Sentences with phrase «percent of the box office»

The rise of territories such as China, Russia and South Korea has spurred a 33 percent growth in the international box office, and foreign markets contributed 70 percent of box office grosses in 2013.

MoviePass says it impacted 10 percent of box office performance for these movies.

Not exact matches

Studio revenue for the quarter increased 22 percent to $ 2.1 billion, powered by the box - office success of «Star Wars: The Force Awakens» and animated movie «Zootopia.»

While movie theaters nationally had a 3.4 percent drop in box office sales, the Alamo Drafthouse chain had an increase of 2.6 percent over 2010.

Films Directed: 16 Films Over 85 percent on Rotten Tomatoes: 8 Closest to a Box - Office Blockbuster: «School of Rock» ($ 81.2 million)

Based on data from Box Office Mojo, the blog reports that «China accounted for $ 500 million or just 7.7 percent of the $ 6.5 billion worldwide net revenue» from the thirty - two films that Hollywood got into China last year on a revenue - sharing basis.

With just under eight percent of global revenues coming from China, there is still plenty of upside for Hollywood, even factoring in the slowing growth of the Chinese box office.

(Though Black Panther performed respectably overseas, it's the rare box office hit that made more than 50 percent of its gross domestically.)

Net income for the quarter rose to $ 1.3 billion from $ 754 million in the same quarter a year ago as the company saw its Home Box Office revenue grow nine percent to $ 1.3 billion and the Lego Movie and 300: Rise of an Empire brought in $ 450 million and $ 330 million, respectively at the worldwide box offiBox Office revenue grow nine percent to $ 1.3 billion and the Lego Movie and 300: Rise of an Empire brought in $ 450 million and $ 330 million, respectively at the worldwide box oOffice revenue grow nine percent to $ 1.3 billion and the Lego Movie and 300: Rise of an Empire brought in $ 450 million and $ 330 million, respectively at the worldwide box offibox officeoffice.

At the time of its release, he signed an exclusive contract with Paramount for ten million dollars and 60 percent of his box - office profits, the biggest payday of its kind in Hollywood history; at its peak, his popularity was so great that he ev

The overall box office is running nearly 20 percent behind last summer's record season, and while this weekend was still about 13 percent behind the same frame last year, the strong performances of the top films is an encouraging sign.

During Rothman's first year in power, 2015, Sony Pictures accounted for only 8.4 percent of overall North American box office, besting only Warner Bros. among major players like Universal, Paramount and Fox, according to Box Office Mobox office, besting only Warner Bros. among major players like Universal, Paramount and Fox, according to Box Officeoffice, besting only Warner Bros. among major players like Universal, Paramount and Fox, according to Box Office MoBox OfficeOffice Mojo.

Gravity's galactic release weighed heavily on the rest of the box office, including fellow opening film Runner Runner, starring Ben Affleck and Justin Timberlake, which experienced less than 15 percent of Gravity's debut, with a $ 7.9 - million domestic opening (3rd).

Not only does it feature the first African - American lead in the Marvel cinematic universe — a franchise that has still made $ 13.5 billion USD at the global box office over the past 10 years while seemingly ignoring 13 percent of the United States population — but it also reveals a new set of rules for how drum up fan enthusiasm.

According to the Center for the Study of Women in Television and Film, over the past three years, only 1 to 2 percent of composers working on the top 250 films at the box office were women.

The 2001 original was a commercial and box office success, while its 2004 sequel «Bridget Jones: The Edge of Reason» scored measly reviews and has a score of 27 percent on Rotten Tomatoes.

He says that an average subtitled film will take 85 percent of its box - office gross out of theaters in only eight North American cities, and will never play at all in most of the others.

Because of the massive success of Infinity War, the box office is up 4.9 percent for the year, and a slew of blockbusters coming up are hoping to continue the success, including Deadpool 2 and Solo: A Star Wars Story just one week later.

«The industry has its work cut out for it to make up that nearly 5 percent deficit as we hit the home stretch of what has been an incredibly volatile box - office year.»

Female ticketbuyers made up nearly 40 percent of the film's $ 35 million weekend take at the box office.

And with a rapturous A + CinemaScore from younger - skewing audiences (55 percent of those polled were under the age of 25), the film will likely hover at or near the top of the U.S. box office charts for weeks to come — something that critics won't mind, for once, given that the film also sits at an impressive 96 percent on Rotten Tomatoes.

Searchlight represents just a sliver of the theatrical marketplace — usually around 1 percent of any given year's box - office receipts.

The final tally was a box office gross of just over $ 500,000 (against a $ 15 million dollar budget) and a Rotten Tomatoes score of 13 percent — ouch.

A surge over the past month has attendance running 4 percent ahead of last year's, said Paul Dergarabedian, president of box - office tracker Exhibitor Relations.

Despite this summer's drop of almost 22 percent from last year in U.S. box office gross, there were many megablockbusters in 2016 that managed to keep Hollywood on an even keel.

Batman v Superman: Dawn of Justice, the movie all your friends are complaining about on Twitter, took a box - office nose dive of 68 percent in its second weekend — down to about $ 58 million.

That movie was a success by pretty much any available metric: box office (an eye - popping $ 980 million worldwide), critical appraisal (89 percent approval on Rotten Tomatoes), and the countless millions of American children (two of whom reside in my house) who spent weeks singing the movie's anthem, «Let It Go» — a likely shoo - in for Best Song — from the moment they got up in the morning to the moment they were asleep at night.

Get Out is unequivocally one of the most celebrated films of the year — another massive box office success from Jason Blum's Blumhouse Productions, grossing more than 50 times its $ 4.5 million budget, and the owner of a 99 percent Rotten Tomatoes score.

It's also worth noting that earlier Thursday, the San Diego State Center for the Study of Women in Television and Film released its annual report on the state of the film industry and found that the percentage of women directing films in the domestic top 205 for box office actually dropped in 2016, down from 9 to only 7 percent.

According to a study from the Sundance Institute and Women In Film Los Angeles, 23.9 percent of the directors at Sundance are female, compared to the 4.4 percent of the top 100 films at the box office.

The strong box - office weekend — up 21 percent from the same weekend last year — bodes well for Hollywood ahead of the arrival of «Skyfall» and the upcoming holiday movie season.

According to Box Office Mojo, the two comic - book - based films that had biggest second weekend drop - offs were 2010's «Jonah Hex» and 2003's «Hulk» (both 69.7 percent), although they didn't open nearly as huge as both of this year's Warner Bros..

Making the prospect of more Shades even likelier is the film's heavily female (75 percent) and majority under 30 (55 percent) audience, a once - dismissed demographic group whose power at the box office continues to grow.

Despite a few strong performers, the year's total box office fell short of 2016's record year, coming in approximately 2.8 percent under last year's haul.

According to Box Office Mojo, during the 2012 holiday season, 94 movies opened and grossed $ 2.6 billion, an increase of 23.8 percent from the year before.

The Box Office will be a model of a small, energy - efficient building, using 25 percent less energy than a conventional new office buiOffice will be a model of a small, energy - efficient building, using 25 percent less energy than a conventional new office buioffice building.

You can see that at 12 percent of total box office, it's the lowest percentage and absolute amount of ticket sales for 3D movies since 2009.

The box office contribution of 3D showings dropped in 2017 to 12 percent of the U.S. and Canada's $ 11.1 billion total take, its lowest point essentially since 3D movies became a thing.

It says it currently buys about 3 percent of the domestic box office, but when it tweaked some things in its app — things it only described as «a series of levers within its app and marketing - based platform» (uh-huh)-- it could move the needle even further.

That 28 percent year - over-year increase means China is closing in on the U.S., the world's largest film market, which is expected to see approximately $ 11 billion of box - office revenue in 2016.

AMC Entertainment leads the industry in per - screen revenue at its 232 theaters and 3,544 screens with an estimated 14 percent of the North American box office, says Krutick.