete turkey
in the vein of Edward D. Wood, Jr..
The Potter movies showed us their characters getting
older in real time: unlike Just William or Bart Simpson, Daniel Radcliffe's Potter was going to grow up like a normal
person and never before has any
film — or any book — brought home to me how terribly brief childhood is.
The makeup artists
in Perfect
People do such a remarkable job
in turning the dazzling Lauren Hutton and Perry King into baggy
old frumps that, once the characters return to their «normal» selves, interest
in the story lags and the
film loses its comic momentum.
The
film opens with the faux - educational
film «How to Take a Bath,»
in which a creepy
old man instructs viewers on the finer points of bathing while we see
people putting his theories into practice.
This sense of dread stems partly from our assumption that something bad is always bound to happen
in a Haneke
film (Georges and Anne are favorite character names of his), but more because we know that sooner or later, whether it happens within the time frame of the
film or not, there's only one way that a story of two very
old people in poor health can end: these
people are going to die.
I think the main reason that many
people were really skeptical about the
film was probably due to how a superhero
film probably wouldn't do as well as it could or wouldn't be as serious as it could be since it takes place
in the 40s during WWII and sine Captain america, was more of a piece for its time when it was made, so
people felt that the Nazi shtick would probably get
old after a while, especially since it had been done
in so many
films and video games prior.
What excites Callow about the
film is that
people's notion of Dickens as a bearded
older, stuffy Victorian writer, will be changed as
in fact he was a father of four, handsome, witty and lively guy who completed the novel at age 31.
Those who have seen the original will be totally bored because the
film is almost shot - for - shot just like the original, which makes for some marginal interest for
people trying to compare the new one to the
old, but also means there will be absolutely no surprises
in store.
Of course, There Will Be Blood may also be the most divisive
film in this lot, so if PTA loses here it's not really because more
people like No Country for
Old Men but because there are not enough
people who can stomach There Will Be Blood.
Most of the time, actors
in period
films look like
people of today with
old - style haircuts, but here the
people look like it's 1952.
Understanding the jaw - dropping effort that went into this movie, it's tempting to wish that Kobiela, Welchman, and their army of animators had come to the same conclusion that
old Albinus reached before he scrapped the whole idea: A
film made
in this way, he reckoned, «would bore most
people to death and be a general disappointment.»
The 24 - year -
old actress received the first of her three Academy Award nominations 11 years ago: for director Joe Wright's
film of Ian McEwan's novel Atonement,
in which she played 13 - year -
old Briony Tallis, who tells a lie about a rape which destroys two
people's lives.
The movie also feels like a throwback to
old Hollywood
in the same vein as 2012's Best Picture winner, The Artist, and nobody loves a
film about showbiz more than showbiz
people.
The
film centers on the dilemma of trying to maintain an honorable tradition
in the face of a state of modern apathy and the way two
people on the opposite sides of a generational gap try to return the culture to its
old ways.
«Room,» which is now being considered
in the running for end - year honors including the Oscars has already picked up the
People's Choice award as best
film at the 2015 Toronto International Festival, doubtless because the crowd were justifiably amazed by Brie Larson's greater depth as a performer, but most of all by one of the great acting jobs by eight - year -
old Jacob Tremblay.
«And there was Max von Sydow doing that character that he did, so
in a way, it's attracting certain
people who do
film, and, of course, I've got friends like Clive Russell and Liam Cunningham and Charlie Dance is an
old pal, being
in it, and they had a great time
in it.»
Mila Kunis (Jupiter Ascending, Third
Person) plays 32 - year
old wife and mother of two, Amy, whose already stale marriage
in the Chicago suburbs (
filmed in New Orleans) hits an impasse when she catches her hubby having an online affair.
Like Michael Apted
in his 7 - Up docs, Depardon keeps returning to the same
people, using his
films as a record of their weathering skin, the passing of the years and the out - with - the -
old decline of small - farm agriculture.
The other reason — which was never truly realized
in the
film — was that we were thinking of a hotel where the lodgers were
old people, the insane, the physically handicapped, because all the others had left for the war.
She died
in the first
film (8 - year -
old spoiler alert) but the third and now fourth installments are prequels to the first two, showing Elise growing into to the
person she was
in the original
film.
The kind of faulty reasoning that Stanley Fish writes about so incisively
in the New York Times («So's Your
Old Man») derails meaningful discussions
in politics and
film criticism all the time, and it's so transparently bogus that I wonder how
people keep getting away with it.
The intensity of their debate lured
people to see new
films, and to see
old (especially
old Hollywood) movies
in a new way.
When Segel decides to give the penguin and the walrus a break, he rolls out the
old people who swear and adorable moppets — 50 First Dates is an example of how to turn what was probably an ambitious script into a star vehicle, catering to Sandler's fans by referencing Happy Gilmore and catering to Sandler himself by giving Rob Schneider a large role that continues Sandler's disturbing propensity
in all of his
films to demean every imaginable Asian target (Schneider himself guilty once before as the voice of an Asian waiter
in Eight Crazy Nights).
Eighty - one - year -
old Jacob, who has attended every festival since 1964 and became its chief selector
in 1978, added: «The job of feminists and of
people like me who like the work of female
film - makers is to say to him: «Are you sure there isn't somewhere a
film by a woman that deserves to be competing?»
The 38 - year -
old actor and the 24 - year -
old actor worked together
in the upcoming movie Tarzan and according to
People, romance rumors are heating up at the
film festival!
A small fleet of think pieces, blog posts and
old - fashioned
in -
person conversations have reached a common conclusion: «It's Marvel's riskiest
film yet!»
However, just as it's a predictable response that the majority of
people who saw Up were viscerally impacted by the first 10 minutes, the reaction to the
film as a whole has also become slightly stereotypical, summed up as follows: the so - called «Married Life» montage,
in which we watch the lead character, Carl Fredricksen, and his wife, Ellie, as they live their lives over multiple decades, culminating
in her death at an
old age, is excellent.
As the name implies, the
film is about all of the stupid ways
people died
in the
Old West, but it's also a tale of love and revenge.
The
film attempts at being a meditation on growing
old, and what it means to different
people at different stages
in their lives generally ring true.Various dream sequences, including a cameo part for a «Miss Universe» played amply by Madalina Ghenea, give us a sense of Fred's insecurities despite his outwardly confident manner.But it is
in the relationships where the story doesn't feel so true - and Harvey Keitel's character feels particularly under - done.
Consider that
old saw of a dwarf actor enlisted for a surreal dream sequence
in an art
film (already definitively put out to pasture by Tom DiCillo's Living
in Oblivion), here made «palatable» by having said little
person be a bigoted prig given to hiring Dutch whores and frequenting Ray's drug - dealer love interest (Clémence Poésy).
It glosses over a lot of his legal troubles, but there's enough here to suggest a sordid life behind the music, especially
in the
film's second scene, which sees an
older Brown threatening
people with a shotgun because one of them dared to use the bathroom
in a building he owns.
Although not quite as sharp and clever as the aforementioned Heckerling vehicle, Clueless, I Could Never Be Your Woman (its rather odd choice for a title is derived from a lyric to the 1997 White Town song, «Your Woman», covered by Tyler James
in 2005, the same year this was
filmed), is actually quite inventive
in its own fashion, with Heckerling drawing upon her own experience
in being an
older woman working
in a youth - oriented industry, making entertainment meant to appeal to
people about 30 years her junior.
«I don't know whether you can attribute this to ego or to being
old - fashioned, but I want my
films to be seen
in the movie theaters, where it's big and loud and there are lots of
people.
A rep for Brie confirmed the happy news to E! Online after the 32 year
old actress was spotting wearing an engagement ring at a screening for her new
film Sleeping With Other
People in West Hollywood on Monday.
It's not a wholly fresh plot, as we've seen cantankerous
old man's heart is thawed by spirited young
person many times before,
in such
films as True Grit, and especially Pixar's Up.
The
people who live there, at least the ones we stick with through most of the
film, are Moonee, Scooty, and Jancey, three kids no
older than 6, who run wild
in the vacation wasteland, pestering everyone they encounter, blissfully unaware of the strife of the adults around them.
There's a market out there for
people that want to see
older actresses
in a leading role and not just
in indie
films.
In a droll exchange with his former bandmate Ivan Schrank, played by Rhys Ifans, Schrank recalls the old adage «Youth is wasted on the young», to which Greenberg replies, «I'd go further, I'd go life is wasted on... people» — one of the few really funny lines in the film, basically summing up the message of the movi
In a droll exchange with his former bandmate Ivan Schrank, played by Rhys Ifans, Schrank recalls the
old adage «Youth is wasted on the young», to which Greenberg replies, «I'd go further, I'd go life is wasted on...
people» — one of the few really funny lines
in the film, basically summing up the message of the movi
in the
film, basically summing up the message of the movie.
South by Southwest is a nine - day cultural smorgasbord that strives to be everything to everybody: a blogger conference with bands, a music industry jamboree that shows movies, and a plain
old film festival where, hours
in advance,
people were already snaked around the block for the red - carpet opening - night premiere of The Incredible Burt Wonderstone.
Meanwhile, out
in the world, while the Academy was praising carefully crafted,
Old Left
films about gradual social change, Spike Lee was tossing garbage cans through windows trying to get
people's attention.
How the
film handles his growth as a
person amongst
old and new faces feels like a real journey this guy is taking to discovering himself
in the art of taekwondo.
But on this blustery Brooklyn afternoon
in November, the 34 - year -
old English - born actress — surprisingly delicate
in person, given the strength she projects on
film — is perched on a window seat
in a Cobble Hill café, laughing about her first professional heartbreak.
Documenting the evil growing inside two ten - year
old twins, writer - director Christopher Denham's Home Movie creates a completely believable
film in the much - maligned found footage genre, using mostly faux - Camcorder footage shot during holidays or special celebrations — those times when
people do actually
film things they want to keep as memories.
The
film, directed by acclaimed theater director Matthew Warchus (who just this week was appointed Kevin Spacey «s successor as the artistic director of the
Old Vic Theater in London), has that mix of social issues drama, culture clash, old people doing unlikely things, and Bill Nighy that so often proves a middlebrow crowd - pleas
Old Vic Theater
in London), has that mix of social issues drama, culture clash,
old people doing unlikely things, and Bill Nighy that so often proves a middlebrow crowd - pleas
old people doing unlikely things, and Bill Nighy that so often proves a middlebrow crowd - pleaser.
With books and
films like Half the Sky and Girl Rising capturing
people's attention, and the tragic shooting of 15 - year -
old Malala Yousafzai for advocating for girls» education
in Pakistan dominating international headlines, it's heartening to witness a big idea get bigger.
Designed to recognise, showcase and celebrate young
people's involvement
in film and education, the star - studded, red - carpet event will bring together
film industry professionals and young
people to shine a spotlight on the filmmaking achievements of 5 - 19 year
olds from across the UK, as well as recognising teachers» use of
film in the classroom, young
film reviewers, and exceptional
film clubs
in primary and secondary schools.