Sentences with phrase «perception of the abstract painting»

Expand your perceptions of abstract painting at this opening celebration that features three Inherent Structure artists who address the legacies of abstraction through their distinctive but ever - evolving approaches.

Not exact matches

Caivano's works incorporate an uncompromising yet individual approach to the tradition of abstract painting, drawing as much on unique perceptions of colour, space, texture, volume and light as on art history.

We can say that it is abstract, non-objective, about colour and form and our perception of those things, but we live in an age of plastic, so much more baggage to look at paintings with.

An abstract painting is not a reference; it's not a picture; it's a perception of the painting.

Brookes» art masterfully melds a deep knowledge of science to create bright, intensely detailed paintings that abstract drug compounds, molecules, atoms and hallucinogenic states to heighten viewers» sensory perceptions and reactions.

Think of an Ellsworth Kelly: an abstract consideration of the relationship between figure and ground; a conscious questioning of the conditions that underlie perception; an exploration of the relationship of painting and wall, sculpture and space, viewer and work.

Perhaps artists, like Mr. Kreimer, by exhibiting both realist and abstract works of art, are moving the subject of painting away from presentation of an image and toward the act of perception.

In this new work, introduction to his upcoming exhibition in the fall, a discarded umbrella alters our perception of an otherwise abstract color - field painting.

Divided into three sections, the writings reveal Riley's relationship to different topics over time, including the term «abstract», the influence of Georges Seurat and Paul Cézanne, the role of color and painting throughout art history, the importance of perception, and much more.

Lapin and Miller both practice abstract painting, as the distillation of perception, although Lapin's moody palette, with erasure, smear, and blur, was a departure from her earlier, landscape paintings.

This exhibition consists of illusionistic compositions — rendered somewhere between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of space and reality to create photographs that appear as abstract paintings.

The paintings in this exhibition are brought to life with the artist's masterful use of color and continual shift of perception, moving between the margins of the literal and the abstract.

On view in PC — G's Reilly Gallery, this group exhibition consists of illusionistic compositions — rendered somewhere between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of space and reality to create photographs that appear as abstract paintings.

Assuming that my perceptions of Anne Smart and John Pollard's paintings have any accuracy, a comparison between my account of their work and Pollock's reveals that an enormous shift in thinking about abstract art has taken place.

His painted photographic prints combine airbrushed acrylic paint and abstract photographs while cleverly incorporating external elements such as variations of light, space, and time, with the intention to raise questions about perception and how we relate to various media.

The 1970s were marked by «crosshatchings», an abstract pattern which dominated the paintings, while it was the variety of images that engaged with the ambiguities of perception and themes of memory, sexuality and contemplation of mortality which were introduced in the 1980s.

The murals, which comprise of abstract paintings based on Ogham (an early Celtic written language), demonstrate some of Ireland's / O'Doherty's key concerns throughout his sixty - year career; namely those of Irish language, identity and perception.

Stephen Bram's site - specific, mural - scale wall painting continues the artist's ongoing exploration of the relationship between abstract painting and the representation of architecture and spatial perception.

Throughout Georgia Noble's vivid abstract works, her objective is to exceed the conventions of customary paintings of landscapes that instead award the spectator with an illusion of space that travels outside the physical and real to conjure a perception of somewhere «other».

Seidl maintains dual and equally intense practices in painting and photography, essentially exploring the same formal concerns, creating work in both mediums that draws us into her world, encouraging contemplation and challenging our perception of the often thin line between reality and abstracted memory.

Fusing landscape photography with painted shapes and abstract forms, the artist explores themes of visual perception and reproduction, all the while challenging the boundaries of painting as a medium.

A citation read during the ceremony said, «As an abstract artist, he uses «casting,» acrylic paints, and compounds to create new surfaces and textures, challenging our perceptions of shape and color.

The exhibition aims at renewing the perception of color and the ways it is used in abstract painting.

Tagged as: abstract art, abstract expressionism, art, art installation, art news, DoNArTNeWs, DoNArTNeWs Philadelphia Art News Blog, drawings, Lilliana Didovic, Main Line Art Center, mixed media art, Multimedia Art, oil paintings, paintings, Perceptions of Reality and Dreams, Philadelphia, Philadelphia Art Galleries, Philadelphia art shows, Philadelphia history

Influenced by Dutch architecture and formalistic, abstract painting, Mullen explores our perception of reality, space and emptiness.

Thornton is interested in the perception of pictorial space, and his paintings are typically colourful and ambiguously suggestive of both abstract form and recognisable figuration.

Currently fusing fluid sketching and charcoal work styles from his past with spray paint and distress techniques that he has developed over the years, the viewer will notice major differences in genre between the 2009 and 2010 works: while the current pieces dive into a more figurative and abstract realm, the 2009 series of paintings «With Great Power Comes Great Responsibility» focuses more on a comic - themed visualization of the all - too - human defects of character, faulty perception, and skewed sense of humor.

From such a perspective, James's art can be seen as resisting the dominant narratives of abstract painting by repurposing the affective qualities of perception, and in so doing, her work allows for a new understanding of how identity functions within the field of image production.

In the late 1990s Rosenquist began a new series, The Speed of Light, in which he explored themes of space, light and relativity in vibrantly colored, abstract paintings and has continued to explore the perception of time and space in his most recent work.

Whether creating bold abstract paintings, sculptural mixed media compositions or meticulously formed handmade paper works, Jaramillo has forged a unique voice, experimenting with material and process to pursue her ongoing explorations of human perception of reality.

As an abstract artist, he uses «casting,» acrylic paints, and compounds to create new surfaces and textures, challenging our perceptions of shape and color.

In discussing the place of painting and sculpture in the culture of our time, I shall refer only to those kinds which, whether abstract or not, have a fresh inventive character, that art which is called «modern» not simply because it is of our century, but because it is the work of artists who take seriously the challenge of new possibilities and wish to introduce into their work perceptions, ideas and experiences which have come about only within our time.

awards research enabling grant $ 7500.00, university of north texas, 2010 junior faculty fellowship $ 5000.00, university of north texas, 2010 purchase award, 1st national bank, columbia, mo 2008 fellowship, vermont studio artist colony, vt 2000 jessie rickly award, st. louis artist guild, st. louis, mo 1996 graduate fellowship, university of washington, seattle, wa 1990 national fine art award, binney and smith, usa 1988 bibliography • light and depth at bruno david by ivy cooper, special to the beacon november 11, 2008 • laura beard, catalog, bruno david gallery, essay by charles schwall, november 2008 • fresh paint, fresh faces, inaugural columbia invitational, courtesy of jason pollen by ladan nikravan vox magazine, october 9, 2008 • comments and reviews of visual art, st. louis: open studios tour by rob miller 2008 • perception / abstraction, laura beard aeling and gary passanise, by megan peters, the review, 2007 • varied show of bold abstracts revels in the joy of paint by teresa callahan, west end word, october 2004 • contemporary moves by sydney norton, west end word, october 2004 • laura beard aeling - winterkill at the st. louis ethical society by jeff daniels, art critic of the st. louis post dispatch, february 23, 2003 • something for everyone, by kate hackmen, kansas city star, june 29, 2001 «fresh raises expectations for the new», by caprice stapley of the review, july 2001, vol 3, # 9 • abstraction for the sensory overload by ben shockey, the review, 2001 • driven to abstraction by robin trafton, kansas city star, march 30, 2001 • landscape go in all directions by jeff daniels, art critic of the st. louis post dispatch, july 9, 2000 • this just in... painting still alive by jeff daniels, art critic of the st. louis post dispatch, summer 2000 • excavations: new paintings by laura beard aeling by jeff daniels, art critic of the st. louis post dispatch, mar. 19, 2000 • new american paintings volume 23, 1999 (national distribution) •: surreptitions by jeff daniels, art critic for st. louis post dispatch, april 1998 • extirpate by jeff daniels, art critic of st. louis post dispatch, december 17, 1997 • extirpate by eddie silva, art critic of the river front times, december 1997 • route 66 brings real art to life by Stephen weeks, the independent, september, 22, 1992 • artist converge for route 66 revisited exhibit by stephen weeks, the independent, gallup, nm, september 18, 1992 • route 66 art show a must see at red mesa by gaye brown, the gallup gazette, 1992 • primarily paint at the laguna gloria art museum laguna gloria art museum, 1990

Robert Davis» abstract mixed media paintings strive to alter sensory perception of everyday materials, manipulating them upon a flat surface to challenge their chemical capabilities.

About Blog On March 31st 2005, Peter Jacobs created a 9 by 12 inch collage using that day's local newspaper, and have continued that process without interruption every day since.They are paintings with paper, theatrical stages of abstracted color and rhythms, layers that imbue surreal narratives, symbolism hidden in humor, the irony of culture, and pure visual perception.