Sentences with phrase «people talk about the films»

The Hidden Gem: Want to see something off the beaten path, a title rarely mentioned when people talk about the films of Maurice Pialat?

The Hidden Gem: Want to see something off the beaten path, a title rarely mentioned when people talk about the films of William Friedkin?

The Hidden Gem: Want to see something off the beaten path, a title rarely mentioned when people talk about the films of George Miller?

Nothing more irritating to me then listening to people talk about films they havent yet seen — based on previous films they clearly did nt understand?

When people talk about a film's texture, I always think of Rosemary's Baby.

Not exact matches

«When I was in film school, no one ever talked about lighting nonwhite people,» Berkofsky said in this essential piece from Mic.

In the trailer, Fisher is preparing to film Star Wars: The Force Awakens, is helping her mother pack and talks about the way aging effects people, in reference to her mother.

Marisa Miller Wolfson, creator of the award winning documentary film Vegucated, took some time out to talk with me at the New York Green Festival about her film, her next projects, what inspires her, and easy first steps for people to take to transition to a healthier way of eating for personal health, the planet and the animals.

And why do are so many people talking down on the movie and saying a bunch of controversial, non-sensible feedback about the film?

We film one episode each day so it's so fun to see so many people come in and out, meet bakers and guests judges, and talk about cupcakes.

When people decide they want to sign up for the service, we spend about 1 to 2 hours talking with them and asking them questions about their tastes in music, film, food, places they've been, etc..

If subsequent roles in the films Layer Cake and Alfie weren't enough to get people talking about Miller, her sometime relationship with the latter film's star, Jude Law, certainly helped keep gossip columnists in business.

Naming names and letting people talk, this should be seen, and Kirby Dick (no kidding, that's the director) is a terrific filmmaker (THIS FILM IS NOT YET RATED, if you haven't seen it, please do - right now) and he obviously feels passionately about this.

That aspect of the film is clearly in a fight with all the «why did you come here» Syd Field motivational padding between its troubling setpieces, and it's a very studio - suit move to assume that the only way to give «meaning» to a film is to have people talk about it.

Even Spielberg had trouble with this — «Munich» might have been the best film of 2005, but 13 years later people only really talk about Eric Bana's sweat level during that climactic sex scene.

If what you want is to hear people talk about Petit (including Petit), you might as well buy a copy of the memoir upon which the «The Walk» is based, or watch James Marsh's great 2008 nonfiction film «Man on Wire,» which includes so many re-enactments that it's half a drama, anyway.

Director Kapur — who can be quite fascinating in person — provides a dull commentary track, not helped by the fact that he's trying to talk seriously about such an awful film.

They talk about whether this could become a tour, using film to give people the experience of being on the stage, and the ambiguous ending.

It is unlikely for you ever to be able to say the words «Les Misérables» and have people know that you are talking about the 1998 dramatic film.

Since word came on Tuesday that Warner Bros. is developing a reboot of The Wachowski's groundbreaking 1999 film The Matrix, it got many people talking about how The Matrix should never be rebooted, or how now is the perfect time for a reboot of the franchise.

«It wasn't until I saw Greta talk about the film and making it and putting it together, and how all of this came from her and she's done something brilliant that people truly love and it's a great piece of work that I thought, «Oh yeah, I do want to do this now and maybe I could actually do it,»» Ronan adds.

I always go out of my way to talk about the other people I meet at the festival, and not just the films, because they are just as important as the movies.

I think people start to understand, «Oh this is going to be a funny film,» despite what we're talking about.

PH: A few years ago, I was an actor in a film called «Rudyard Kipling's Mark of the Beast,» and while on the set a number of people were talking endlessly and enthusiastically about the Tommy Wiseau film «The Room.»

This week in home video releases features one of the most talked - about films of last year, a trilogy from one of America's best directors, a documentary about the people who launched the careers of John Belushi and Bill Murray, the sequel to one of the best horror films ever made, and much, much more.

In each of these, the trade gathers a set of people involved in various films likely to be highlighted in the awards season, and just allows them to talk about making movies.

Talking with «People» magazine about his role in the new horror film «Happy Birthday,» the singer reveals he's been bitten by the acting bug.

People are getting to see the film and talking about the film and everything.

This is one of the best performances of 2017, presuming it comes out this year, in a film that I think a lot of people will be talking about.

There's been a lot of talk about comic book movie fatigue these days, but the people at Marvel Studios clearly aren't letting that affect their productivity, because just like fellow Disney - owned company Pixar, they've continued to deliver the same high - quality films as when they started.

Now I write for a variety of different websites, I still do my video thing, and most importantly, I get to talk about film with incredible people who broaden my mind on a daily basis.

Director Tom Hooper and star Alicia Vikander of The Danish Girl — a biopic about Lili Elbe, one of the first people to undergo gender reassignment surgery — talk to Benjamin Lee about the rise of transgender stories, the controversy over casting cis - gender actor Eddie Redmayne in the lead role and whether they're nervous about how the trans community will receive the film

Every time I talk to someone about how much I enjoy watching Hardy and how much I look forward to his next film, I have to remind people who he is.

As a window into the auteur's late - career preoccupation with adolescent angst, «Bertolucci Makes The Dreamers» is illuminating, bookended as it is by telling quotes («When I'm with these kids, I feel the same age» and «Maybe I didn't talk enough about young people when I was young») that make one wish Bertolucci would do a film about the vanishing act of youth rather than these pitiful attempts to trap it in a jar.

The Emmy award - winning filmmaker talks about why she filmed the documentary, challenges with the film and what she wants people to take away from it.

There's also a little talk about Kevin's person 24 - hour horror movie marathon and what films he was compelled to watch.

The less you know about «Trash Fire,» the better, but know that it's one of those genre films that people will be talking about all year.

Also on this podcast you'll also hear Karina Longworth talking about the Golden Age of Hollywood, Slate culture writer Aisha Harris (host of the show Represent) on the importance of representation of women and people of color in Hollywood and film awards, actor Paul Scheer on some of the worst movies ever made (which he talks about on his own podcast that he co-hosts with his wife, actress June Diane Raphael, and their pal and fellow actor, Jason Mantzoukas.

A Carpenter film people don't talk about as much as the others?

While he talks, I can't decide what's more telling: the fact that Lanthimos, the most talented Greek director of his generation, has just made a film about dead people; or the fact that he's now quit Greece to live in Britain instead.

During the 30th anniversary of Aliens many people from the film talked about the future of the franchise, last we heard it was from James Cameron talking about Neill Blomkamp «s «very strong» script for Alien 5 and Sigourney Weaver revealing her commitments to the Avatar sequels had further delayed the film.

Many people have been wondering just how the film came to be, and an extended featurette has made its way online with Moore talking about the inception of the idea, some of the difficulties he and his extremely small crew had completing the film, and much more.

These films not only tell you what people were talking about, but how they were thinking.

The comparison is apt and obvious, though I doubt people will be talking about this film 8o years from now the way we still revere that 1939 Judy Garland classic.

We talked about how his life changed after winning the Oscar for Whiplash, if people now say «Academy Award Winner» in front of his name, his first day filming Zack Snyder's Justice League, the look of Jim Gordon, and more.

Later that same day, I got to talk with Millicent Simmonds and Noah Jupe about the film and we had a great conversation about their careers, working on the film, and how important it is for deaf people to be represented in the film.

There are a few other people in the film, but taking the time to talk about them would be pointless.

During my extended interview Reeves, we talked about what he learned from early screenings, how the first people to see the film were J.J. Abrams and Drew Goddard, Andy Serkis» amazing work as Caesar, how Woody Harrelson contributed a lot to his character, how his first cut of the film was a lot longer and he ended up with fifteen to twenty minutes of deleted scenes, future Apes movies, and so much more.

The film opens with a voice over of Ramirez talking about the stories of the Devil that his grandmother used to tell him where it would always start with a suicide and then boom we get a suicide, then he would get a group of people together and they would all be killed by the end of the story.

Before talking about the quality of the film, most people expressed their opinions on a scene that focused on violence towards a helpless animal.