Sentences with phrase «people in the film describe»

In fact, «quiet» is how most people in the film describe her (that adjective pops up more than half a dozen times).

Not exact matches

Much like trolls» attempts to affect Black Panther «s status as a critical darling, the Twitter posts describing fake attacks at movie screenings also seemed to be part of a racist campaign meant to scare people away from theaters in order to hurt the film's overall box - office gross (again, a major fail).

The truth, Madam, the events that are described in the film took place decades ago, based on the allegations of one person.

The Beijing - raised, London - and Mount Holyoke — educated filmmaker shares with the American Honey helmer an interest in young people at the margins, a knack for eliciting fantastic performances from amateur or under - the - radar actors, and what film critic April Wolfe described to me as a «dream - like realism.»

As Robert Kennedy (played by Peter Sarsgaard) describes in the film, JFK never achieved as much with his presidency as he wanted to, but people still consider him one of the most memorable presidents.

But the glory of the film comes in act of celebrating those who are rarely celebrated, the people we would pejoratively but unavoidably describe as «everyday».

Arriving in full Ali G gear Cohen described the film «Room» as «a movie about a room full of white people.»

And now I worry that all the hype will actually deter some people from seeing the film, because when does one ever get in the mood to watch a film I personally described as «sobering and immensely difficult to watch»?

Highlights include: Cage introducing himself («I'm an American filmmaker»), describing why he likes this movie («I like seeing people from different cultures co-existing in a harmonious way... that's just good energy») and how it reminded him of Endless Summer, explaining how he knew Christensen's work in the films of his dear family friend George Lucas, and his abrupt end to the session.

«It's a shitty way to treat people, incredibly casual in its solipsism...» — pretty sure this describes most film reviews.

In describing the relationship, McKellen quoted the first film he worked on with Condon, saying, «There's a wonderful line in «Gods and Monsters» where James Whale, the English film director living in Hollywood says, «Making movies is the most wonderful thing in the world: Working with friends, entertaining people.&raquIn describing the relationship, McKellen quoted the first film he worked on with Condon, saying, «There's a wonderful line in «Gods and Monsters» where James Whale, the English film director living in Hollywood says, «Making movies is the most wonderful thing in the world: Working with friends, entertaining people.&raquin «Gods and Monsters» where James Whale, the English film director living in Hollywood says, «Making movies is the most wonderful thing in the world: Working with friends, entertaining people.&raquin Hollywood says, «Making movies is the most wonderful thing in the world: Working with friends, entertaining people.&raquin the world: Working with friends, entertaining people.»

How do you describe a film that exists in a universe where ghosts and people who can speak to them are real, but it's only casually a horror film?

Of course, public awareness and acceptance of transgender people is much greater now than it was when Boys Don't Cry — Kimberly Peirce's significantly more insightful film about Brandon Teena, a transgender man coming to terms with his self - described «sexual identity crisis» — debuted in 1999, thanks largely to visibility campaigns and presidential announcements (Barack Obama is the first sitting President to use the word in a state - of - the - union address).

If I were pressed to describe the thematic intention of this seemingly random, vulgar comedy, it would be to make the opposite of the «inspirational teacher movie» like Stand and Deliver, Lean On Me, and Dangerous Minds, by setting the film, not in the inner city, but in the suburbs, and making the teacher a morally challenged person rather than one of great character.

It's hard to describe without revealing too much, but few films gave me as much pleasure last year as watching Bird People open up in ways I never could have expected.

In his commentary for Cat People, director Paul Schrader described the Oscar - winning composer as an eccentric of sorts; appearing with a huge tape library of pre-recorded sounds, synth beats and emulations, which were multitracked and mixed down by Moroder for that film's final soundtrack.

It is produced by the same people who made the Enron film and the fund manager can be seen in The China Hustle's trailer describing the proliferation of Chinese equity market frauds as the largest financial crime in the last 25 years.

In the documentary film by Neel's grandson shown here, the artist describes how, when painting people, she «went so out of myself and into them» that afterwards she felt like «an untenanted house», encapsulating the intensity and estrangement in her portraitIn the documentary film by Neel's grandson shown here, the artist describes how, when painting people, she «went so out of myself and into them» that afterwards she felt like «an untenanted house», encapsulating the intensity and estrangement in her portraitin her portraits.

On - screen, one after another, people cast for the film in Wearing's native Birmingham describe the best moment in their lives and then how it fell apart.

• In Rio de Janeiro, the film describes how a surge of construction and related gentrification is displacing thousands of people living in hillside favelas — informal settlements that are home to 3 million of the city's 12 million residentIn Rio de Janeiro, the film describes how a surge of construction and related gentrification is displacing thousands of people living in hillside favelas — informal settlements that are home to 3 million of the city's 12 million residentin hillside favelas — informal settlements that are home to 3 million of the city's 12 million residents.

«Adaptational Attractiveness» is a phenomenon in the film and TV industry wherein, regardless of whether or not a character in a book was described as being homely or unattractive, characters are played by attractive people.