«We were testing all kinds of messages and all kinds of imagery, which included images of walls,
people scaling walls,» Christopher Wylie, a former employee at Cambridge Analytica, told CNN.
He told CNN's Don Lemon that while working for Cambridge Analytica, the team tested imagery of
people scaling walls and ideas like the «deep state.»
Not exact matches
Too many
people think they can't climb a rope or
scale a
wall because they've never been athletic, but believing you can learn and grow builds new skills, and grit.
When I did, I was more assertive — not always with the
people who worked for me (on a
scale of soft to hard leaders, I wasn't a marshmallow but I definitely wasn't a stone
wall), but definitely with the
people I reported to.
Cover Story The U.S. Marines are looking for the few, the proud —
people who can
scale walls, strike hard with lightning speed, and make life - or - death decisions in the heat of battle.
But currently, no material exists that allows everyday
people to
scale walls or transverse ceilings as effortlessly.
They have always been an effective way of making a point in a very visual way that anyone can understand, from the religious murals of the Renaissance to the political murals of the deep South and Northern Ireland; large
scale art doesn't just decorate blank
walls, it gets
people looking up and taking notice.
According to the
Wall Street Journal «The company also has
scaled back or halted some of Lab126's more ambitious projects — including a large - screen tablet — and reorganized the division, combining two hardware units there into one,
people familiar with the matter said.»
In addition to the potential for tick mapping and greater understanding about what is perceived to be a rise in the risks to dogs and
people from Lyme Disease, the emergence in four dogs in Essex of babesiosis, a life - threatening disease transmitted to dogs by infected ticks usually found in Europe, has highlighted the need for a major investigation on the
scale of the Big Tick Project, says Professor
Wall.
Features • Sci - Fi action / adventure combines aerial and on - foot combat for a totally unique third -
person shooter experience • Will's jetpack delives total freedom of movement allowing players to race against UFOs in high - speed chases and rain death from above onto unsuspecting otherworldly foes • Speed and
scale unmatched by any other action title: send Will zipping through tight corridors and then out into immense canyons and futuristic geoscapes • Gravity - defying vertical combat system, where moving up is the only way to bring your enemies down • Seemless transition between jetpack flight, ship - to - ship dog fighting and third -
person shoot - «em - up action all exists within the same level — not broken up into different «areas» • Unique grip system that allows the players to
scale walls by jumping from surface to surface and hijack UFO's while in mid-air • Huge bosses that require fast reflexes and aerial barnstorming manoeuvres to defeat • Developed by Airtight Studios, a new group featuring team members from the Crimson Skies series of video games
Tabrizian is best known for her large -
scale, orchestrated photographs of
people, which inevitably means parallels are drawn with Jeff
Wall, one of the contemporary art world's best known photographers.
[10] The
wall drawings tried to understand what «
people thought native art [was]» [10] by soliciting drawings from
people on the street and turning them into large -
scale wall drawings.
The show includes, amongst others, Let us see if a million
people can be silent, a full -
scale, site - specific
wall mural made of regular, diagrammatic waves, each one representing a font used to quote Fidel Castro.
While the largest of those works are more difficult to sell — not only because of their cost, but because most
people don't have a living room
wall that can accommodate a 14 - foot - tall artwork — «domestically
scaled works that are in the quintessential Laura Owens style are in high demand,» says the adviser Rob Teeters.
The full programme includes new work by three esteemed Malian photographs, a music programme curated by Band on the
Wall and The Manchester Museum, large -
scale installation from Barthélémy Toguo and Pascale Marthine Tayou and a summer - long creative programme designed to engage with a range of
people across Greater Manchester.
His photography - based
wall paintings are engaging, emotional and monumental in
scale, as they render social topics often featuring portraits of local children and young
people.
Mandy Harris Williams, an artist, writer, and educator, is exhibiting a large -
scale vinyl
wall text that takes the form of a prayer to «a concept
people call God.»
The show includes, amongst others, Let us see if a million
people can be silent, a full -
scale, site - specific
wall mural made of regular, diagrammatic waves, each one representing a font used to quote Fidel Castro; a series of fruit sculptures; a room installation made with modernist reclaimed furniture; a series of works on canvas and offset printed paper; and Years, a 6 metre high, fragile construction of rusty steel, a partition of numbers, namely of the years 1959 to 2008 in descending order.
«REITs have been telling
Wall Street for quite sometime that with size comes economy of
scale, synergies, ability to hire more qualified
people and a spread of risk over a greater base.