Sentences with phrase «people leave the theater»

People leave the theater either loving it or detesting it.
Said Frost: «Half the people leave the theater wanting a pint, half leave the theater and never want to drink again.»
Also, like many people I left the theater on December 15th of 2017 with... well with mixed emotions.
When people leave the theater more perplexed about why something is in a movie rather than accept what the filmmakers want, that is not a good sign.

Not exact matches

As we left the theater, Larry noticed that Beso, Eva Longoria's uber hip restaurant was across the street, so we stopped in for a wildly expensive glass of wine and some Beautiful People watching.
Wait, now when we leave the theater and see the news we will notice that the killers look like what they are; normal people.
Several people in the theater left after about 20 minutes.
Leaving the theater, there was no excited chatter, people didn't even wait through the credits.
It doesn't rain much in Austin — I considered bringing an umbrella, but left it behind, chiding myself for overpacking — but it's been raining for days, bringing the chaos level at the already - crowded Alamo Drafthouse to overwhelming levels as the crowds of people who usually mill around outside the theater converged with the throngs of adoring fans hoping to catch a glimpse of Tim Burton and Dolph Lundgren in the lobby.
But I personally believe that's what the best films should do — make you think deeply, feel deeply, and leave the theater a changed person in some way.
No doubt many people, upon leaving the theater, will be wishing they could step into a time machine of their own to go back a few hours and rethink their decision to see «HTTM2».
Leaving the theater I heard several people say this movie might be the new Rocky Horror Picture Show.
But it's also a sincerely strange movie, to the point where most critics — including me and the people I was seated near — left the theater scratching their heads.
And it's not just Catholics who have a visceral reaction: News footage filmed at movie theaters during The Exorcist's original theatrical run shows people, many of them women, leaving midway through the movie short of breath and clutching their chests.
While leaving the theater, I overheard several sets of people discussing the various actions some of the characters took and what they, the viewers, might have done in their stead.
While I still consider Brand to be quite a lunatic, I left the theater inspired by his story and impressed with him as a person.
In theaters January 4, the pic «Continues the legendary story of the homicidal Sawyer family, picking up where Tobe Hooper's 1974 horror classic left off in Newt, Texas, where for decades people went missing without a trace.
I know a couple of people who left the theater because the shakey cam was nausea inducing.
I must admit, I wasn't expecting much from Smart People, but left the theater with a large grin in hand.
People told me these things as they were leaving the theater.
I have literally never seen so many people get out of their seats to leave the theater and come back (often multiple times) than I did during this film.
I left The Greatest Showman having felt nearly the full range of feels a person can feel in a theater: trepidation, elation, fear, rage, conflict, bafflement, sugar high, swooniness, eyerollitude.
Motherhood is portrayed as many childless people like me envision, an absolute misery of an existence (I left the theater thinking thank god I don't have kids).
The movie falls apart at the end as Niccol is forced to complete Egan's narrative arc, but the filmmaker doesn't want people to leave the theater talking about a character.
«Swiss Army Man» could rightfully be called the unconventional buddy comedy of the decade, yet it's the score by Andy Hull and Robert McDowell that cues the audience that this story is meant to be serious within context, that the audience is indeed supposed to feel something, self - reflect, and leave the theater a better person.
That caused a domino effect, where people couldn't leave theaters on time and other screenings had to be pushed back or start with a less - than - packed house.
By this point, people were unwilling to accept Murphy in almost anything but wise - cracking comedies or semi-action vehicles, leaving theaters showing more suave comedies like The Distinguished Gentleman and Boomerang mostly empty after the initial opening week.
I didn't leave the theater rushing to tell people to see it.
(In last year's superb Sundance winner, Like Crazy, a similarly conflicted pair of on - again, off - again Anglo - American lovebirds were allowed to have rebound romances that were as complex and plausible as their own, so that we left the theater wondering if the characters might not have been better off staying with those people rather than reuniting.)
He had recently left part - time, clearly temporary gigs at the Film Society of Lincoln Center and SnagFilms («They're paying me to learn about VOD,» he said gleefully about the latter) to head the San Francisco Film Society, as close as he could possibly come to his dream of running a repertory theater somewhere outside New York that would become a destination for people like himself who could never get enough of the movies.
On Friday, November 13, 2015, a series of coordinated terrorist attacks in Paris left 130 people dead, 89 of them at the city's Bataclan theater (see «Beyond the Book»).
Unfortunately for most viewers who were relegated to their computer monitors at home, or a select theaters, we were left in the dark about the full gameplay demo that was shown to people in attendance, until today.
«I think the passion of this production is going to really draw people in and they're hopefully going to leave the theater with more questions than they had when they came in.»
At best people are going to leave the theater and maybe think differently about oppressive treatment of indigenous cultures and our consumption of non-renewable resources and that would be a good thing, right?
New stadium - seating theaters attract throngs of people, but leave traditional cinemas begging for patrons.
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