Unless one has an innate
perception of the world which is evident in the scripture of your choosing, do not assume you should be recovering.
When I ask about Steciw's inspiration, Blomfield points me in the direction of The Overloaded Man, a short story J.G. Ballard in which the protagonist, suitably named Faulkner, narrows
his perception of the world which in turn becomes nothing more than an array of abstract forms and colours.
Not exact matches
But bond investors have continued to flock to the debt
of the United States,
which as the
world's largest economy has retained the
perception of a financial safe haven.
The list was compiled using YouGov BrandIndex,
which tracks consumer
perception of brands through daily nationally representative surveys in 15 countries around the
world.
Michael Lewis, author
of «Moneyball» and «The Blind Side,» speaks with Eric Topol about his latest book, «The Undoing Project,»
which delves into the
world of perception and cognitive bias.
These 10 are the brands
which accomplished the best
of both
worlds in 2017: they grew their share
of potential sales revenue in their respective categories, while increasing positive consumer
perception for their brands across multiple factors.
That faith, plus other
perceptions about our personal lives and the course
of human history, provided a dimension to our stories that I call their setting: the
world the story sets in
which story's plot can credibly unfold and its character develop.
The man who is wholly taken up with the demands
of everyday living or whose sole interest is in the outward appearances
of things seldom gains more than a glimpse, at best,
of this second phase in our sense -
perceptions, that in
which the
world, having entered into us, then withdraws from us and bears us away with it: he can have only a very dim awareness
of that aureole, thrilling and inundating our being, through
which is disclosed to us at every point
of contact the unique essence
of the universe.
Bolter is interested in the ways in
which the computer, by the way it works with data, influences our
perception of and interaction with the
world.
Part
of the difficulties
of Cartesian philosophy, and
of any philosophy
which accepts [presentational immediacy] as a complete account
of perception, is to explain how we know more than this meager fact about the
world although our only avenue
of direct knowledge limits us to this barren residuum.
Perception is an active process in
which a person trains attention on part
of the
world and struggles to filter out irrelevant detail so as to discern the important features
of the «facts» and to locate them in their context
of meaning.
For White - head it is in the influence
of a
world that is there for
perception, stubborn fact not to be avoided, the ground from
which the experient occasion must arise, the elements that must be taken into account.
Insofar as it treats the relatedness
of prehensions, this has to do with strains
which are closely associated with the
perception of the con - temporary
world in presentational immediacy.
In contrast stands the more basic
perception in the mode
of causal efficacy;
which «is our general sense
of existence, as one item among others in an efficacious external
world» and «
of derivation from an immediate past, and
of passage to an immediate future»; its data «are vague, not to be controlled, heavy with emotion.»
We have seen that research in nonhuman experience corroborates Whitehead's epistemological scheme in
which perception takes the two forms
of causal efficacy and presentational immediacy, propositions and concepts are primarily nonlinguistic, feeling is the dominant mode
of world - and self - disclosure, and animals experience both morally and aesthetically.
While, Whitehead says, the clear, distinct, and conscious impressions
of the mind are «handy» and provide «the manageable elements in our
perceptions of the
world,» they are not what is most real or most important.11 It is the things in the
world which matter most:
Whitehead was a philosopher who seemed to have experienced the
world in much the same way that Suchocki had, and his
perception of the nature and dynamics
of the
world was expressed in a comprehensive metaphysics
which seemed meaningful to Suchocki in light
of her experience.
One root
of cause
of this splitting,
which results in the exclusion
of the spiritual, is a
world view that emphasizes one pure mode
of perception (presentational immediacy) over against the other pure mode (causal efficacy).
«7 It is the former mode
of pre - or subconscious
perception — exhibited in the behavior
of bodily organs and tissues, manifest and directly observable also throughout the sentient but nonhuman
world, and bearing a close resemblance to William James's «stream
of consciousness» or «blooming, buzzing confusion» — upon
which our conscious knowledge
of the «causal nexus» may be grounded.
Although its real use is the existential or metaphysical use
of clarifying our original confidence in the worth
of life, the terms and categories in
which it speaks are not derived from our inner awareness
of our existence in relation to totality, but from our external
perception of the
world by means
of our senses.
In the psychopathic temperament we have the emotionality
which is the sine qua non
of moral
perception; we have the intensity and tendency to emphasis
which are the essence
of practical moral vigor; and we have the love
of metaphysics and mysticism
which carry one's interests beyond the surface
of the sensible
world.
In any event, when we talk
of the church in these matters, we must assume that the church is neither religion nor art, but the institution in and through
which the Christian
perception of religion is manifested, nurtured, and proclaimed in the
world.
On the contrary, his
perception of both God and the
world was so utterly harmonious that he was able to describe each from a vantage point
which can not be surpassed.
Both «symbolic reference» and «propositional feelings» have receptive and imaginative aspects; but, whereas Whitehead emphasized the former, cognitive aspect in his discussion
of «symbolic reference,» as a rebuttal to Hume and Kant, he emphasized the latter, creative aspect in his discussion
of «propositions,» an emphasis needed to counter «the interest in logic, dominating over-intellectualized philosophers,» among whom «aesthetic delight» is eclipsed by «judgment» (cf. PR 184 - 86 and WH 33) In «symbolic reference» a dim, but indirect, mode
of perception («causal efficacy») is combined with a clear, but indirect, mode
of perception («presentational immediacy»),
which produces a sense
of the external
world.
First, he distinguishes from classical empiricism a revisionary description
of experience according to
which sense
perception is neither the only nor even the primary mode
of experience, but is rather derived from a still more elemental awareness both
of ourselves and
of the
world around us» (PP 78).6 On Ogden's analysis, both the classical and this first type
of revisionary empiricism «assume that the sole realities present in our experience, and therefore the only objects
of our certain knowledge, are ourselves and the other creatures that constitute the
world» (PP 79) 7 With these «two more conventional types
of empiricism» he contrasts a «comprehensive» type
of revisionary empiricism distinguished from them by its consideration
of the possibility (and then also by its claim) that the internal awareness it asserts together with the former revisionary type is «the awareness not merely
of ourselves, and
of our fellow creatures, but also
of the infinite whole in
which we are all included as somehow one» (PP 87, 80, 85).
It is the
world felt in
perception in the mode
of causal efficacy and not that felt in the mode
of presentational immediacy to
which humanly entertained propositions can correspond.
«4 This vague sense
of interpenetrating processes constitutes the raw material out
of which adverbial
perception arises and is the basis for our naive confidence that our
perceptions refer to something «real» in the external
world.
If by the latter we mean the description
of familiar objects
of perception or
of the objects
which science defines by its methods
of observation and measurement, then the reference
of poetic language projects «ahead»
of itself a
world in
which the reader is invited to dwell, thus finding a more authentic situation in being.
What it does is to create another
world of perception, value, and power
which permits alternative acts.
He explains that «According to this account,
perception in its primary form is consciousness
of the causal efficacy
of the external
world by reason
of which the percipient is a concrescence from a definitely constituted datum.
Because
of the relative shallowness
of the
world as grasped in secondary
perception our symbols,
which borrow their first intentionality from this immediate
world of sensation, are never adequate to their second intentionality.
At any moment this has a focus, but one
which shifts continually, now on
perception of the outside
world, now on a memory
which has somehow been stored out
of mind (perhaps for many decades), now on an emotional state, now on a toothache, now on construction
of an abstract pattern
of thought, now on communication with others, but again and again on the often painful process
of choosing among courses
of action, and then
of acting.
But because the
world of sense
perception is too shallow to contain the depth
of importance resident in the whole
of reality the symbols
which employ material from this shallow
world (as their first intentionality) always remain somewhat off - shore in deeper waters where they appear to us only in a refracted visage.
Therefore, we should not expect our religious symbols to have the clarity
of scientific discourse
which deals predominantly with the
world that can be correlated with secondary
perception.
Schubert Ogden speaks
of «nonsensuous
perception,»
which involves «an awareness
of our own past mental and bodily states and
of the wider
world beyond as they compel conformation to themselves in the present.
And he calls our experience
of the contemporary
world, behind
which there lurks the deposit
of accumulated past experience,
perception in the mode
of presentational immediacy.
Ultimate interpretive models — whether
of a personal God or
of an impersonal cosmic process — are organizing images
which restructure one's
perception of the
world.
Fresh insights from feminist theologians, gay Christians, and those secular scholars who frequently manifest God's «common grace» in the
world remind us
of the numerous ways in
which our particular sexual conditions color our
perceptions of God's nature and presence among us.
He analyzes the development
of human consciousness, from its immediate
perception of the here and now, to the stage
of self - consciousness, the understanding that allows man to analyze the
world and order his own actions accordingly.3 Following this is the stage
of reason itself, understanding
of the real, after
which spirit, by means
of religions and art, attains the absolute knowledge, the level at
which man recognizes in the
world the stages
of his own reason.
It stresses that «all peoples comprise a single community» and that from ancient times «there has existed among diverse peoples a certain
perception of that hidden power
which hovers over the course
of things».21 Reference is made to the contemplation
of the divine mystery in Hinduism and to Buddhism's acknowledgment
of the «radical insufficiency
of this shifting
world».
In general, it may be said that Merleau - Ponty's treatment
of commitment establishes: (i) the absolute commitment
of the body to the
world and
of the
world to the body, as the overarching schema
of all
perception and
of all experience; (ii) the relative, reversible, and replaceable commitments in virtue
of which the body realizes its absolute commitment.
By ignoring direct
perceptions in the mode
of causal efficacy, we reduce the
world experienced to aspects
which are immediately presented to the senses and to what we judge to be the possessor
of those characteristics.
/ 22 - 24, etc.),
which at the same time takes into account the infinite variety
of concrete
perceptions of the
world and
of facts, is only possible through a speculative systematization
which at the same time is empirically controlled in a multiplicity
of ways.
For example, for the frequently used word «events» (used in describing natural phenomena in space - time coordinate systems) he substituted the term «actual occasions,»
which for him gave a more accurate (and richer) picture
of «real» or «concrete» happenings in the natural
world.11 In this regard, he avoided the use
of such commonly employed metaphysical terms such as «sensation» and «
perception» — derived from seventeenth and eighteenth philosophers such as Locke, Berkeley, Hume and Kant — since for him they had a narrow psychological rather than appropriate epistemological meanings.
Whitehead does not yet want to call into question the common sense assumption that the
world is an actual unity: «we... endeavor to imagine the
world as one connected set
of things
which underlies all the
perceptions of other, unrelinquishable references to the
world (such as sense
perception»).
As James Bugental puts it, the main task
of existential therapy is to correct clients» distorted
perceptions of themselves and others,
which arose in an attempt to block awareness
of existential anxiety, and thereby help them «accept the responsibilities and opportunities
of authentic being in the
world.»
This experience arrives at certainty and at the «
perception of the thing» because there is present a typical constellation
of the
world which «is» the occurrence
of things and sense
perception.
With a similar aim as in MC, Whitehead conceives the
world as «one connected set
of things
which underlies all the
perceptions of all people» (IM 41).
Everything works together to lead «the called - one» to this understanding: earthly and heavenly powers, the natural and physical modes
of existence, the driving psychical powers, the inner impulse and outer guidance, the
perception of the
world and its experiences, the secret revelation
which lies in the consciousness
of his own being.
This nakedness, «this seeing each other is not just a participation in [an] «exterior»
perception of the
world, but has also an interior dimension
of participation in the vision
of the creator Himself... Nakedness signifies the original good
of God's vision through
which the «pure» value
of humanity as male and female, the «pure» value
of the body and
of sex, is manifested.»